Daily Archives: January 20, 2011

Headliners Foundation Scholarship for Writing

The College of Liberal Arts is now recruiting applicants for the he Headliners Foundation Undergraduate Scholarship 2011 – 2012. This is $3,000 award for students who excel in writing and who have a serious interest in journalism.

The application is available on line and should be submitted directly to the Headliners Foundation: (http://www.headlinersfoundation.org/scholarship.html).  Dr. Carver will be happy to respond to any questions you may have about your applications.

Students who are gifted writers and who have written for The Texan or other publications are encouraged to apply. In 2005 three students from the College of Liberal Arts—Delaney Hall, Rebekah Perry, and Rachel Pearson—were awarded Headliners Scholarships. In 2006 awards went to Kim Garza, Ryan Guerrero, Daniel Carter, J.J. Hermes, and Tobias Salinger. In 2007 four of our students—Ingrid Norton, Monica Riese, Jesse Cordes Selbin, and Margaret Sharp—were awarded Headliner’ Scholarships. In 2008 we had five winners: Andrew Kreighbaum, Jonathan Tjarks, Brad Gray, Monica Riese, and Leah Finnegan. In 2009 Andrew Kreighbaum and Lauren Winchester hold Headliner’s Scholarships. This year Andrew Kreighbaum, Elana Estrin, and Molly Wahlberg hold Headliners’ Scholarships.  Many of these students are LAHers and we would like to add many more students to this list for 2011-2012.

The deadline for this year’s competition is Friday, February 11.

Foot in the Door Auditions for the Country Wife

Auditions for Foot in the Door’s Spring production of the Country Wife will be held Tuesday, January 25 and Wednesday, January 26 from 7:00-9:00 pm in WEL 2.246

from Wikipedia:

The Country Wife is a  Restoration comedy written in 1675 by William Wycherley. A product of the tolerant early Restoration period, the play reflects an aristocratic  and anti-Puritan ideology, and was controversial for its sexual explicitness even in its own time.

The original play is a stage favourite today, and is also acclaimed by academic critics, who praise its linguistic energy, sharp social satire, and openness to different interpretations.