The Performances

The group will host a series of workshops on and off campus. Additionally, they will perform the following pieces:

The Group entitled Cor do Brasil (The Color of Brazil) will present a Forum Theater piece called “Suspect”.   “Suspect” addresses institutional and diffuse racism, which, despite being present in the daily lives of Black men and women, produces concrete consequences for racial inequality in the country. This racial inequality often remains imperceptible because it is camouflaged in a mixture of discourses of camaraderie and meritocracy. 

Collective Madalena Anastácia. Among its Forum Theater pieces, the Collective’s most recent is entitled “What is her place?” This question sets the tone of the piece in which social positions of power, which are pre-established and ratified by socio-cultural dynamics, are questioned by Black women. The piece works through the contradictory nature of the social advancement of Black women, who, while climbing the social ladder, are forced to get rid of their attachment to Black identity. 

 “Gêneres” is the most recent Theater-Forum show that explores how the persistent use of the gender binary can affect social advancements and promote intolerance and violence in everyday life.

Photos by Pam Nogueira

About CTO and the Artists

The eight artists who will come to Austin currently work at the Center for Theater of the Oppressed (CTO) in Rio de Janeiro, Brazil. CTO was established by the Brazilian theater practitioner Augusto Boal (1931-2009). After fleeing the Brazilian military dictatorship, Boal returned home in 1986 to develop a center to expand his method, which uses the language of theater to fight against all forms of oppression.

To this day, the CTO carries on Boal’s legacy and develops sociocultural projects, performs aesthetic research, and instigates conversations around citizenship, culture, racism, and sexism (among other issues) in Brazil and abroad. Currently, the method is practiced in about 80 different countries on five continents. As such, the CTO is a center of reference that contributes to archiving, updating, systematizing, and spreading the method for people and groups interested in deepening TO research, training, and capacity building in Brazil and around the world.

Currently, the CTO is led by an Executive Board of Black Brazilian theater practitioners and activists. As leaders of community groups (Madalenas-Anastácia, Cor do Brasil, and CTO-Cia, among others), they explore questions of racism, sexism, and gender identity through libertarian Black aesthetics.

Additionally, among the artists we will invite include Boal’s “right-hand woman” Bárbara Santos, who is currently one of the world’s leading actresses, directors, and multipliers of the TO method. Santos is the author of three booksRoots & Wings of Theatre of the Oppressed,  Aesthetic Paths, original approaches to Theatre of the Oppressed, and Feminist Theatre of the Oppressed, which she will launch in English for the first time in Texas.

The Theater of the Oppressed Symposium

Art-Based Political Activism from Brazil to Austin

October 21-29, 2023.

Through a multi-college collaboration, the event will host leaders from the Center for Theater of the Oppressed (CTO)  in Rio de Janeiro, Brazil, and the world-renown TO practitioner, Bárbara Santos, from Berlin, Germany. At the symposium, they will facilitate Theater of the Oppressed (TO) workshops, perform original theater pieces, and sit on a panel on Art and Activism in Brazil, among other activities. 

Currently, the CTO is led by an Executive Board of Black Brazilian theater practitioners and activists, who are also leaders of community groups (Madalenas-Anastácia, Cor do Brasil, and CTO-Cia, among others) that explore questions of racism, sexism, and gender identity through libertarian Black aesthetics. While at Austin, they will provoke discussions around these central themes, impart their vast knowledge of the TO method, and contextualize the political history of art activism in Brazil, and their own work, in the contemporary moment.