Image Credit: Aida Muluneh
Ethiopian-born, but globally-raised, photographer and artist Aida Muluneh employs bold colors in her visual works to undermine viewers’ inclination to categorize. After graduating from Howard University in Washington D.C. and working as a photojournalist, Muluneh began asking whether the medium of photography was truly neutral. Pushing back against stereotypical representations of Africans and African Americans, the artist creates stunning images of face-painted models set against colorful backdrops.
Her work is part of the “Being: New Photography 2018” exhibition, on display through August 19, 2018 at the Museum of Modern Art in New York City.
Source: Washington Post
Taken in any other city, Tom Blachford‘s photographs of Los Angeles would be utterly unremarkable. They portray such ordinary things as empty residential street corners, puddles in alleyways and glowing back porch lights. Devoid of people, motionless and eerie, these photos capture one of the more image-conscious places in America in a stark but not unflattering new way.
Setting out to shoot LA without any of the cliches, Blachford found that his intention to shoot “day for night” was undermined by a rainy forecast. His prior series “Midnight Modern” was shot using the opposite technique, with moonlight masquerading as day time, but this too was nixed due to LA’s extreme light pollution, which gives the sky a chronic glow. In the end, Blachford found that the technique of simply shooting in the rain at night produced better results than he could have anticipated.
Source: Cool Hunting
Photographer Kris Graves has documented all of New York City’s 77 police precinct buildings. The architectural styles used evolved over the years, reflecting trends in architectural design as well as the police force’s evolving needs. During the 19th century, most precincts were built in the Romanesque or Classical Revival styles, By the 1960s, the buildings were largely un-ornamented.
Now, New York City’s police force is considering how their precinct buildings’ architecture impacts their relation to the community. While Brutalism may have its merits in the history of design and architecture, there is little doubt that a monolithic concrete building may fail to appear like anything other than a fortress. In a time when the tension between police and the communities they aim to serve has perhaps never been higher, precincts hope to convey an openness through the design of their buildings. The most recent proposals feature interior public spaces to allow community meetings and engagement.
This documentation was undertaken as part of an ongoing examination by Urban Omnibus and the Architectural League of New York entitled The Location of Justice. The project seeks to examine “the pervasive and often overlooked infrastructure of criminal justice in New York and the spaces that could serve a more just city.”
Source: Urban Omnibus
“Better together.” That’s the message this week as two photo sharing giants come together. SmugMug was founded in the early aughts by photographers who knew the digital age meant it was time to develop a way to share digital photos. Flickr was founded by a Canadian corporation in 2004 and quickly acquired by Yahoo, where it grew into a massive platform with more than 80 million users.
However, Flickr struggled to keep up as Facebook and Instagram revolutionized the way we share images on the Internet. Despite this, Flickr stayed popular with both amateur and professional photographers for its core functionality: the ability to browse, share and display high quality images with a community of peers. Additionally, Flickr offered free accounts, while SmugMug charged a small subscription fee.
SmugMug has stated that it intends to continue to operate both Flickr and SmugMug as separate platforms and services, and invest in both moving forward. SmugMug has also reassured dedicated Flickr users that their free accounts and thousands of photos aren’t going anywhere. Only time will tell what changes this move will have on the online photography community, but so far there has been great enthusiasm for the acquisition.
Source: The Guardian and SmugMug.
Photographer Reuben Wu has been using adapted drones to light-paint in natural environments, creating beautiful and otherworldly landscapes. His image series “Lux Noctis” transform natural landscapes into images that evoke ideas of extraterrestrial exploration and science fiction. Wu’s photos endeavor to explore unknown and hidden places and present them as if they were a memory of a foreign place.
Wu uses drones to create light trails around rock formations and to provide supplementary light from above. The long exposure images are ethereal, colorful, and otherworldly. His other work similarly blends landscape, futurism and architecture.
Source: Colossal and Rueben Wu
The Berlin Wall stood for 28 years, bifurcating the city into West and East Berlin respectively. Demolition of the wall began in 1990, and 28 years later, an exhibition at the Venice Biennale of Architecture 2018 will be exploring the question of what happens to the built environment when physical divides are torn down. The exhibition, titled “Unbuilding Walls,” will showcase 28 examples—one example for each year the Berlin Wall divided Berlin—of historic and contemporary walls, barriers and fences and their effect on or reaction to the landscape.
In 2012, astronaut André Kuipers documented one example of the wall’s divide still evident from space: the color difference in the street lights of and west and east sides of the city is clearly perceptible.
