Stephen Enniss, Director of the Harry Ransom Center, shared his thoughts about the proposed elmination of the National Endowment for the Arts and the National Endowment for the Humanities in an opinion editorial in the Austin American-Statesman. Below is the piece that ran on March 10. [Read more…] about Proposed NEA, NEH funding cuts will directly impact Austin
The National Endowment for the Humanities (NEH) has awarded the Ransom Center a $18,900 grant to preserve and enhance access to the Ransom Center’s non-commercial sound recordings. The grant allows the Ransom Center to complete a preservation survey of more than 13,000 archival sound recordings to establish and document preservation digitization priorities, processes, and standards to enhance access to these research materials.
“To make the most prudent and productive use of resources available, the Ransom Center must understand the condition of its sound recordings, as well as their intellectual and research value, in order to make preservation decisions based on clear principles that will expand current and inform future reformatting, stabilizing, and cataloging efforts,” said Ransom Center Director Steve Enniss. “This support from the NEH is powerful validation of the Center’s efforts.”
A majority of the recordings are unique and were made for private, non-commercial use. The content varies widely but includes literary spoken word, conference proceedings, dictated notes and letters, field recordings, structured interviews, lectures and readings, musical performances, radio broadcasts, rehearsals, telephone conversations, dictated drafts of writings, and even therapy sessions and psychic readings.
Recordings in the collection belong to some of the twentieth- and twenty-first-century’s most notable writers, artists, and performers including Stella Adler, Neal Cassady, Andre Dubus, David Douglas Duncan, Norman Bel Geddes, Spalding Gray, Denis Johnson, Ernest Lehman, Norman Mailer, Bernard Malamud, Gerard Malanga, David Mamet, Nicholas Ray, Ross Russell, David and Jeffrey Selznick, Anne Sexton, Isaac Bashevis Singer, Warren Skaaren, Ted Spagna, Gloria Swanson, and Leon Uris.
Of the more than 13,000 audio recordings cataloged in the Ransom Center’s Sound Recordings Collection database, 2,700 have been digitized and are available for streaming onsite in the Center’s Reading and Viewing Room.
A long-term goal is to place the Sound Recordings Collection database on the Ransom Center’s website, providing patrons access to existing sound recordings.
“In the 50 years since NEH’s founding, the Endowment has supported excellence in the humanities by funding far-reaching research, preservation projects and public programs,” said NEH Chairman William Adams. “The grants continue that tradition, making valuable humanities collections, exhibitions, documentaries, and educational resources available to communities across the country.”
Upon completion, the project will serve as a model for a follow-up project to survey the Ransom Center’s archival moving image materials.
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The Ransom Center has been awarded a $500,000 challenge grant from the National Endowment for the Humanities (NEH) to establish an endowment that will sustain the institution’s exhibition program.
The grant will support a range of activities including facilitating long-range planning, creating teacher training workshops related to future exhibitions, fostering collaboration with other institutions, and supporting print and online publications related to the Center’s exhibitions.
The Ransom Center has four years to match NEH’s $500,000 challenge grant with $1.5 million in private contributions to create a dedicated $2 million exhibition endowment.
“This NEH award is validation of the strong work the Ransom Center does in interpreting its collections for wide and diverse audiences,” said Ransom Center Director Stephen Enniss. “It will enable us to build on that past success and sustain this vital program for years to come.”
Image: Tour of Culture Unbound: Collecting in the Twenty-First Century. Courtesy TxDOT/Stan A. Williams.