Cuando se busca en tiempo atrás los orígenes de las bibliotecas de investigación, damos con una larga historia de académicos dedicados a recabar colecciones de acuerdo a su interés personal, construyendo en torno suyo ateneos de libros que documentaran sus muy particulares metas de investigación. Y muchas veces, cuando dicho académico proseguía su carrera –en otro trabajo o en otro contexto intelectual- la colección emprendida se marchitaba, sin la mente directriz inicial que siguiera contando su historia. [Read more…] about Coleccionismo comprometido
The Ransom Center invites applications for its 2016–2017 research fellowships. More than 50 fellowships will be awarded for projects that require substantial onsite use of the Center’s collections, supporting research in all areas of the humanities including literature, photography, film, art, the performing arts, music, and cultural history. [Read more…] about Ransom Center accepting applications for research fellowships in the humanities
The Harry Ransom Center will host six scholars from the United Kingdom as part of the 2015-2016 International Placement Scheme conducted and funded by the UK’s Arts and Humanities Research Council (AHRC). The AHRC provides fellowships to doctoral students and early-career researchers from the United Kingdom to study at international libraries and research institutions. [Read more…] about UK postgraduates receive fellowships to work with Ransom Center collections
Stephanie Jones is a Ph.D. candidate in the English and Creative Writing Department at Aberystwyth University. At the Ransom Center, she analyzed the Christine Brooke-Rose papers for her dissertation, which is a single-author study on the writer, looking at the neglect of her work as a British author by the industry. Jones’s research was supported by a 2014–2015 Dissertation Fellowship from the Harry Ransom Center, jointly funded by the Creekmore and Adele Fath Charitable Foundation and The University of Texas at Austin Office of Graduate Studies.
The subject of neglected British experimental authors has emerged as a poignant topic of critical discussion over the last few years. Writers of the 1960s and 1970s who had been influenced by the Second World War, as well as the highly reflexive, avant-garde literature produced bysuch modernist heavyweights as James Joyce, Ezra Pound and Samuel Beckett, are beginning to be reassessed as having something useful to offer to the current critical climate. [Read more…] about Fellows Find: The Christine Brooke-Rose archive
The Harry Ransom Center has awarded 70 research fellowships for 2015–2016.
The fellowships support research projects in the humanities that require substantial on-site use of the Ransom Center’s collections of manuscripts, rare books, film, photography, art and performing arts materials.
The Ransom Center’s photography collection contains more than 100 photographs attributed to distinguished nineteenth-century photographer O. G. Rejlander. One print is a portrait of Olivia Bennet, The Countess of Tankerville. Researcher Lori Pauli visited the Ransom Center to study the portrait, and she reflected on the possible intersection of the lives of photographer and subject in a story which originally appeared in the Fall 2014 Random Edition newsletter.
The Harry Ransom Center’s renowned photography collection includes the only known print of a portrait of Olivia Bennet, The Countess of Tankerville, by distinguished nineteenth-century photographer Oscar Gustave Rejlander. This portrait is among more than 100 photographs attributed to Rejlander (British, b. Sweden, 1813?–1875) in the Ransom Center’s photography collection. Most are spread among four albums: one that formerly belonged to the British painter William Lake Price (1810–1896); another previously owned by British artist Cecil Gordon Lawson (1851–1882); a third known as the “Riglander” album; and the last an album compiled by writer Charles L. Dodgson (1832–1898), more famously known as Lewis Carroll. There are also ten loose prints attributed to Rejlander in the collection.