• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
UT Shield
Ransom Center Magazine
  • Sections
    • View All Articles
    • Art
    • Authors
    • Books + Manuscripts
    • Conservation
    • Digital Collections
    • Exhibitions + Events
    • Film
    • Literature
    • Photography
    • Research + Teaching
    • Theatre + Performing Arts

July 16, 2015, Filed Under: Film, Research + Teaching

Fellow learns origin of set design in Black Narcissus

Charles Drazin is a senior lecturer in film studies at Queen Mary University of London. He visited the Harry Ransom Center to research filmmakers Michael Powell and Emeric Pressburger for his book, The Films of Powell and Pressburger.

In the Ransom Center’s Reading and Viewing Room, Drazin focused on the archive of production designer Alfred Junge who worked closely with Powell and Pressburger on several of their major films through the 1940s. “Junge was quite central to the Pressburger-Powell partnership,” says Drazin.

In this video, Drazin discusses his research at the Ransom Center, including his particular curiosity about the opening scene of Black Narcissus, which is set, as Drazin describes it, in “the terrific, majestic, India of the mind” on a sound stage designed entirely by Junge. “I’ve often wondered, where did they get the idea for that?”

Drazin’s research was supported by a Filmscript Acquisitions Endowment Fellowship from the Ransom Center.

Receive the Harry Ransom Center’s latest news and information with eNews, a monthly email. Subscribe today.

Primary Sidebar

Print Edition

Ransom Center Magazine Spring 2025

Search

Recent Posts

  • Fellowships Awarded to 46 scholars
  • Benjamin Gross Appointed Associate Director of Research Services at the Harry Ransom Center
  • Celebrating Gabriel García Márquez’s Global Journey: Q&A with the Biblioteca Nacional de Colombia
  • De Macondo al Mundo. Una celebración del recorrido global de Gabriel García Márquez
  • Lorne Michaels Lands at the Ransom Center
  • Literature and Change: Flair Symposium 2024
  • Mark Sainsbury on W. S. Merwin
  • Nancy Cunard in the Studio
  • Visualizing the Environment: Ansel Adams and His Legacy
  • Freedom to Write, Freedom to Read: The Story of PEN
  • Milton in Phoenix
  • “Into the Emptiness” by Frederick Seidel

Archive

Footer

© Harry Ransom Center 2025
Site Policies
Web Accessibility
Web Privacy

UT Home | Emergency Information | Site Policies | Web Accessibility | Web Privacy | Adobe Reader

© The University of Texas at Austin 2025