Gabriel Espinoza
Abstract
This ethnographic research focuses on the trajectory of abandonment of a factory in the Franklin neighborhood of Santiago, Chile. It establishes a chronology of the post-industrial applications of the building, from informal to formal. Buildings can be understood as the object of processes; despite their immobility, their uses and meanings are in constant reconfiguration. This article analyses two dimensions to understand the trajectory of the property; time frames of occupation and recognition of the formality of these periods. This illustrates how the use of buildings, conceptualized here as ‘interim spaces,’ functions as a process of urban renewal.
Keywords
Interim Spaces; Santiago; Buildings; Urban Studies; Urban Renewal
About the Author
Gabriel Espinoza Rivera (MSC, BA) is a sociologist and anthropologist currently enrolled in the Ph.D. program in Geography at West Virginia University. His work has a Cultural Geography emphasis addressing questions about late liberalism, value, and dispossession. His areas of study have been linked to Latinamerican Ruins (FONDECYT 1280352, Chile), and processes of recommodification and design in household economies (Fondart 581577, Chile).
Introduction
Franklin is known for being a working-class, commercial neighborhood in Santiago de Chile. I have been visiting this place since I was a child. However, my first interaction with the building occurred back in Spring 2015. I started visiting the Instituto Sánitas (the building’s name) my first interaction with the place on a lovely sunny and windy spring day in Santiago as my friend, an Airsoft enthusiast, invited me to see him play, harboring the hope that I would eventually engage with the game and develop a similar interest to be able to team up with him in upcoming matches. While I didn’t quite develop a passion for Airsoft, we did come back quite often in order to take photos of the place and to hang out with the building’s caretaker.
In 2018, while doing my master’s in Anthropology, I was granted research funds for my dissertation in the subject of Urban Ruins and my first instinct was to study this abandoned factory. Built in the 1940s, in the midst of a modernization process led by the Chilean State under the Radical Governments, the Sanitas Institute had hopes of development by means of industrialization for Chile’s political elite. It was not only a place to produce drugs and medicine, but to enhance and deepen the national pharmaceutical discipline and knowledge. In the late 1990s, the building was left behind by the company and sold to a real estate agency. Today, 70 years later, this architectural body has been detached from its industrial genesis and uses, and left behind as a factory. However, to categorize it as a ruin or abandoned place would be a much too reductive take.
The Construction of Abandonment
The first impression I had of the building was an overwhelming atmosphere of abandonment. Andersson (2014) proposed that there might be some sort of abandonment ontology, hence a particular epistemology that helps understand the perception of emptiness. Although, the more time I spent in the place, the more my hypothesis of abandonment was challenged. I then completely eradicated the idea that this building was abandoned, and this was particularly because of the following three concepts:
1. The first one is a reading on a relational environmental understanding (Ingold, 2002, 2013, 2018; DeSilvey, 2017). This theoretical proposal identifies abandonment as a mere concept that obliterates other ways of life and actions that shape, in an ongoing process, the surrounding environment. It also acknowledges that the world and the worldly experience are made by different beings and forces that produce, reproduce and allow life to happen. Thus, the environment, as well as the built environment, is understood as a set of agencies constantly becoming and producing place, space, materialities and providing life. This theoretical perspective eventually excludes abandonment as a total phenomenon and enlightens the anthropic biased perspective of such a concept.
2. At the same time, this is not merely a biased approach only because of human action, but also because with categorizing spaces into occupied and abandoned, there is a ruinophobic gaze that imposes what should and should not dwell in the place. As Bennet (2017) puts it, there’s a certain way in which the idea of property defines territories and cities. This sets a particular scope of attributes that a building should have, which include both dwellers and their activities. Some sort of moralization takes place regarding what type of dwellers should use these places based on their moral values. Following Cresswel’sl (1996) and Matless’s (1994) approaches, there are some dwellers, material, materialities and practices allowed to be present at this building and in its public surroundings while others are not.
3. The mere presence of the building implies multiple possibilities of use. A building is as much an idea as a material architectural body. The presence of the building in a particular territory, as Guggenheim (2009) describes, enacts a set of symbolic and practical relationships. Buildings are contested bodies that are never fully closed in their possibilities of use. Harman (2017), opposing Latour and Yaneva’s (2008) discussion, says that there might be moments when a building is an object rather than a process. The open possibilities of the building as something that is constantly mutating, remains. Guggenheim (2009) calls buildings mutable immobile, because their emplacement is constant but what they are, referring to their social production as an object, depends on the uses, material conditions and relationships with the surrounding environment. This includes human direct/indirect actions, as well as economic, material, or other types of emergent or stable relationships.
