Ransom Center Magazine

Acquisitions

Ransom Center acquires 21 J. D. Salinger letters

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The Ransom Center has acquired 21 previously unrecorded and unpublished letters by author J. D. Salinger. The letters are accessible as part of the Ransom Center’s existing Salinger collection, which includes published and unpublished manuscripts, galleys, page proofs, and correspondence.

 

Most of the newly acquired letters are written by Salinger to Ruth Smith Maier, a classmate and friend he met at Ursinus College. Salinger attended Ursinus College in Collegeville, Pennsylvania, in the fall of 1938, but he quit midterm and returned to New York City. He and Maier maintained a 40-year correspondence in which Salinger commented on a wide range of topics including his literary ambitions, his writing, and his family life. A number of letters offer insight into his evolving attitude toward public exposure and cast light on his decision to withhold new work from public view.

 

In the earliest letter, the 22-year-old Salinger expresses confidence in his literary gifts: “Oh, but I’m good,” he writes Maier. “It will take time to convince the public, but [it] shall be done.” In later letters Salinger reminisces about his brief time at Ursinus College (“one of the last peaceful or simple or oddly comforting times of my life”) and comments on his second marriage and early fatherhood. Five letters from 1977 and 1978 are written to Ruth Maier’s son, Christopher. In one he offers an explanation for his decision to withhold his writing from the public, explaining “publication tends, for me, at least, to put all work still in progress in dire jeopardy . . . I distrust the finality of publication.”

 

The acquisition also includes copies of Ruth Smith Maier’s letters to Salinger and a draft of the first letter Christopher Maier sent the author.

 

Ransom Center Director Stephen Enniss notes the correspondence will be of particular interest to those who wish to understand Salinger’s withdrawal from public life. He adds, “It also humanizes the author, showing him confronting a range of life-changing events from marriage to fatherhood and his own aging.”

 

The Ransom Center’s Salinger collection was established in 1968 and has been augmented with subsequent additions over many years. The Ransom Center is one of a handful of institutions that hold original Salinger manuscripts, including Princeton University, Harvard University, the New York Public Library, the Library of Congress, and the Morgan Library.

Recently acquired Nancy Cunard typescript documents a dreamy connection to poet John Keats

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On December 31, 1956, writer and political activist Nancy Cunard visited the Keats-Shelley House in Rome. She went there to contribute an account of one of her earliest, most intimate experiences as a young writer and to memorialize her connection with one of the most important figures of the Romantic period, John Keats. Although Keats had been dead for many years before Cunard was born, she vividly remembered meeting him—in a dream.

 

Cunard writes that the dream occurred when she was 15 years old, during “a summer of adolescence” when she was “troubled by her own lines and words.” She had read nearly everything Keats had written, “knew much of him by heart,” and believed herself “in love with him.” In the dream, the likeness of Keats told Cunard that she “should write, that [she] should be a poet.” Cunard was moved by the dream and continued to feel connected to Keats throughout her life. She signed off the piece she prepared for the Keats-Shelley House by writing, “thus, to the treasure of this house, I offer my small leaf… with love, and with a tear.”

 

Cunard’s dramatic prose reflects her own dynamic life and personality. The British writer and political activist was the daughter of a baronet. She attended private schools in London, Germany, and Paris, where she met the friends who would later call themselves the “Corrupt Coterie.” Despite her privileged upbringing, Cunard was quick to jump into the fray of political activism and regularly spoke out against fascism and racism.

 

The Ransom Center recently acquired several items relating to Cunard’s pilgrimage to the Keats-Shelley House in Rome, including Cunard’s personal copy of Neville Rogers’s book Keats, Shelley & Rome: An Illustrated Miscellany. Other related materials were laid in the pages of the book, including a postcard sent to Cunard by Vera Cacciatore—then curator of the Keats-Shelley House and a friend of Cunard—and a letter sent by Cacciatore, thanking Cunard for a recent review on Byron and imploring her to visit again.

 

One highlight of this acquisition is the original typescript Cunard presented to the Keats-Shelley House, her four-page account of her childhood dream of Keats. These materials join the Ransom Center’s extensive Cunard collection, the bulk of which were acquired between 1969 and 1977. The collection includes manuscripts of her works, personal papers, and correspondence, as well as poems and essays by many of her friends and associates.

 

The Center also recently acquired Cunard’s library.

