George Orwell once wrote, “Never use a metaphor, simile, or other figure of speech you are used to seeing in print.” It’s from an essay called “Politics and the English Language,” a wonderful piece he wrote in 1946 and that’s worth reading today. But what did he mean?
Perhaps it’s as simple as “Be original” or as we might say today, “Be fresh.” But I’ve always taken it to mean “Avoid clichés.”
Avoid them like the plague.
The advice isn’t original with me; it’s everywhere. Of course, we can say that about clichés: They’re everywhere, and that’s the key reason to avoid them. They’re over-used, hackneyed, and stale. For example, in her excellent book, Woe is I, the writing expert Patricia O’Conner says, “If a phrase sounds expressive and lively and nothing else will do, fine. If it sounds flat, be merciless.” O’Conner at 168.
Notice she said be merciless and didn’t say bite the bullet. It’s on her list of 88 clichés to avoid, including
can of worms
fall through the cracks
last but not least
tip of the iceberg
Legal-writing experts give the same advice. Ross Guberman, a legal-writing teacher and the author of Point Made, came out against some clichéd legal terms on his website. He particularly attacked these four:
second bite (at the apple)
By the way, Guberman’s piece on the subject is called Avoid These Clichés Like the Plague.
Bryan Garner, too, opines that clichés proliferate excessively in legal writing. As he asks in Garner’s Dictionary of Legal Usage,
Why are dissents so often vigorous, objections so often strenuous, evidentiary hearings always full blown, and exceptions invariably carved out?
Echoing O’Conner, he advises, “If one finds oneself writing or talking in ready-made phrases, it is time to draw back and frame the thought anew.” Id. at 165.
Two other legal-writing experts, Tom Goldstein and Jethro Lieberman, say a cliché “broadcasts the writer’s laziness.” The Lawyer’s Guide to Writing Well at 119. They recommend we all
Get down to brass tacks and, with both feet on the ground, face the music and turn over a new leaf. Gird your loins at these wolves in sheep’s clothing, give clichés the short shrift, and from now on, avoid them like . . .
Well, you know how it ends.
My colleague Gretchen Sween captured the paradox of clichés nicely on her blog, True Complaint. Once, these expressions were
so vivid, so fresh that everyone wanted to use them . . . . [but] . . . because everyone wanted to use them, the expressions soon lost their sheen. They turned trite and shabby. They became linguistic pariah, indicating a failure to think outside the box.
But must we banish all clichés? Or can legal writers turn clichés to their advantage?
O’Conner acknowledges that a clever twist on a cliché can make readers smile. For example, she says, “bankruptcy is a fate worse than debt.” O’Conner at 165.
One legal writer, D’Ann Rasmussen, makes a case for putting a spin on clichés in her article, A Fresh Look at Clichés, 5 Scribes J. Leg. Writing 152 (1994–1995). Naturally, she’s mostly against clichés—she rightly opposes using them for emphasis: “Their main virtue is brevity, not forcefulness.” Id. But she believes “even the most used up cliché can gain new life at the hands of a skilled writer” and offers these examples:
tried and true becomes tried and untrue
sadder but wiser becomes gladder but wiser
through thick and thin becomes through thin and thin (attributed to Henry Thoreau).
I’m not sure I agree. You should play it by ear. It goes without saying that attempts at cleverness and humor often fall flat. As a pancake.