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Recent Alumni

2025

Mia Villarreal, MA

Associate Academic Advisor, School of Social Work, UT Austin

“Online and Offline Solidarities: Dignidad Rebelde’s Multi-Platform Art-Activism on Palestinian Liberation” (Supervisor: George Flaherty)


2024

Nicole Smythe-Johnson, PhD

Assistant Professor, Art History, Boston University

“In Pursuit of a Subaltern Modernism: The Life and Work of John Dunkley” (Suerpvisor: Eddie Chambers)



2023

Julia Detchon, PhD

Curatorial Assistant, Department of Prints and Drawings, Museum of Modern Art, New York

“Working Around: Lea Lublin, Marie Orensanz, Mirtha Dirmisache, Margarita Paksa and the Active Spectator, 1968-1983” (Supervisor: George Flaherty)


Eva Caston, MA

Curatorial Assistant, Department of Prints and Drawings, Museum of Modern Art, New York

“Waste/land/scape: Regina Vater, Cecilia Vicuña, and the Aesthetics of Garbage” (Supervisor: Adele Nelson)


Victoria McCausland, MA

Graduate Program Assistant, Department of Spanish and Portuguese, Northwestern University

“The Species of Subversion: Three Paintings by Cecilia Vicuña” (Co-supervisors: Adele Nelson and George Flaherty)



2022

Sara Carrillo, MA

JD Student, Stanford University Law School

Thesis: “Altered Space: On the Altar-Installation Works of Patssi Valdez, 1990-1996” (Supervisor: George Flaherty)


María Emilia Fernández Nadurille, MA

Editorial and Research Associate, Kurimanzutto, Mexico City

Thesis: “Reimagined Family Ties: Redressing Memory through Photography in the Work of Castiel Vitorino Brasileiro, Aline Motta and Juliana dos Santos” (Supervisor: Adele Nelson)


Alexann Sushultz, MA

Artist Liaison, Tina Kim Gallery

Thesis: “The Brown Project: rafa esparza: Adobe, Land, and Body” (Supervisor: George Flaherty)



2021

Karina Salcido, MA

Assistant Curator and Communications Coordinator, Chinati Foundation

Thesis: “Embracing the (un) Desired: Disability, Environment, and Citizenship in Laura Aguilar’s Photographs” (Supervisor: George Flaherty)


Alexandra Mendez, MA

Curatorial Assistant, Museo de Arte Contemporáneo de Puerto Rico, San Juan

Thesis: “‘Sketches of Resistance and Liberation’: Juan Carlos Alom’s Periodo Especial, Havana Solo, and the Imaginary of the Special Period” (Supervisor: George Flaherty)



2019

Cristóbal Jácome Moreno, PhD

Independent Curator & Faculty, Graduate Program in Art History, Universidad Nacional Autónoma de México, Mexico City

Dissertation: “Built Over Volcanic Lands: Architecture in El Pedregal 1943-1952″ (Co-Supervisors: George Flaherty and Andrea Giunta)


Dorota Biczel, PhD

Term Assistant Professor, Art History, Barnard College, New York

Dissertation: “Ready-made Subjects: Non-object Art, Migration, and Democratic Transition in Peru, 1979-1981” (Co-Supervisors: George Flaherty and Andrea Giunta)


Emily Butts, MA

Director, Pitzer College Art Galleries

Thesis: “Tracing Cultural Memory in the Work of Adriana Corral” (Supervisor: George Flaherty)


Rachel Remick, MA

Curatorial Assistant, Department of Painting and Sculpture, Museum of Modern Art, New York

Thesis: “Archival Practice and the Art of Roser Bru: Processes of History and Memory in 1970s Chile” (Supervisor: George Flaherty)


Sofia Retta, MA

Training and Reports Specialist, Gallery Systems

Thesis: “The Public Poetics of Celia Alvarez Muñoz” (Supervisor: George Flaherty)


