Reimaging Reproductions: Preserving Cultural Heritage 

Jamie Hall

Advisor: Dr. Ann Reynolds

Abstract

This thesis was sparked by my interest in Walter Benjamin’s discussion on the loss of aura in reproductions of works of art. While not all replicas are created equal, employing methods of reproduction is a necessary practice for educational and preservation purposes, to disseminate as well as protect material culture and heritage. Through examining historical, technological, and philosophical standards, in two replicas—Factum’s Tomb of King Tut and IDA’s Arch of Palmyra— it becomes evident that reproductions are a positive force for long-term preservation. Not only are they capable of extending the accessibility of art, but also challenge traditional notions of authenticity and originality. They serve as conduits for both preservation and reinterpretation, bridging gaps between past and present, tradition and innovation. Reproductions are not to be thrown out due to their lack of authenticity but embraced for what they can teach us of the historical record.