• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Ransom Center Magazine

  • Sections
    • Art
    • Books + Manuscripts
    • Conservation
    • Exhibitions + Events
    • Film
    • Literature
    • Photography
    • Research + Teaching
    • Theatre + Performing Arts
  • Archive
  • Print Edition

Enhancing the Gabriel García Márquez papers

October 21, 2015 - Megan Barnard

Enhancing the Gabriel García Márquez papers

When the papers of a renowned author like Gabriel García Márquez arrive at the Ransom Center, there’s always a sense of excitement among staff, who take great pride in being able to preserve and make accessible materials that are unavailable anywhere else and that offer students and scholars entirely new insights into the author’s life and work.

When the acquisition of such a notable archive makes a splash in the news, the Ransom Center’s work with the collection is just beginning. In the months since the García Márquez archive arrived at the Center, archivists and conservators have been hard at work to catalog and prepare the collection for research use. Ransom Center staff have also been seeking out and acquiring original materials from other sources to enhance the archive and offer researchers a fuller spectrum of resources to study. In recent months, the Ransom Center has acquired several important materials that enrich the archive, and we remain dedicated to continuing to support the growth of our holdings related to Gabriel García Márquez.

A letter from Gabriel García Márquez to his friend and fellow writer and journalist Plinio Apuleyo Mendoza, June 27 [1966] (page 1).
A letter from Gabriel García Márquez to his friend and fellow writer and journalist Plinio Apuleyo Mendoza, June 27 [1966] (page 1).

Among the recently acquired materials is a collection of 48 original letters by Gabriel García Márquez to his friend and fellow writer and journalist Plinio Apuleyo Mendoza, dating mostly from the 1960s and 1970s. Early letters between trusted friends are often quite important, but this collection is especially rare because García Márquez favored phone communication over written letters, and it’s unlikely that correspondences of this depth and extent exist elsewhere.

A letter from Gabriel García Márquez to his friend and fellow writer and journalist Plinio Apuleyo Mendoza, June 27 [1966] (page 2).
A letter from Gabriel García Márquez to his friend and fellow writer and journalist Plinio Apuleyo Mendoza, June 27 [1966] (page 2).

The Center acquired another, smaller group of letters by García Márquez to his longtime friend, Colombian photographer Guillermo Angulo. Accompanying these letters is the only known typescript draft of the 1961 novella, El Coronel no tiene quien le escriba (No One Writes to the Colonel), a work not represented in the papers García Márquez retained for his archive.

The cover of the carbon typescript of El coronel no tiene quien le escriba [No One Writes to the Colonel], 1957.
The cover of the carbon typescript of El coronel no tiene quien le escriba [No One Writes to the Colonel], 1957.

The Ransom Center also acquired García Márquez’s annotated copy of the Mondadori edition of his 1989 novel, El general en su laberinto (The General in His Labyrinth). The book contains more than a dozen notes and revisions written by hand in black ink or pencil by García Márquez, and supplements the extensive research materials and drafts of the work that can be found in the archive.

The first page of the carbon typescript of El coronel no tiene quien le escriba [No One Writes to the Colonel], 1957.
The first page of the carbon typescript of El coronel no tiene quien le escriba [No One Writes to the Colonel], 1957.

Visitors to the Ransom Center are greeted as they walk in our doors by another important addition to our holdings, a striking bronze bust of the Nobel Laureate created by artist Kate Murray and generously donated to the Center by García Márquez’s family. The bust is a recasting of a sculpture the family originally commissioned in 2012 as part of a pairing of busts of García Márquez and his wife that stands in their home. The edition donated to the Ransom Center was cast in 2014 and is now displayed proudly in an alcove in the Ransom Center’s entry, alongside the busts of several of Gabriel García Márquez’s literary peers.

A bronze bust of Gabriel García Márquez alongside the busts of other writers in the entry alcove at the Ransom Center. Photo by Pete Smith.
A bronze bust of Gabriel García Márquez alongside the busts of other writers in the entry alcove at the Ransom Center. Photo by Pete Smith.

The Ransom Center invests substantial time, energy, and resources to build its collections thoughtfully and with great depth. We are delighted to make these recently acquired materials available for study alongside Gabriel García Márquez’s papers at the Ransom Center, and we look forward to the fruitful work that scholars and students will create based on their research with these materials.

A bronze bust of Gabriel García Márquez by artist Kate Murray. Photo by Pete Smith.
A bronze bust of Gabriel García Márquez by artist Kate Murray. Photo by Pete Smith.

Filed Under: Authors Tagged With: acquisition, Acquisitions, archive, correspondence, El Coronel no tiene quien le escribe, Gabriel Garcia Marquez, Gabriel Garcia Marquez archive, letters, Plinio Apuleyo Mendoza

About Megan Barnard

Megan Barnard is Associate Director for Administration and Curatorial Affairs at the Harry Ransom Center, where she manages the acquisition of collection materials and provides guidance and support for the Center’s curatorial staff. She works closely with the Center's literary archives, serves on the Center's senior leadership team, and contributes to strategic planning and a variety of activities relating to the administration of the Ransom Center.

Primary Sidebar

Archive

Tags

acquisition Alice's Adventures in Wonderland archive archives Art Books Cataloging Conservation Council on Library and Information Resources David Foster Wallace David O. Selznick digitization exhibition Exhibitions Fellows Find Fellowships Film Frank Reaugh Frank Reaugh: Landscapes of Texas and the American West Gabriel Garcia Marquez Gabriel Garcia Marquez archive Gone with the Wind I have seen the Future: Norman Bel Geddes Designs America Lewis Carroll literature Magnum Photos Manuscripts Meet the Staff Nobel Prize Norman Bel Geddes Norman Mailer Performing Arts Photography poetry preservation Publishing Research Robert De Niro Shakespeare theater The King James Bible: Its History and Influence The Making of Gone With The Wind Undergraduate What is Research? World War I

Recent Posts

  • Finding Henry Street: the Broadway Revival of Funny Girl and New York City Dramaturgy
  • Summer Intern: Malachi McMahon
  • Collaborating To Conserve
  • Michael Gilmore’s Life in Objects
  • Archive of Poet James Fenton Acquired

Before Footer

Sign up for eNews

Our monthly newsletter highlights news, exhibitions, and programs.

Connect With Us

  • Facebook
  • Instagram
  • Twitter
  • YouTube

About

Ransom Center Magazine is an online and print publication sharing stories and news about the Harry Ransom Center, its collections, and the creative community surrounding it.

Copyright © 2023 Harry Ransom Center

Web Accessibility · Web Privacy