Tradução de Guilherme Mazzafera S. Vilhena
Em dezembro de 1948, o New York Times publicou um artigo sobre a tradutora Harriet de Onís intitulado “Sra. De Onís põe o saber latino-americano em livro, mas o sabor latino invade sua cozinha” [“Mrs. De Onís puts Latins’ Lore in Book, but Their Cuisine Goes Into Her Kitchen”]. [Read more…] about Gulosa por livros
by Enora Lessinger
I visited the Kazuo Ishiguro archive at the Harry Ransom Center in June 2017, a few months before Ishiguro was awarded the Nobel Prize for Literature. This British writer of Japanese descent is famous for the suggestive quality of his writing, and in particular for his self-deceived, unreliable narrators. [Read more…] about Fellows Find: Searching for Kazuo Ishiguro’s unreliable narrators
The Harry Ransom Center has awarded 45 fellowships to postdoctoral, dissertation and independent researchers studying topics ranging from the work of Kazuo Ishiguro to Zimbabwean women writers to meritocracy in America.
[Read more…] about Discover the world of writers’ computer files, newly made available
Ambiguous Borderlands: Shadow Imagery in Cold War American Culture (Southern Illinois University Press, 2016) investigates the role shadows play in Cold War literary and popular texts. Informed by research at the Ransom Center, it examines Beat literature, postwar photography, film noir, Twilight Zone episodes, and more to explain why shadow imagery had such a hold on American imaginations in the mid-twentieth century. [Read more…] about Cold War culture
by Beth Burns, Hidden Room Theatre Artistic Director
“Ready trumpet. Boy ready with armor. Take time. More piano. Long flourish continued till discovery, next Sc. – and do not W Till Mr Booth is on stage.” [Read more…] about Scholarship, time machines, and madness
