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October 30, 2013, Filed Under: Conservation, Film

Bloody costumes in De Niro collection present unusual challenge for conservation team

Blood runs through the archive of renowned actor Robert De Niro. From bloodstained props to grisly costumes, artifacts of some of Hollywood’s most iconic thrillers are preserved at the Harry Ransom Center. Although the fake blood that marks these materials might share a similar chemical makeup, each bloody stain has its own secrets.

 

One such artifact is a shirt De Niro wore in a Cape Fear (1991) fight scene that has several gashes surrounded by fake blood. Twenty years later it is still sticky to the touch, which has posed complicated housing issues. The tackiness of the blood is what made this artifact a preservation challenge because traditional archival materials used to cushion textiles were adhering to—rather than protecting—the shirt. I learned that silicone-coated polyester film proved to be the best storage solution.

 

I learned that fake blood recipes vary depending on the specific effect a director or special effects supervisor aims for in a movie. For instance, in the film 15 Minutes (2001), the blood contained titanium oxide to give it an opacity that would photograph better. In the film Ronin (1998), the fake blood’s consistency enabled it to splatter from an explosive blood bag apparatus in the armpit of De Niro’s jacket.

 

These “bloody” artifacts have proven to be a puzzle to conservators and curators since knowing the makeup of these fake blood recipes poses issues when it comes to storing and exhibiting cinema history.

 

Please click on thumbnails to view larger images.

Shirt worn by Robert De Niro in "Cape Fear." Photo by Anthony Maddaloni.
Shirt worn by Robert De Niro in “Cape Fear.” Photo by Anthony Maddaloni.
Jacket worn by Robert De Niro in "Ronin." Photo by Pete Smith.
Jacket worn by Robert De Niro in “Ronin.” Photo by Pete Smith.
(Detail) Jacket worn by Robert De Niro in "Ronin." Photo by Pete Smith.
(Detail) Jacket worn by Robert De Niro in “Ronin.” Photo by Pete Smith.

 

About Apryl Voskamp

Voskamp oversaw the preservation lab within the conservation department and was responsible for designing and producing a wide variety of preservation housings and structures for departments within the Ransom Center. She also worked part time in archives and visual materials and processed multiple archives, including the Norman Mailer papers.

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