Faceless

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Julien Malland, a mural artist from France, has spent the last year traveling the globe to paint large-scale child-like figures in crouching positions onto the facades of buildings. He uses the edges of the buildings to seemingly cut off the faces of the characters and force the viewer to consider what emotion the character feels based on the physical environment. Malland intends to reveal how children are inextricably connected to their chaotic environment and how they straddle a complicated line between the past and the present. The interplay of a dreamlike two-dimensional mural and a concrete three-dimensional surface grounds the idea behind the piece and amplifies the power of the image.

Source: This is Colossal

Flea Market Montage

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Spanning time and place, artist J. Frede creates new landscapes utilizing discarded photographs found at thrift stores and flea markets by juxtaposing lines from one image into the next. The completed montages are framed to show their wayward edges but still unify the images into a singular composition. Of the body of work, entitled Fiction Landscapes, Frede says “Arranging these into new landscapes that never existed speaks to the stitching together of human behavior and how we relate to time and the past: How many people have stopped at that rest stop and taken nearly the same photo of the plain hillside? All locking their own associations into the view, first road trip with a new love; last road trip to see grandma; one of many road trips alone.

Source: Visual News

#ThroughFreshEyes

#throughfresheyes | Kristen McCalla

#throughfresheyes | Kristen McCalla

In a brilliant form of cross-promotion, The New York Times Lens blog tasked its readers to revisit and photograph places they may have previously overlooked and upload them to Instagram with the tag #ThroughFreshEyes. Viewing these places “through a different lens” allowed readers and photographers to find visual treasures in places they once perceived as mundane.

Source: The New York Times

Ancient Arts

02_19_2016

French Etsy shop, Mojoptix, has harnessed the ancient technology of the sundial and adapted it to the modern age. The traditional sundial has been around since 1500 BCE, but in today’s society, it is neither practical nor easy to read. Mojoptix has created a 3D printed modern sundial which uses shadows to display digits. This invention is available both as a free downloadable file for your own 3D printer or for purchase.

Source: Mental Loss

Unseen Art

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Unseen Art is combining art with technology to create 3D prints of classical art pieces, such as the Mona Lisa, in order to make them accessible to blind and visual impaired individuals. The group has selected pieces of art that are commonly referenced and, through technology, they are enhancing access to the visual interpretation of these tenants of civilization to a broader spectrum of the population.

Source: The Creator’s Project

Under Water

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Carbon Story, a social enterprise fighting global climate change, created a website called World Underwater to create a visualization of your city under water. The disconnect between catastrophic climatic events seen in the news and the immense reality of a potential situation is closed with the personalized, life-like scenes. Harnessing digital animation and creativity to spread awareness is a powerful tool to capture the attention of a visually-oriented society.

Source: World Underwater

Natural Science

02_08_2016

Artist Kiva Ford’s day job is to fabricate custom glass instruments for scientific labs. In the evenings, he applies this craft to create glass curiosities inspired by mythology, history, and science. He has adapted the glass-blowing techniques required for scientific instruments to form realistic natural creatures. The connection between science and nature is reminiscent of 18th and 19th century scientific exploration and the cutting edge displays including in the then cutting edge natural history museums.

Source: This is Colossal

Samsara

02_10_2016

Japanese artist Isana Yamada has created a surreal exhibition of translucent whales with various encapsulated objects to represent Samsara—the Buddhist term for the “cycle of existence”—an ancient concept about the repeating cycle of birth, life, death, or reincarnation and the consequence of one’s actions affecting the part, present, and future. In Japanese culture, whales and other long-lived animals are thought to possess spirits and  Yamada describes the soul of each whale by its object. The ship in the whale above signifies a creature that has “likened life to a voyage.”

Source: Hi Fructose

Land Lighthouse

02_17_2017

Seventy large concrete arrows dot the landscape of the United States. These forgotten artifacts are the last reminders of an antiquated US air mail delivery system. Initiated in 1924 by the federal government, these arrows, measuring up to 50 feet, were built every 10 miles on established air routes to guide pilots across the country in bad weather or night flying conditions. Originally, they were painted bright yellow and built next to a 50 foot tall lighthouse-like tower with a rotating light and a small rest house. By the time World War II erupted, radio replaced the need for analog solutions. These stunning moments of immense graphic design are a reminder of the ingenuity required for infrastructure and communication prior to wireless transmission.

Source: Messy Nessy

Folk Art

02_12_2016

Willard Hill began making one sculpture per day 20 years ago. Composed of masking tape and discarded objects, Hill began assembling the small pieces to occupy his time after a health condition kept him bedridden. At age 80, Hill has never been in a museum nor does he consider himself to be an artist. There are no sketches or plans; each character emerges organically, a rare and genuine expression of American folk art.

Source: Huffington Post