 

Related content:

Fellows Find: Scholar explores connections between Langston Hughes and other black writers around the globe

The Daily Beast: What can you learn about writers from their personal libraries?

The Daily Beast: Beautiful commonplace books by Lewis Carroll, Nancy Cunard, and more (slideshow)

Image: Page from the original typescript Nancy Cunard presented to the Keats-Shelley House. The document contains her four-page account of her childhood dream of John Keats.

Artist Ed Ruscha’s archive acquired by Ransom Center

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The Ransom Center has acquired the archive of artist Edward Ruscha (b. 1937). The materials reveal Ruscha’s creative process and offer a unique perspective of one of the most influential artists working today.

 

Born in Omaha, Nebraska, Ruscha moved to Oklahoma City in 1941 and to Los Angeles in 1956 to attend the Chouinard Art Institute. He had his first solo exhibition in 1963 at the Ferus Gallery in Los Angeles. In the years since, he has been widely recognized for his paintings, drawings, photographs, and artist’s books.

 

Ruscha is known for art that often manipulates words and phrases in unconventional ways. Ruscha’s art is deeply influenced by his love of books and language, as reflected by his frequent use of palindromes, unusual word pairings and rhyme. He has often combined the cityscape of Los Angeles with vernacular language, and his early work as a graphic artist continues to strongly influence his aesthetic and thematic approach.

 

Ruscha’s archive comprises five personal journals filled with preliminary sketches and notes; materials related to the making of his artist’s book of Jack Kerouac’s On The Road (2010); notes, photographs, correspondence and contact sheets relating to the creation and publication of his many other artist’s books, including Twentysix Gasoline Stations (1962), Every Building on the Sunset Strip (1966), and Some Los Angeles Apartments (1965); and materials relating to his short films Miracle (1975) and Premium (1971); his portfolios; and several art commissions.

 

Once processed and cataloged, the materials will be accessible in the Ransom Center’s reading room to students, researchers and the public.

 

The purchase of the archive was primarily supported by generous donors, including Michael and Jeanne Klein, the Marlene Nathan Meyerson Foundation, Mark Wawro, and Melanie Gray. The University provided additional support for the acquisition.

 

Ruscha, who continues to live and work in Los Angeles, donated a substantial portion of the archive to the Ransom Center, including a complete set of his artist’s books, print portfolios, 16 mm reels of his films, and a complete set of exhibition posters.

 

A small selection of materials from the archive will be on display in the Ransom Center’s lobby through December 1.

 

Related content:

Oof. Peek inside Ed Ruscha’s archive

In the archive: Ed Ruscha’s Twentysix Gasoline Stations

 

Please click on thumbnails to view larger images.

 

Collection of Materials by Robert E. Howard, Creator of Conan the Barbarian, is Donated to Ransom Center

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Robert E. Howard's map of the Hyborian world. © Conan Properties International LLC.
Robert E. Howard's map of the Hyborian world. © Conan Properties International LLC.

The Ransom Center has received a gift of materials related to writer Robert E. Howard (1906–1936), a prominent and prolific writer in the fantasy genre. Though Howard is perhaps best known for creating the character Conan the Barbarian, he wrote more than 100 stories for pulp magazines of his day, though his career spanned only 12 years before he committed suicide at the age of 30.

The collection, which includes more than 15,000 pages of manuscripts, sketches and ephemera, was donated by the estate of Glenn Lord (1931–2011), a Texas literary agent, editor and publisher of Howard’s prose and poetry. Lord is considered the first and most important researcher of Howard’s life and writings.

Howard was born in Peaster, Texas, and he sold his first story at the age of 18 when the magazine Weird Tales published “Spear and Fang” in 1924. Weird Tales would go on to publish many of Howard’s stories during the remainder of his life, including two stories in 1932 that introduced Conan the Barbarian, a character who roams the primitive lands of Earth’s mythical Hyborian Age fighting evil. Howard created other enduring characters such as Puritan duelist Solomon Kane, boxing sailor Steve Costigan, enigmatic Atlantean fugitive King Kull, and great warrior king Bran Mak Morn.

