A full retrospective of Zaire-born artist Bodys Isek Kingelez will be featured at the The Museum of Modern Art in New York through December 2018. He is best known for his Utopian models of buildings and cities, constructed from everyday objects, the themes of which envision less tumultuous environments than those he experienced in his hometown.
Following Zaire’s independence from Belgium, its cities saw rapid urban growth unsupported by infrastructure investments, which led Kingelez to question and reimagine a better urban life through his art. He addresses many societal issues through his works and ponders the potential of architecture and the built environment to heal and support its citizenry.
The exhibition, City Dreams, runs from May 26, 2018 until January 1, 2019 and is accompanied by a catalog complied by curator Sarah Suzuki.
For each of the 52 weeks of 2017, Art in Ad Places partnered with a new artist to install their work in one of New York City’s many payphone booths. The campaign started as a retaliation to advertisements that suggest money is the key to the public’s eyes, and to the impetus for many ads, which is to make people feel as though they are lacking something.
In a twist on street art, phone booths across the city were transformed for a year into displays for artwork, offering a different type of media for visual consumption—one that sparks a positive psychological reaction. The goal is to give passersby a break from the marketing madness and to push back against the rampant advertising that bombards our urban environments.
The project was documented by photographer and Art in Ad Places team member, Luna Park, and is viewable on The Street Spot blog.
Source: Pop-Up City and Art in Ad Places
As discussions of representation in design schools recognize our current collective shift into the postdigital era, Susan Piedmont-Palladino writes a pertinent article in Places Journal investigating our ever-changing relationship to images and representations of reality.
A professor of architecture at Virginia Tech, Piedmont-Palladino begins with a quote from writer Susan Sontag that emphasizes the acute importance of our ability to discern images:
” ‘A fake painting (one whose attribution is false) falsifies the history of art. A fake photograph (one which was been retouched or tampered with, or whose caption is false) falsifies reality.‘ ”
Piedmont-Palladino goes on to note that design renderings often depict an overlap between real and imagined, but that there are implications for design when architects or others choose to ignore certain realities beyond the point of making beautiful drawings. Not addressing issues of universal access during the design process, for example, can lead to exclusion and failure to meet building codes.
Head over to Places Journal for the full article.
Source: Places Journal
Image Credit: Joel Meyerowitz via Dazed
In April 2018, Joel Meyerowitz’s photographic works spanning nearly 50 years were published in a retrospective book titled Where I Find Myself. At 80 years of age, Meyerowitz still feels rooted to the artistic values with which he began his career. He is most noted for capturing spontaneous moments on the streets—frames of the scene of life that unfold around us, easily lost in a split second of time—thereby imbuing them with significance they would not otherwise have had. Now, finding himself shooting still lifes, he rationalizes that there is an energy in the way objects relate to one another and express their own lived histories, much in the same way humans do. He wonders where he will find himself in the next ten years.
In an effort to find the rightful owners of hundreds of works of art, the Louvre is displaying paintings stolen by Nazis during the occupation of France in the 1940s. Currently, 31 paintings are hanging in two rooms of the museum, on permanent display until their heirs are found. This is just a small portion of the 296 works held by the Louvre, and an even smaller percentage of the paintings left to be returned. An estimated 100,000 were looted in total, with 60,000 given back immediately after the war. Other museums, including the Musee d’Orsay and the Chateau de Versailles, have custody of some of the remaining works.
It’s a long process, however, to turn over the paintings, and in 2012, the French government established a working group to handle it. Those stepping forward to claim their families’ possessions must provide proof in the form of receipts, photographs or testimonies and verification can take years. The government maintains a database for this National Museum Recuperation effort, known as the Rose Valland List, named after a French curator who risked her life to keep notes on the stolen artwork.
Source: The Telegraph and Dazed
Image Credit: Sound Scene, 2017–18; Sanne Gelissen (Dutch, born 1988), Sanne Geeft Vorm (Eindhoven, Netherlands, founded 2016); Glass fiber laminate, wood, metal; © Design Academy Eindhoven Photographs. Photo by Femke Rijerman; Courtesy of Sanne Gelissen / COPYRIGHT: Courtesy of Sanne Gelissen
Typically at museums, we ambulate among walls of flat paintings, dissuaded from approaching, altogether unable to interact with the works of art we are encountering—except through purely seeing them. In an antithesis to this, “The Senses: Design Beyond Vision” exhibition invites one to experience art through one’s four other perceptive senses. Dozens of touchable, sniffable, audible pieces categorized into 11 themes provide unique explorations of our technologies, communication channels and rituals. The collection highlights how sensory design can enrich our lives as humans and augment our journey through this world. Many exhibits engage multiple senses so as to make them accessible to people with a range of abilities.