Lilia Taboada, MA

Curatorial Assistant, Department of Media and Performance, Museum of Modern Art, New York

Thesis: (Co-Supervisors: Eddie Chambers and Cherise Smith)



2018

Rose Salseda, PhD

Assistant Professor, Art History, Stanford University

Dissertation: “The Visual Art Legacy of the 1992 Los Angeles Riots” (Supervisor: Cherise Smith)



2017   

Mari Binnie Rodríguez, PhD

Associate Professor, Art History, Williams College

Dissertation: “The São Paulo Neo-Avant-Garde. Art, Collaboration, and Print Media, 1970-1985” (Co-supervisors George Flaherty and Andrea Giunta)


Patricia Ortega Miranda, MA

PhD Student, University of Maryland at College Park & Lecturer of Art History, Catholic Museum of America

Thesis: “Decentering Revolutionary Visions: The Politics and Poetics of Representation in Nicolás Guillén Landrián’s Coffea Arabiga” (Supervisor: George Flaherty)



2016

Tatiana Reinoza, PhD

Associate Professor, Art History, University of Notre Dame

Dissertation: “Latino Print Cultures in the U.S., 1970-2008” (Supervisor: Cherise Smith)


2015

Luis Vargas Santiago, PhD

Professor-Researcher, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México, Mexico City

Dissertation: “Uncontainable Zapata: Iconicity, Religiosity, and Visual Diaspora” (Supervisor: George Flaherty)


Sebastian Vidal, PhD

Professor, Art History, Universidad Alberto Hurtado and Director, Fundación Cultural CEdA, Santiago, Chile

Dissertation: “Small Town, Incredible Hell: Visual Arts, Advertising and Mass Media in the Early Democratic Transition in Chile, 1988-1994” (Co-Supervisors: George Flaherty and Andrea Giunta)


Abigail Winograd, PhD

Co-director and Chief Curator, Pueblo Unido Gallery,  Centro Romero, Chicago
Commissioner and Curator, US Pavilion 2024 Venice Biannale

Dissertation: “Reframing Latin America: Curatorial Practice and Latin American Art since 1992” (Co-Supervisors: Eddie Chambers and Andrea Giunta)


Doris Bravo, PhD

Content Program Manager, Hogarth Worldwide

Dissertation: “Adventures on Paper and in Travesía: The School of Valparaíso Visualizes America, 1965-1984″ (Co-Supervisors: Ann Reynolds and Andrea Giunta)


Cynthia Francica, PhD, Comparative Literature

Associate Professor, Literature, Universidad Adolfo Ibáñez, Santiago, Chile

Dissertation: “Distant Intimacies: Queer Literature and the Visual in the U.S. and Argentina” (Co-Supervisors: Ann Cvetkovich and Andrea Giunta)



2012

Michael Wellen, PhD

Senior Curator, International Art, Tate Modern, London

Dissertation: “Pan-American Dreams : Art, Politics, and Museum-making at the OAS, 1948-1976” (Supervisor: Andrea Giunta)



2011

Amethyst Rey Beaver, MA

User Experience Designer, ModMed

Thesis: “Los muros nos hablan: Graffiti in Valparaíso, Chile” (Supervisor: Andrea Giunta)


Paula Bossa, MA

Curator, Casas Riegner Gallery, Bogotá

Thesis: “A Revision of Antonio Caro’s Formative Period, 1970-1976” (Supervisor: Andrea Giunta)

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Latest News

  • Permanent Seminar (Sept. 9, 12pm): Talita Trizoli, “Mapping the Audacious: Feminist and Women-Only Exhibitions in Brazil” September 25, 2025
  • Permanent Seminar (Apr. 10, 2pm): Viewing of Latinx materials with Mari Carmen Ramírez at the Benson Collection March 23, 2025
  • (Apr. 9-10) CLAVIS welcomes curator Mari Carmen Ramírez for lecture, seminar, and student meetings March 21, 2025

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