An ear trained by Seuss, Eliot, Hendrix


Denis Johnson, the legendary author of “Jesus’ Son, Tree of Smoke,” and “Train Dreams” and a frequent visitor to UT’s Michener Center for Writers, returns to campus on Thursday, Oct. 25, 2012 to give a free public reading at 7:30 p.m. in the Blanton Museum Auditorium.

Johnson has been a literary phenomenon since publication of his first poetry collection, “The Man Among the Seals,” at age 19. He grew up abroad and in suburban Washington, D.C., the son of a State Department official, and earned an MFA at the Iowa Writers Workshop, where he worked with the famously gifted and famously alcoholic Raymond Carver, his mentor for better and worse. Addiction threatened and fueled Johnson’s own bright start, as over the next dozen years he published two more poetry books—”Inner Weather” and “Incognito Lounge,” which was selected by Mark Strand for the National Poetry Series in 1982. Carver himself described Johnson’s verse as “nothing less than a close examination of the darker side of human conduct.”

In recovery, Johnson took up writing fiction, and his output grew prolific. His prose was populated with a cast of delusional to visionary anti-heroes recognizable from his poetry, perhaps most memorably in 1983’s “Angels” and his 1992 story collection,”Jesus’ Son,” both of which won him critical recognition and a near-cult following. But the stories of Johnson’s lost souls were always infused with hallucinatory brilliance and a Calvinistic sense of salvation. One reviewer put it succinctly, saying his language read “as if Camus had become a dope fiend and later found God.”

Later novels run the gamut from the self-described “California Gothic” of “Already Dead” (1998), to a slender and achingly beautiful portrait of grief, “The Name of the World” (2000) and a noir detective send-up serialized in Playboy magazine, “Nobody Move” (2009).  His haunting Vietnam magnum opus (600+ pages), “Tree of Smoke,” which won the 2007 National Book Award, gives backstory on more than half a dozen characters found in his earlier novels. “Train Dreams,” brought out in 2011 as a novella (but first published in Paris Review in 2002), packs no less of a punch in its 125 pages. Set in Prohibition-era Idaho, the novella captures the western landscape where Johnson has lived seasonally for years. It was a finalist for the un-awarded 2012 Pulitzer Prize in fiction. His collected poems are in “The Throne of the Third Heaven of the Nations Millennium General Assembly,” and his journalistic pieces are gathered in “Seek: Reports from the Edges of America and Beyond.”

With the turn of the millennium, Johnson turned his genius to playwriting and was playwright in residence at Camp Santo/Intersection for the Arts in San Francisco, where his “Hellhound on My Trail” and “Shoppers Carried by Escalators into the Flames” were initially produced. His latest published plays, “Son of a Whore and Purvis,” are written in iambic pentameter, what might be an absurdly forced and archaic form in lesser hands, but proves yet another literary coup for Johnson, who once said that his ear “was trained by—in chronological order—Dr. Seuss, Dylan Thomas, Walt Whitman, the guitar solos of Eric Clapton and Jimi Hendrix, and T. S. Eliot.”

Johnson and his wife have lived in Austin part-time over the last decade and a half, as he returned four times to teach at the Michener Center and held the 2006 Mitte Chair in Creative Writing at Texas State University in San Marcos. His ties to Austin and the university were further forged when in 2010 the Harry Ransom Center acquired his papers.

The reading is free to the public, but seating is limited. The Blanton Museum Auditorium is in the Edgar A. Smith Building on the west side of the museum complex, just north of the intersection of East MLK and Congress Avenue.  Parking is available in the nearby Brazos garage.

Amy Tan, Denis Johnson, Tim O’Brien and Lee Blessing Discuss the Future of Reading

To open the 2008 Flair Symposium, writers Amy Tan, Denis Johnson, Tim O’Brien, and Lee Blessing discuss their work and the future of reading with James Magnuson, director of the Michener Center for Writers. The panel discussion takes place Thursday, Nov. 13, at 7 p.m. at the AT&T Conference Center.

Topics to be addressed include the writers’ early encounters with reading, the transformation of reading in the age of the internet, and the rapidly changing publishing industry. This panel will be webcast live.

Seating is free, but limited. Paid registrants for the symposium will have reserved seating. Doors open at 6:30 p.m.

The 2008 Flair Symposium, Creating a Usable Past: Writers, Archives, and Institutions, occurs Nov. 13-15. During the three-day event, writers, archivists, dealers, agents, and scholars will seek to better understand how we create, protect, provide access to, and interpret literary archives. Registration is now closed, but the symposium will be webcast live.

The Flair Symposium, held biennially at the Ransom Center, honors the ideals set forth by Fleur Cowles and her landmark Flair magazine. Learn more about Fleur Cowles and Flair magazine.