by CLARE HUTTON
This article is devoted to objects that tell the story of women who supported James Joyce and the publication of his landmark novel, Ulysses (1922). They were previously on display in our exhibit, Women and the Making of Ulysses, curated by Dr Clare Hutton, author of Serial Encounters: Ulysses and the Little Review (Oxford University Press, 2019).
[Read more…] about Women and the Making of Ulysses: A History in Ten Objects
Margaret Anderson and Jane Heap, eds., The Little Review, June 1918. Harry Ransom Center Book Collection.
# 2: The “American Number” of The Little Review, June 1918
by CLARE HUTTON
This is the second article in a series devoted to objects that tell the story of women who supported author James Joyce and the publication of his landmark novel, Ulysses (1922). Learn more in the exhibition, Women and the Making of Joyce’s Ulysses, curated by Dr. Clare Hutton and on view through July 17, 2022. Subscribe to eNews to receive all the articles in this series.
Acting as “Foreign Editor” for The Little Review, an avant-garde American periodical dedicated to the publication of Modernist literature and ideas, Ezra Pound encouraged Joyce to submit Ulysses for serial publication in the summer of 1917. Spurred by the promise of regular payment and the encouragement that his work would be published and appreciated, Joyce began to complete chapter typescripts in sequence and sent them to Pound in London for his approval and onward submission to The Little Review in New York.
[Read more…] about Women and the Making of Joyce’s Ulysses: A History in Ten Objects #2
Last year, Ransom Center archivist Richard Workman brought to my attention some journals that he was cataloging as part of the Guy Davenport Papers. Guy Davenport (1927–2005) was an American author, literary critic, and artist. Throughout his adulthood, he regularly kept journals of his day-to-day life and activities (including his feelings about his marriage gone bad, [Read more…] about Thinking outside the (tux) box: A novel solution to preserving the quirky diaries of the Guy Davenport collection
Here’s the plot of a story a writer told me he had joked about writing with Guy Davenport: For about two days in the 1970s, Queen Elizabeth, the Dalai Lama, and Thomas Merton were within twelve miles of one another in central Kentucky, about a mile from Lincoln’s birthplace. Merton lived at the Abbey of Gethsemani, the Dalai Lama was visiting him, and Queen Elizabeth was staying on a nearby farm [Read more…] about Dear Guy: Letters in the Guy Davenport collection
Stephanie Jones is a Ph.D. candidate in the English and Creative Writing Department at Aberystwyth University. At the Ransom Center, she analyzed the Christine Brooke-Rose papers for her dissertation, which is a single-author study on the writer, looking at the neglect of her work as a British author by the industry. Jones’s research was supported by a 2014–2015 Dissertation Fellowship from the Harry Ransom Center, jointly funded by the Creekmore and Adele Fath Charitable Foundation and The University of Texas at Austin Office of Graduate Studies.
The subject of neglected British experimental authors has emerged as a poignant topic of critical discussion over the last few years. Writers of the 1960s and 1970s who had been influenced by the Second World War, as well as the highly reflexive, avant-garde literature produced bysuch modernist heavyweights as James Joyce, Ezra Pound and Samuel Beckett, are beginning to be reassessed as having something useful to offer to the current critical climate. [Read more…] about Fellows Find: The Christine Brooke-Rose archive
