I am embarrassed to admit that, before the film Southwest of Salemwas released, I had never heard of the San Antonio Four. It’s never too late to catch up, I thought after I saw it was playing at my local cinema. So I texted my friend Andy and immediately set up our next movie date. After all, as a queer Latinx of adult age, keeping myself informed about the experiences of other members of my own community simply seemed like the responsible thing to do. Moreover, to show support for the women in the story and the women behind the film, it’s exactly what sorority calls for. Continue reading It’s Never Too Late→
Ann Hamilton reflects on the evolution of her public art works in HI’s Faculty Fellows Seminar on Health, Well-Being, Healing
By Clare Callahan
Last week’s Humanities Institute Faculty Fellows Seminar on “Health, Well-Being, Healing” hosted internationally recognized visual artist Ann Hamilton to speak on O N E E V E R Y O N E, a public art project commissioned by Landmarks for the Dell Medical School. O N E E V E R Y O N E opened on January 27, and Hamilton was in Austin for the opening. Hamilton’s O N E E V E R Y O N E, as Landmarks describes the project, “is framed by the idea that human touch and intimacy are the most essential means of contact and the fundamental expression of physical care. More than 500 participants in several Austin locations were photographed through a semi-transparent membrane that sharply focused parts of the body that made contact with the material and softly blurred the parts that moved away from it. The optical quality of the material renders touch—something felt, more than seen—visible.”
Do you believe people in Texas get convicted of crimes they did not commit? If you do, what do you think we should be doing about it? And whatever we’re doing about it, are we doing enough?
Let’s start with the first question. The answer is simple: Yes, people in Texas get convicted of crimes they did not commit. Why yes? Because to believe that false convictions never happen is to believe that the criminal justice system is perfect. Seems a bit of a stretch to believe that anything could be perfect, no?
But for many years, believe in perfection we did. The distinguished federal judge Learned Hand called the prospect of false convictions an “unreal dream.” And although books, films and other media would tell tragic stories about false convictions, those stories were make believe. In the real world, we went right along with Judge Hand. We may have easily accepted the notion that human beings make mistakes. But not THOSE mistakes. Continue reading False Convictions in Texas: Are We Doing Enough?→
Dr. Phil Barrish discusses the literature of health care in HI’s Faculty Fellows Seminar on Health, Well-Being, Healing
By Clare Callahan
The Humanities Institute Spring 2017 Faculty Fellows Seminar on
“Health, Well-Being, Healing” has begun! At our first meeting on February 21st, Phil Barrish, Professor of English, presented his work-in-progress, “Environmental Illness and the Future of Health Care,” a literary analysis of Chang-Rae Lee’s first work of speculative fiction On Such a Full Sea. Lee’s On Such a Full Sea imagines three health care scenarios that respond to the long-term effects of human-wrought environmental damage on human health, and more specifically to the uneven distribution of this environmental depredation. The three scenarios present in the novel are based on our contemporary discourse on health care, from “a left-wingers dystopian projection of the health care landscape under a supposed free market system,” as Barrish describes it, to “a right-winger’s nightmare vision of . . . a single-payer government-run system.” Dr. Barrish’s essay, which examines the representation of the political economy of health care in On Such a Full Sea, builds off of his previously published work, including his essay “Health Policy in Dystopia,” published in Literature and Medicine in 2016 and “The Sticky Web of Medical Professionalism: Robert Herrick’s The Web of Life and the Political Economy of Health Care at the Turn of the Century,” published in American Literature in 2014.