“The Senses: Design Beyond Vision” is open at the Cooper Hewitt, Smithsonian Design Museum in New York City from April 13, 2018 to October 28, 2018. An accompanying 224-page exhibition catalog is available, and includes essays from the curators as well as other leaders in the field of multi-sensory design.
Source: Archinect and Cooper Hewitt
Image Credit: Aida Muluneh
Ethiopian-born, but globally-raised, photographer and artist Aida Muluneh employs bold colors in her visual works to undermine viewers’ inclination to categorize. After graduating from Howard University in Washington D.C. and working as a photojournalist, Muluneh began asking whether the medium of photography was truly neutral. Pushing back against stereotypical representations of Africans and African Americans, the artist creates stunning images of face-painted models set against colorful backdrops.
Her work is part of the “Being: New Photography 2018” exhibition, on display through August 19, 2018 at the Museum of Modern Art in New York City.
Source: Washington Post
Taken in any other city, Tom Blachford‘s photographs of Los Angeles would be utterly unremarkable. They portray such ordinary things as empty residential street corners, puddles in alleyways and glowing back porch lights. Devoid of people, motionless and eerie, these photos capture one of the more image-conscious places in America in a stark but not unflattering new way.
Setting out to shoot LA without any of the cliches, Blachford found that his intention to shoot “day for night” was undermined by a rainy forecast. His prior series “Midnight Modern” was shot using the opposite technique, with moonlight masquerading as day time, but this too was nixed due to LA’s extreme light pollution, which gives the sky a chronic glow. In the end, Blachford found that the technique of simply shooting in the rain at night produced better results than he could have anticipated.
Source: Cool Hunting
Entering into the field of landscape architecture, one must love to learn, since it is an inherent part of a discipline that pulls from an array of knowledge bases, including ecology, art, history, sociology, architecture…the list goes on. Fortunately, there is no shortage in the Austin community of places to supplement your education:
- The Contemporary Austin Art School
The Contemporary Austin is an art museum that has locations both downtown and on the lake on the west side of Austin. The Art School offers adult classes in the spring and summer for many fine arts topics, including drawing, painting and photography.
- The Lady Bird Johnson Wildflower Center
Part of the UT School of Architecture, the Wildflower Center is located south of Slaughter Lane in Austin. Here, you can take a variety of classes from nature-loving experts, such as watercoloring, plant identification and botanical illustration. They have single-day workshops as well as courses offered in multi-week sessions. Refer to their calendar, as events happen daily, and remember that UT students, faculty and staff get free admission to the Center!
- The University of Texas at Austin Informal Classes
If you want to learn Adobe software, interior design, native plant gardening or anything in between, Informal Classes offers an array of non-credit programming to compliment your semesters. Each course is different in its time requirements, location and fees, so be sure to browse the catalog to find your course.
Source: The Contemporary Austin, The Lady Bird Johnson Wildflower Center, The University of Texas at Austin Informal Classes
Instead of throwing out her tea bags after a hot cup of tea, Ruby Silvious takes advantage of the tiny fabric of the tea bag, creating miniature paintings. The paintings depict a wide range of everyday life scenes from leaves, homes, laundry, and cats. In January 2015, Silvious began painting on tea bags and traveled to Japan and Southern France where she drank a variety of teas discovering a wide variety of tiny canvases. Silvious has compiled a book of her paintings, and she exhibited her work in Philadelphia in late January 2018.
Photographer Reuben Wu has been using adapted drones to light-paint in natural environments, creating beautiful and otherworldly landscapes. His image series “Lux Noctis” transform natural landscapes into images that evoke ideas of extraterrestrial exploration and science fiction. Wu’s photos endeavor to explore unknown and hidden places and present them as if they were a memory of a foreign place.
Wu uses drones to create light trails around rock formations and to provide supplementary light from above. The long exposure images are ethereal, colorful, and otherworldly. His other work similarly blends landscape, futurism and architecture.
Source: Colossal and Rueben Wu
Are you the type of person to stop and ogle a mid-century structure or admire the stark brutalism of a concrete wall? If you also have a sweet tooth, these Danish sweets might be just the thing for you.
Danish born designer and goldsmith Kia Utzon-Frank is not a baker by trade, but she began making flødeboller because she could not find the treat in the UK. As an artist, she couldn’t help but elevate them. The meringue and almond paste balls are covered in cocoa, and decorated with ingredients including charcoal, black sesame and cocoa butter to mimic the texture of concrete, granite or marble. She now runs a Kufcakes Geometric Flødeboller Masterclass at the London-based art center Barbican, and will be hosting a brutalist-edition on March 3rd, 2018.
Source: Mashable and KUF Studios.