Dr. Phil Barrish discusses the literature of health care in HI’s Faculty Fellows Seminar on Health, Well-Being, Healing
By Clare Callahan
The Humanities Institute Spring 2017 Faculty Fellows Seminar on
“Health, Well-Being, Healing” has begun! At our first meeting on February 21st, Phil Barrish, Professor of English, presented his work-in-progress, “Environmental Illness and the Future of Health Care,” a literary analysis of Chang-Rae Lee’s first work of speculative fiction On Such a Full Sea. Lee’s On Such a Full Sea imagines three health care scenarios that respond to the long-term effects of human-wrought environmental damage on human health, and more specifically to the uneven distribution of this environmental depredation. The three scenarios present in the novel are based on our contemporary discourse on health care, from “a left-wingers dystopian projection of the health care landscape under a supposed free market system,” as Barrish describes it, to “a right-winger’s nightmare vision of . . . a single-payer government-run system.” Dr. Barrish’s essay, which examines the representation of the political economy of health care in On Such a Full Sea, builds off of his previously published work, including his essay “Health Policy in Dystopia,” published in Literature and Medicine in 2016 and “The Sticky Web of Medical Professionalism: Robert Herrick’s The Web of Life and the Political Economy of Health Care at the Turn of the Century,” published in American Literature in 2014.
Continue reading Health Care Economies and the Danger of Words
The light increasing – the sun must be rising. It reveals the window as frosted over. Wood muntined, with four small panes, it resembles a house window more than a hospital window. What is it doing in this hall where he lies on a stretcher outside the full–to–capacity ward? He thinks this unfolding in time of the window growing lighter is beautiful, is beauty itself. Yet no one notices. Who can afford the patience? The doctors circulate on appointed rounds, stopping only for the sick and wounded. Is attention to something like this window the work of artists? He does not know the answer to that yet, but he thinks that only artists and sick people stop, out of inclination or necessity, to study beauty that takes so long. The hospital staff has materialized this moment for him, all its factors of time, place, and breath.
Excerpt from “Patience” by Matthew Goulish, Dramaturge. His full length essay will be delivered on January 26 at 7pm in the LBJ Auditorium at our upcoming event, co-sponsored with Landmarks, “O N E E V E R Y O N E: A Conversation with Ann Hamilton.” See our calendar on the left sidebar for more information.
Photo: Robert Westminster by Ann Hamilton from O N E E V E R Y O N E
In medicine, guidelines as to best practices often emerge from the lessons of history. To take in what has happened. To prevent what has happened from happening again. Teaching a student about the transmission of infection from one body to another, the instructor asks the student to press one unwashed hand onto the agar plate and lift it up again, then wait. Days pass. What appears is tiny marks on the surface of the agar, formed into the silhouette of a hand.
Excerpt from “Five Variations on the Opposite of Any Handprint” by Natalie Shapero, Professor of the Practice of Poetry at Tufts University. Her full length essay will be delivered on January 26 at 7pm in the LBJ Auditorium at our upcoming event, co-sponsored with Landmarks, “O N E E V E R Y O N E: A Conversation with Ann Hamilton.” See our calendar on the left sidebar for more information.
Photo: Diana by Ann Hamilton from O N E E V E R Y O N E.