The archive of award-winning lighting designer Kevin Adams is now housed at the Harry Ransom Center, a key destination for the study of theatre and performance history. Adams has received four Tony Awards for his lighting designs of Spring Awakening (2007), The 39 Steps (2008), American Idiot (2010), and Hedwig and the Angry Inch (2014), as well as nominations for Hair (2009), Next to Normal (2009), SpongeBob SquarePants: The Musical (2018), and The Cher Show (2019).
The archive of award-winning lighting designer Kevin Adams is now housed at the Harry Ransom Center. Adams has received four Tony Awards for his lighting designs of Spring Awakening (2007), The 39 Steps (2008), American Idiot (2010), and Hedwig and the Angry Inch (2014). Adams is a UT alumnus, and he received the E. William Doty Distinguished Alumnus Award from the UT College of Fine Arts in 2016. Read more about the archive.
The Harry Ransom Center, a humanities research library and museum at The University of Texas at Austin, has acquired the archive of American playwright Arthur Miller (1915–2005). Obtained from the Arthur Miller Trust, the archive spans Miller’s career. [Read more…] about Playwright Arthur Miller’s archive comes to the Harry Ransom Center
The Harry Ransom Center is proud to announce that our collection of materials relating to the 1866 megamusical The Black Crook has been fully digitized in celebration of the 150th anniversary of the production. The collection is now publicly available through our online Digital Collections gallery. [Read more…] about New digital collection of The Black Crook musical released
The Harry Ransom Center celebrates the reissue of Adrienne Kennedy’s groundbreaking memoir People Who Led to My Plays from Theatre Communications Group. First published in 1987 as a response to the frequently asked question of what inspirations have influenced her work, Kennedy recorded brief, fragmentary memories covering 1936–1961. A deeply influential and radically innovative kind of memoir, novelist Ishmael Reed called these glimpses into her life “a new form of black autobiography.” [Read more…] about Celebrating the reissue of Adrienne Kennedy’s memoir