To celebrate what would have been Frank Lloyd Wright’s 150th birthday, Zach Rawling donated his Phoenix home that was designed by Wright, to the Frank Lloyd Wright School of Architecture. The home—originally designed for Wright’s son—was saved by Rawling from demolition in 2012. Rawling originally wanted to make the home a museum, but now the house will become a resource for hands-on restoration and renovation for the architecture students at the Frank Lloyd Wright School of Architecture.
In 1927 the Mississippi River flooded the Midwest causing mass devastation. The number of people who died in the tragic event is unknown; Herbert Hoover called it “the most dangerous flood our country has ever known.” Congress passed the Flood Control Act of 1928, and the Army Corps build a sophisticated model to test flood prevention strategies. The model was a three-dimensional map of the United States at 1/2000 scale. The model was used to successfully predict which levees were overtopped in floods in later years. Although computer models have replaced this massive model, physical models are still useful for running advanced simulations that computers cannot adequately process.
Source: 99 Percent Invisible
The Museum of Modern Art is celebrating Frank Lloyd Wright with a new exhibition titled Frank Lloyd Wright at 150: Unpacking the Archive. The exhibition features drawings, building fragments, photographs, models, and other ephemera related to Wright’s career—including an original physical model of the Guggenheim—on view through October 1, 2017.
The site of the Alamo in San Antonio, Texas, has been an item of contention lately. Complaints about the World Heritage site’s lack of a prominent visual presence have prompted a rethinking of the site’s layout. Preservation Design Partnership has proposed a large, enclosing glass wall that will mark the bounds of the original structure. Critiques against this proposal assert that the area that will be enclosed by the wall currently functions as a completely public plaza. Critics argue that this proposal could be the end of the “street preaching, panhandling, raspa vending, trinket shopping, [and] photo posing” that constitute the role of the square in the city.
Source: Next City
Photographer Camilo Jose Vergara has spent the past forty years photographing decaying buildings in low-income American neighborhoods in his project titled “Tracking Time.” Vergara’s image sets reveal the life span of several buildings as they decline, are demolished, or are restored. The photographs reveal both gradual and drastic changes in the built environment, showing how social and economic factors impact the world we live in. In some cases, Vergara documented entire streetscapes, illustrating the loss and change low income communities face.
Source: Messy Nessy
Spanish architect David Romero has created a series of renderings that portray the missing works of Frank Lloyd Wright. Two of the works were demolished, including the Larkin Administration Building and the Rose Pauson House, while one of the works—the Trinity Chapel—was never built. Using AutoCad, 3dsMax, Vray, and Photoshop, Romero recreated these works of architecture so that current generations could enjoy them. Although Romero was forced to take some liberties with the buildings, the renderings are meant to portray Wright’s ideas as accurately as possible.
The tale of Mies van der Rohe’s Farnsworth House will soon become a major feature film. The movie, starring Jeff Bridges as Mies and Maggie Gyllenhaal as Dr. Edith Farnsworth, chronicles the now-debunked tale of the passionate and ill-fated client-architect relationship. No further details have been released about the film, but the pairing of romance and architecture is sure to draw fans from all over.
The New York Times reports that Brutalist architecture is on the rebound and claimes that this newfound appreciation is not birthed from the original ideals of the aesthetic. While Brutalism was conceived in an effort to achieve material honesty and overall goodness, the article argues the growing popularity today is one of superficiality. At this point in history, the buildings lend themselves to carefully-framed and filtered Instagram posts and Tumblr pages, which leaves this original “honesty” in question.
Source: New York Times
The 1970s Sirius building, designed by architect Tao Gofers, is in danger of being sold to developers. Currently, the brutalist building is home to 79 low-income social housing tenants. The building’s sale is being protested by the group Save Our Sirius, a nonprofit that aims to prevent the redevelopment of the site. Australia’s largest construction union, CFMEU, has called upon its members to not participate in the demolition of the building.
Read more about Save Our Sirius here.
Source: The Guardian
Skateboarding magazine Transworld Skateboarding credits Finnish Modernist architect Alvar Aalto with changing the sport of skateboarding forever. Alto is credited with building the world’s first kidney shaped swimming pool in 1939, which also featured a rounded floor that formed a bowl rather than four sharp corners. Transworld claims that during the 1975 California drought, hundreds of these popular swimming pools remained empty—providing an opportunity for skateboarders to co-opt empty pools to practice new tricks on their sloped concrete floors. Without Aalto’s first kidney-shaped pool at Villa Mairea, the sport of skateboarding as we know it might not exist.
Source: Transworld via Dezeen
In an effort to repair part of the Great Wall of China, a portion of this monumental structure was filled to the brim with mortar. Formerly-missing bricks and crenelations were filled with new bricks as well. Although this effort occurred two years ago, it has recently sparked outrage across cyberspace as images began to circulate. The New York Times reports that park officer Liu Fusheng stated, “This was vandalism done in the name of preservation … Even the little kids here know that this repair of the Great Wall was botched.”
Source: New York Times
Brazilian architect and photographer Olympio Augusto Ribeiro has brought eighteenth-century Rome to life by combining the etchings of Giovanni Battista Piranesi with modern-day photographs. By depicting scenes from multiple temporal viewpoints, Ribeiro’s collages inspire a connection with the past and an understanding of the importance of the built environment. The images illustrate the evolution of the city that led to the mix of architectural styles that exists in Rome today.