The Harry Ransom Center has awarded over a dozen fellowships for 2021-2022 to The University of Texas at Austin faculty and graduate students through the Center’s new UT-Austin Fellowship program. The new fellows reflect the interdisciplinary nature of the Center’s collections and represent a wide range of departments, programs, and schools across the university. [Read more…] about Fellowships awarded to UT-Austin faculty and graduate students
by ERIN MCGUIRL
This essay is part of a slow research series, What is Research? Learn about the series and click here to add your voice to the conversation. [Read more…] about The women who made Selznick’s screenplays
The Harry Ransom Center continues to monitor the local and global developments related to COVID-19, as well as changes in university guidelines. The University of Texas at Austin will be closed from Dec. 23 through Jan. 3, 2020. Ransom Center research services will not be offered during that time.
Inside the spring 2020 Stories to Tell exhibition, Ransom Center film curator Steve Wilson explores the archive related to the recently restored film, The Queen, which documents the 1967 “Miss All American Camp Beauty Pageant” held in Manhattan. The New York contest was a parody of the Miss America pageant and featured drag queens when laws against cross-dressing and widespread anti-gay attitudes put the participants at great personal risk. The Center worked in partnership with Kino-Lorber to restore the film, and in 2019, The Queen was re-released. Learn more through this Q&A with multi-platform drag historian and videographer Joe E. Jeffreys (read more). [Read more…] about All hail The Queen! An interview with drag historian Joe E. Jeffreys
Lewis Allen was a respected theater and film producer. His biggest hits on stage were Annie (1983), I’m Not Rappaport (1985), A Few Good Men (1989), and Master Class (1995). His films include The Connection (1961), The Lord of the Flies (1963), and Fahrenheit 451 (1966). But, when Allen’s daughter Brooke donated her father’s archive to the Ransom Center in 2006, she told me that of all her father’s films, the one which he was most proud of was a 1968 documentary called The Queen. [Read more…] about THE QUEEN
Leslie DeLassus is a film historian and instructor with a Ph.D. in Film Studies from the University of Iowa. While working on her Ph.D, DeLassus came to the Ransom Center to research early film special effects innovator, Norman O. Dawn, and his groundbreaking work.