“The Ransom Center has one of the largest collections of classic science fiction novels, as well as the papers of several important science fiction and fantasy writers,” said Richard Oram, associate director and Hobby Foundation Librarian at the Ransom Center. “The Glenn Lord collection of Robert E. Howard will add an additional dimension to these materials.  Everyone is familiar with the Conan the Barbarian books or films, and the franchise originated in Howard’s Underwood No. 5 typewriter. Today, original typescripts of this Texas writer are sought after by collectors around the world, and we are grateful that Mr. Lord decided to place them here.”

Howard maintained a regular correspondence for six years with fantasy writer H.P. Lovecraft, and the two debated the merits of civilization vs. barbarianism, cities and society vs. the frontier, the mental vs. the physical, and other subjects. Some of this correspondence is preserved in the collection.

Lord became a collector of Howard’s work in the 1950s and amassed the world’s largest collection of Howard’s stories, poems and letters. Lord served as the literary agent for Howard’s heirs for almost 30 years, and his collection was used as the source text for almost every published Howard work appearing in books and magazines between 1965 and 1997.

The materials will be accessible once processed and cataloged. Two cases of Howard materials will be on display in the Ransom Center’s lobby through September 3.

McSweeney’s archive acquired

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Cover dummy of "McSweeney's Quarterly" Issue 38.

The Harry Ransom Center has acquired the archive of the McSweeney’s publishing company. Founded in 1998 by Dave Eggers, McSweeney’s is considered one of the most influential literary journals and publishing houses of its time. McSweeney’s publishes books, Timothy McSweeney’s Quarterly Concern, The Believer magazine, the food journal Lucky Peach, and the DVD-journal Wholphin.

The bulk of the archive is composed of manuscripts of books, essays, and short stories; correspondence drawn from the publishing house’s work with hundreds of writers; and award-winning design materials. A current digital copy of all files relating to McSweeney’s work will be included, as well as first editions of all its publications.

“We’re very happy to have the McSweeney’s archive at the Ransom Center,” said Eggers. “The Ransom Center is a world-class institution, and we’re honored to be included among their holdings. McSweeney’s is celebrating our 15th anniversary this year, and we’ve had the honor and pleasure of publishing hundreds of authors, established and upcoming, while navigating the choppy seas of independent publishing. We thank the Ransom Center for taking on our archive and for cleaning out our basement.”

The Ransom Center holds several publishers’ archives, including the records of Alfred A. Knopf, P.E.N. International, Nancy Cunard’s Hours Press, Anvil Press Poetry, Commentary magazine, the London Review of Books, and Little Magazine.

The McSweeney’s archive will be accessible once processed and cataloged.

Read more about the arrival of the McSweeney’s archive at the Ransom Center.

Ransom Center acquires papers of writer Barbara Probst Solomon

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Barbara Probst Solomon's press pass for "The New York Review."
Barbara Probst Solomon's press pass for "The New York Review."

The Ransom Center has acquired the archive of Barbara Probst Solomon, a prolific writer and chronicler of twentieth- and twenty-first-century culture. The collection includes manuscripts, correspondence, published books, first drafts, interviews, documentaries, and photographs.

Solomon’s career as a writer began shortly after her graduation from Dalton High School in New York City. Bypassing college, Solomon moved to postwar Paris, where she met Spanish students who would later form the resistance movement to Francisco Franco’s dictatorial rule of Spain, which began during the Spanish Civil War. In 1948, she met Barbara Mailer, Norman Mailer’s sister, and they helped activist Paco Benet rescue two Spanish students who had been enslaved in Cuelgamuros, Franco’s labor camp.

Solomon became a notable voice of the 20th-century New York intellectual scene at a time when few women were featured in prominent literary and news publications. Her manuscripts form an integral part of her archive. Her books, including the novel The Beat of Life (1969) and her memoir Arriving Where We Started (1972), have received critical praise, and her memoir was heralded as “the best, most literary account of the intellectual resistance to Franco” when it won the Pablo Antonio de Olavide prize in Barcelona.

Solomon’s archive offers an important snapshot of twentieth-century history and culture. Solomon corresponded extensively in English, French, and Spanish with close friends, and the archive reflects her strong connections with other intellectuals and writers of her time. Solomon had a lifelong friendship with Norman Mailer, and letters and other materials relating to Mailer’s life and works are present. She had a long affair and close friendship with American novelist and screenwriter Clancy Sigal, and her collection contains extensive correspondence about their writings and lives. Mailer’s and Sigal’s archives both reside at the Ransom Center.

Solomon’s archive will be available for research once processed and cataloged.

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