Hence, my research shifted from abandonment and ruins to building as procedural objects; flexible architectural bodies and spatialities. My main question then became: for whom was the building abandoned or empty? While doing my field work, every single space inside the building was under occupation. These occupations were there, waiting, latent, but out of sync from each other. Every single occupation brought life and produced space by means of their specific activity. All of them worked and took place in different moments in time, but in a shared topographic space and place. While the building’s facade has been occupied for the last 20 years with different stores from barbershops, to restaurants or kitchen appliances stores, the interior was filled with activities that were more heterotopic. With a particular permit, to work inside the building for a limited time, a Ghost tour, an Airsoft-Field and a training spot for Lucha Libre, gave life to the building’s interior. But these activities did not last long.
Boutiqization
By the end of 2018, I was told by the building’s caretaker that the property would eventually be turned into a Boutique that would host a café, a shoemaker’s shop, a deli counter and others stores producing and offering handcrafts, as well as an Art gallery. The renovation of the building started in early 2019, and all the activities sheltered in the interior of the property were dismissed. This helped to accelerate a process of commercial gentrification, starting in 2012, with the inclusion of gourmet restaurants and stores oriented to middle and upper middle class consumers in the midst of Franklin, a traditional working class neighborhood (Espinoza, forthcoming). Also known as what Hubbard (2017) or Zukin et al. (2009) define as “boutiquization”: changes in the commercial scape of an urban area, that either discourages and shrinks the presence of lower income users to the area, or removes both the users and stores that buy and sell cheaper products than the newcomers. This then produces a symbolic and economic boundary that attracts a particular set of customers while excluding those that cannot afford neither the taste or the money to participate in these places.
On August 5, 2019, the municipality of Santiago shared the following statement on its social network and website
“The future of the #Franklin neighborhood is in the hands of the productive and industrial soul that forms its history. Rescuing that spirit, the group “Franklin CoFactoring Arts and Crafts” is developing an innovative project in the old building of the Sanitas Institute, which was empty for 20 years. Now it will receive businesses of crafts, delicatessen, shoes, distillates, restaurants, furniture, etc. Mayor Felipe Alessandri visited the space, in Franklin 741. “This is a meeting point for what we are promoting in the municipality: to recover the life of the neighborhoods and their identity, together with the neighbors” (Ilustre Municipalidad de Santiago, 2019)
The idea of abandonment is constructed as a factual public reality through devices of political communication. There was mostly void, an absence of humanity, some sort of Terra Nullius2 in the middle of one of the most crowded cities in South America. Or, at least, that’s how the city council introduced and explained this renewal process. The building, in its procedural nature, is also the tragic present and the bright future that will inherit the neighborhood’s history, framed as a discursive device that will romanticize the past, not necessarily authentically embrace it.
In 2019, the building was “recovered” by the Municipality and private investors who wanted to bring back the old-new life to Franklin. However, the civil unrest in Chile that took place from October 2019 to March 2020 followed by the Covid pandemic, delayed the inauguration of this Boutique-Art center until further notice. The new shops have been using and holding production activities rather than giving services to customers since 2019. In December 2020, the building opened for the first time to the public, but it was just for a couple of days. Then, Covid cases rose in the region and, once again, the building was closed to the public. Since January 2021, this situation has been similarly disruptive. All of the above seems like a bad joke. However, the destiny of the building seems to be in eternal waiting, even if the tale of recuperation from abandonment has already taken place in the property.
Final Thoughts
My initial approach to the building was led by curiosity and the will of understanding what a building is in anthropological terms, and if abandonment is a universal category, or just something mediated and biased by a series of limited perspectives of things and the environment. In spite of this, my early theoretical concerns allowed me to understand how buildings, and the conceptualization of abandonment, play a key role in the production of city value and the management of the voids. As Colomb (2017) and Andres (2013) explain, the idea of interim spaces has been deployed since the ‘90s – at least in Central Europe – in order to manage abandoned buildings left by processes of deindustrialization and the end of the Socialist Era. To manage the void implies to welcome a particular set of uses and users – desirable ones – that will keep on adding value through freezing urban spaces, and maybe deploying some cultural activities in order to produce value under the gaze of creative cities. The property owners are, therefore, waiting for a real estate project that will turn the abandoned into occupied, while avoiding squatting and undesirable occupations (See Martínez, 2020).
In this case, the management of the abandonment, addressed in the building by the owners of the property and the Local Government, was proven useful in keeping the property un-squatted and allowing to replace with ease, those temporary users and uses for official ones. However, nothing can assure that temporality and abandonment will not come back sooner than expected to the building. Paraphrasing Marx, what once was thought as solid will melt into air. There is no guarantee that this new stability that covers and frames a building will overcome substantial or radical changes, financial issues, or some new urban political definition. There is not a thing in the world that can escape entropy – this includes the social life of a building as well as its material and materialities. Hence, the surest thing regarding the built environment is to wait for changes to come. As DeSilvey points out: “Our minds have a tendency to consolidate these [buildings] things as cultural objects, and it takes an extra effort to see them as provisional gatherings of matter, on their way to becoming something else” (DeSilvey, 2017, p. 19).
Acknowledgments
This research has been funded by “Fondecyt 1180352 Urban Ruins. Replicas of Memory in Latin American Cities. Santiago, Quito and Bogota”
References
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