Tag Archives: higher education

Keeping Your Story Straight: Narrative & Storytelling in Dispute Mediation

By Sarah Schuster, HI Graduate Research Assistant

The Faculty Fellows seminar for December 5th was led by Dr. Madeline Maxwell, Professor in the Department of Communication Studies in the Moody College of Communication. In addition to discussing her research on conflict resolution, Dr. Maxwell discussed her work as founder and organizer of the UT Project on Conflict Resolution and the graduate portfolio program in Dispute and Conflict Resolution. Maxwell’s seminar took an unusual turn into introducing her topic, adding a note of intrigue in the form of a game.

Maxwell began by describing the disputes she mediates as ones that can threaten clients’ well-being fundamentally because of the risk they pose to clients’ personal narrative. Solutions, she noted, are often secondary to the issue of having a story that clients can tell themselves about the dispute and its resolution. She also discussed her plans to eventually write about storytelling in mediation, as well as mediation and conflict resolution as educational modalities. Teaching negotiation tactics can often be effective ways of teaching people how to work together and how to compromise, pedagogy that she has into practice with the Global Ethics and Conflict Resolution Summer Symposium. The Symposium provides high school students the opportunity to learn conflict resolution skills that apply to everything from personal disputes to global issues. Maxwell stated she would like to further explore the benefits of communication and conflict resolution skills training in education alongside her current work.

Maxwell then informed the group that they would be doing a short exercise to demonstrate the ways in which storytelling often coincides with conflict resolution. Two Fellows selected by Maxwell read from a prepared script, telling a fragmented story of two seemingly separate, unconnected events. The rest of the group was permitted to ask the two readers any question they liked about the stories, with the caveat that the readers could only answer “yes” or “no.” The goal, Maxwell explained, was to uncover the full story connecting the two incidents. The Fellows had a lively Q&A, though several details still seemed unclear. Finally, Maxwell and the volunteered Fellows told the entire story.

Through this exercise, Maxwell provided further context for her work, noting the fungibility of words and the inexact science of interpreting disputants’ meanings. Maxwell explained that disputants in mediation will often have spoken or unspoken agreements about what is to be disclosed in the session, which further complicate the role of the mediator. The seminar closed with a discussion of Maxwell’s future projects and goals, as well as a discussion of mediating as a profession and the  relationship between leadership and mediation. Maxwell explained that teaching leadership skills isn’t a matter of teaching people to be assertive, or forcing people into a perceived best outcome. Rather, it’s a process of listening, compromising, and actively finding an agreeable outcome for everyone in a group–what might be called a common story.

 

Computational and Biological Approaches in the Study of Literature

By Sarah Schuster, HI Graduate Research Assistant

Pramit Chaudhuri, Associate Professor of Classics at the University of Texas at Austin, led the Faculty Fellows seminar on November 7th. Dr. Chaudhuri presented his current work on Latin literary genre, using methodologies from the digital humanities. With collaborator T.J. Bolt, a Mellon postdoctoral researcher in the Classics department, and other researchers Chaudhuri is exploring the stylistic boundaries between literary genres in Latin, such as the relationship between epic and drama. Bolt and Chaudhuri used quantitative methods to uncover what differences and similarities exist between genres of Latin poetry, seeking distinctive features that accurately describe a given genre. Building from this work, Chaudhuri expressed interest in other ways to apply computational analysis or to present the data to a scholarly audience.

Chaudhuri opened the seminar by considering the lens of analysis other Fellows had used to discuss “Narrative Across the Disciplines.” Rather than focusing on the analysis or construction of individual narratives, Chaudhuri suggested that narrative across disciplines could be a research discussion in its own right. He encouraged Fellows to discuss primary and secondary narratives, to consider what narratives felt familiar to them, and whether genre was a meaningful or valuable classification for work within their fields. Chaudhuri noted that these questions were meant to aim Fellows towards considerations of form, rather than content.

After a brief discussion of these questions in small groups, the Fellows reconvened to discuss Chaudhuri’s project more broadly as part of his work as Co-Director of the Quantitative Criticism Lab. Given the range of disciplinary interests, Chaudhuri expressed his curiosity toward what considerations of form and genre might be most influential for the Fellows in their own work. Fellows responded with a variety of answers, but they also posed questions regarding Chaudhuri and Bolt’s computational method. Fellows were interested in the assumptions embedded in the project regarding machine learning, and to what extent computational approaches offer insights beyond that of more traditional methods. Some in the group wondered if the project could be expanded or combined with similar projects in linguistics, while others noted concerns regarding generalization over historical periods that might lead scholars in some disciplines to resist digital humanities projects. A lively discussion of Chaudhuri’s use of the term “cultural evolution” revealed how scholars in various disciplines deal with change. The seminar closed with the Fellows speculating on the implications of the project for Classics departments, from possible considerations (or reconsiderations) of genre to novel examinations of intertextuality at the level of syntax.

Why Public Investment in Higher Education Is Good for the Economy

By Lauren Schudde

Social mobility—where an individual rises above his or her social and economic origins—is a key feature of the American Dream. Today, education, particularly a college education, is the means through which a person “works hard” to “get ahead.” The individual stands to benefit from both the skills and the credential gained through higher education, reaping higher earnings and prestige through new opportunities.

But does higher education only offer private returns? Or does society—the public—stand to gain something from an individual attaining more education? This question is at the heart of the constant battle over state budgets across the country. Educational allocations have been among the first on the chopping block in the name of fiscal conservatism. The narrative that pursuing a college degree is the best way to advance one’s career bolsters support for the usefulness of higher education, but also undermines the understanding that public higher education serves the greater good.

Continue reading Why Public Investment in Higher Education Is Good for the Economy

Documenting the Power Struggle on College Campuses

Director Steve Mims discusses the making of Starving the Beast
By Steve Mims

Easily the best part of working on any film is that is thrusts you out into a world populated with potentially fascinating people. Documentary and fiction projects put you into proximity with people you otherwise would have never met, and sometimes in the company of experts in their respective fields. When Joe Bailey, Jr. and I made Incendiary: The Willingham Case, we got to spend an afternoon with fire scientist Gerald Hurst, a brilliant, personable, and opinionated expert in arson evidence and every imaginable explosive device.  We realized at the time that we were in the presence of a kind of genius. In our film he emerged not only as an impeccable expert, but a voice of wisdom that added a surprising, profound dimension to the film.

On the documentary film Starving the Beast (The Battle to Disrupt and Reform America’s Public Universities), producer Bill Banowsky and I got to hang out with and pick the brains of brilliant people well above our intellectual pay-grade: nationally recognized political strategists and academic experts who left us in a real sense of awe.  Among those were the University of Virginia’s brilliant media expert Siva Vaidhyanathan, University of North Carolina at Chapel Hill’s poverty center director and activist Gene Nichol, and political strategist and wit James Carville. We would have never met them without the effort to make the film. Their contributions to the film are absolutely vital, but our opportunity to spend to time with them and get to know them was an equally profound personal reward. Continue reading Documenting the Power Struggle on College Campuses