September 20 – December 6, 2019

metal structure with mic stands and wires in gallery space

Los Angeles-based artist Nikita Gale makes work that visually articulates the mechanics of sound and points to the intertwined histories of politics and “the crowd.”

Kenneth Tam: Details

September 20 – December 6, 2019

men in white tuxedos dancing and sitting in office space

Through video and sculpture, New York-based artist Kenneth Tam questions conceptions of masculinity, gendered forms of identity formation, and male intimacy.

Maria Antelman: Mechanisms of Affection

September 20 – December 6, 2019

computer screen with repeated image of eyes

Merging the digital and analog through photomontage, sound installation, sculpture, and animation, New York-based artist Maria Antelman probes the intersections between the body, photography, computers, and cyberspace.

Material Vice

November 1 – December 6, 2019

egg, banana, flour arranged into art piece

Through explorations in sculpture, photography, and video, artists Mia Carrera, Lindsay Davis, and Rowan Summers examine the tension between preservation and decay.

Good Strong Handshake

November 1–15, 2019

design with landscape and title "Good Strong Handshake"

First-year Studio Art MFA candidates present recent work in this group exhibition.


Lisa Lapinski: Drunk Hawking

January 24 – March 6, 2020

sculpture in gallery

Lisa Lapinski’s indelible practice is informed by a wide-ranging cultural milieu that juxtaposes imagery from popular culture with forms taken from graphics, turn-of-the-century advertisements, and religious symbols.

Juan Pablo González: Cómo hago para recordar / What I do to remember

January 24 – March 6, 2020

Juan Pablo González’s films are poetic and atmospheric portrayals of everyday life within central Mexico where he was born and raised.

Grasping fragments, or otherwise calculating distance

January 24 – March 6, 2020

images of woman lying on google maps screenshots

In this exhibition, four Iranian-American artists present work investigating issues surrounding women’s rights in Iran, diasporic experience, censorship, technology, war, and dislocation of the self.