Source: Topos Magazine and the Washington Post.
Analog photography is getting a revamp. The first Single Lens Reflex (SLR) film camera designed since the 1990s was successfully backed on Kickstarter at the end of 2017. The project, simply titled Reflex, is on track to be available for sale in August 2018.
In many ways this camera takes everything back to the very basics: it requires one to manually focus the lens and advance the film. However, a few key features make this film camera a massive leap forward compared to the Pentax K1000 bodies still found on eBay. The Reflex team was determined to create as flexible and modular a tool as possible.
First, the interchangeable “I Plate” lens mount allows photographers to use lenses they already own from brands like Pentax, Minolta, Canon and Olympus. An interchangeable film back means changing from color to black and white film is easy, or from a fast film to a slow one. Bluetooth connectivity, while it might seem gratuitous on an analog camera, will allow photographers to quickly take notes on their shots as they compose them, and log their settings for future reference. Finally, Reflex is determined to allow open source development for their camera using 3D printing so individuals can create their own accessories.
While the price point will likely be comparable to an entry level Digital SLR, revived interests in almost-obsolete mediums like vinyl LPs have shown that people are willing to invest in keeping older formats alive. With the flexibility and the promise of open source development that Reflex offers, it’s hard to imagine they won’t have some enthusiastic adopters.
Source: Reflex Kickstarter and The Guardian.
Photographer Tom Blachford’s series ‘Nihon Noir’ calls to mind futurism, science-fiction, film noir and yes, the 1982 cult classic film Blade Runner. Blachford was inspired by the Metabolism movement era architecture in Japan, and his images showcase its unique intersection of architecture and infrastructure.
Metabolism was a post-war movement brought to the international stage during the 1960 Tokyo World Design Conference. The designers behind the movement organized their vision into a manifesto entitled Metabolism: The Proposals for New Urbanism, which described a design ethos focused on meshing mega-structures with organic shapes. The most prolific member of the movement, Kenzo Tange, worked as a designer, architect, and urban planner until his death in 2005.
The images Blachford created were designed to showcase a neon futurism, and the buildings he featured were chosen because they combined brutalism and the principles of organic growth—the essence of this post war architectural movement. “Though these buildings are from the past,” he said, “they appear as if they have appeared from the distant future. My intention is for the viewer to ask not ‘where’ they were taken but ‘when.”
Unmanned Aerial Vehicles (UAVs)—popularly referred to as drones—stand poised to revolutionize many industries, offering surveyors, historians, geographers and other researchers an opportunity to see above and inside structures and places that were previously too difficult or hazardous to access. UAV videography was used extensively in assessing the infrastructure and architectural damage after hurricanes Harvey, Irma and Maria. Photography, a field already known for exploring in dark corners and far reaches, is now using high-quality drone cameras to document amazing cityscapes from above.
While aerial photography is not new (the first aerial photograph was taken from a balloon in 1858) drones are making it more accessible than ever. As more and more pilot photographers are taking to the skies, the interest in the images they have created on platforms like Instagram has skyrocketed. Architect and author Eric Reinholdt believes drones will only become more important in architectural photography, especially as video is used to tell the story of a building or site. Drone footage could also be used to evaluate sight lines and topography.
Even as they grow in popularity, more restrictions and regulations are being drafted to limit their use. Drones are banned in all National Parks, and their use by professional photographers can be considered commercial use and may require registration with the FAA.
Source: The Guardian and ArchDaily
In a digital age, photographers Alex Hammond and Mike Tinney have created a series of photographs commemorating the traditional tool of the architect: the pencil. The images feature extravagant mechanical pencils, simple knife sharpened pencils, and the tooth-marked set of yellow pencils owned by artist David Shrigley. World famous architect Thomas Heatherwick’s pencil is embedded in an ornamental metal grip.
The images have been collected in a book titled “The Secret Life of the Pencil,” available from publisher Laurence King.
Massachusetts Institute of Technology provides 4 free architecture courses online. The courses cover landscape, urbanism, photography, and the production of space. These courses are easily accessible and available to all. The courses are offered for undergraduate and graduate students and they are in many languages including English, Spanish, and Portuguese.
Walter Mittelhozer was a pioneering aviator and the co-founder of Swissair. He photographed many cities in the Middle East and Africa. Mittelholzer always flew with a co-pilot so that he could photograph from the air. A new book, published by Scheidegger & Spiecss documents his ariel shots.