Michener Alum Reads at BookPeople Tonight

Texas Monthly’s new editor Jake Silverstein, a 2006 graduate of UT’s Michener Center for Writers, will read at BookPeople at 7 p.m., Jan. 20 from “Submersion Journalism: Reporting in the Radical First Person from Harper’s Magazine” (New Press, 2008).

The collection features 15 pieces of inside-out reportage by Silverstein and other cutting-edge journalists such as Barbara Ehrenreich, William T. Vollmann, Charles Bowden, Jay Kirk and Wells Trevor.  

“A piece I wrote on high-stakes poetry gambling is in the book,” Silverstein says. “This won’t be the most exciting thing to happen in America on Jan. 20, but I can promise that it will be short, funny, and there will be at least one good inauguration joke.”

Before joining Texas Monthly, Silverstein was a contributing editor at Harper’s. His journalism has been featured in Best American Travel Writing and won the 2007 PEN/USA Journalism Award.

Don Graham’s Irreverent Guide to Texas Movies

Since the advent of filmmaking, dozens of Hollywood heartthrobs have lined up to play cowboys in more than 600 films about or made in Texas.

Who can forget Paul Newman’s brash portrayal of a Texas cowboy in “Hud”? Or James Dean’s turn as ranch hand Jett Rink in “Giant”?

Texas looms larges in moviemakers’ imaginations writes English Professor Don Graham in the pocket-sized handbook “State Fare: An Irreverent Guide to Texas Movies” (TCU Press, 2008), but they don’t always get it right.

“For all of our urban skylines and high-tech yuppiedom, we can’t shake our movie-disseminated mythology as a state of cowboys, hicks, and small-town gaucheries,” Graham lamented in the Texas Monthly article “Unreality Bites.”

Graham is the author of numerous books and articles about Texas, including “Cowboys and Cadillacs: How Hollywood Looks at Texas” (1983) and “Lone Star Literature: From the Red River to the Rio Grande” (2003).

In “State Fare,” the Texas literature specialist provides a brief overview of some of the best (and worst) Texas films, including “Red River,” “The Last Picture Show,” “Urban Cowboy,” and “The Alamo.”

From cattle drives to oil wells, lusty schoolmarms and desperados, Hollywood has captured Texas mythology in all of its many forms.

What are some of your favorite movies about Texas?