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David Coleman

New book “Masterclass: Arnold Newman” is released today

September 10, 2012 - Jennifer Tisdale

Masterclass_Front

In February 2013, the Harry Ransom Center will host the first U.S. showing of the exhibition Arnold Newman: Masterclass, a posthumous retrospective of photographer Arnold Newman (1918–2006).

The exhibition was organized by the American nonprofit organization Foundation for the Exhibition of Photography (FEP) in collaboration with the Ransom Center. The show, curated by FEP’s William Ewing, highlights 200 framed vintage prints spanning Newman’s career, selected from the privately held Arnold Newman Archive and the collections of major American museums and private collectors. Twenty-eight photographs from the Ransom Center’s Newman archive are featured in the exhibition.

Newman’s subjects included world leaders, authors, artists, musicians, and scientists—Pablo Picasso in his studio; Igor Stravinsky sitting at the piano; Truman Capote lounging on his sofa; and Otto Frank, father of Anne Frank, in the attic where his family hid from the Nazis for more than two years.

Complementing the exhibition is Ewing’s Masterclass: Arnold Newman (Thames & Hudson Inc., New York), which pays homage to Newman and includes more than 200 photographs, four essays, and short biographies of Newman’s sitters. Essay contributors include Ewing; David Coleman, director of the Witliff Collections at Texas State University and former curator of photography at the Ransom Center; and Arthur Ollman, professor at San Diego State University and curator of many exhibitions produced in collaboration with Newman.

Recently, the Wall Street Journal’s “Photo-Op: Chair Man” highlighted the book with Newman’s photo of Charles Eames in his studio.

Filed Under: Books + Manuscripts, Photography Tagged With: Anne Frank, Arnold Newman, Arnold Newman: Masterclass, Arthur Ollman, Charles Eames, David Coleman, Igor Stravinsky, Masterclass: Arnold Newman, Otto Frank, Pablo Picasso, San Diego State University, Thames & Hudson, Truman Capote, William Ewing, Witliff Collections

"The Gernsheim Collection" Earns Recognition

February 14, 2012 - Alicia Dietrich

"The Gernsheim Collection" (UT Press, 2010).
"The Gernsheim Collection" (UT Press, 2010).

The Gernsheim Collection, co-published by the Harry Ransom Center and the University of Texas Press, has been awarded an Alfred H. Barr Jr. Award, which honors a distinguished catalog in the history of art published during the past year.

Edited by Ransom Center Senior Research Curator Roy Flukinger, The Gernsheim Collection coincided with the Ransom Center’s 2010 exhibition Discovering the Language of Photography: The Gernsheim Collection, which explored the history of photography through the Center’s foundational photography collection.

The Gernsheim collection is one of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world’s earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826.

The book includes more than 125 full-page plates from the collection accompanied by extensive annotations in which Flukinger describes each image’s place in the evolution of photography and within the collection.

Filed Under: Books + Manuscripts, Photography Tagged With: Alfred H. Barr Jr. Award, Alison Gernsheim, Alison Nordström, catalog, David Coleman, Discovering the Language of Photography: The Gernsheim Collection, Harry Ransom Center, Harry Ransom Center Photography Series, Helmut Gernsheim, Mark Haworth-Booth, Photography, Roy Flukinger, The Gernsheim Collection, UT Press

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