Recent publications originating from CLAVIS research projects and by affiliated faculty:
- Adele Nelson, Forming Abstraction: Art and Institutions in Postwar Brazil (Oakland: University of California Press, 2022)
- George Flaherty and Adele Nelson, “Dialogues on Afterlives and Different Futures for Latin American Art,” Latin American and Latinx Visual Culture 4, no. 2 (April 2022)
- George Flaherty and Adele Nelson, “Latin American Art by and for Whom? Questioning and Unresolvability at the Austin Symposium (1975),” Latin American and Latinx Visual Culture 4, no. 2 (April 2022)
- Ana Magalhães and Adele Nelson, eds. “Arte abstrata no Brasil: novas perspectivas / Abstract Art in Brazil: New Perspectives,” MODOS: Revista de História da Arte 5, no. 1 (January–April 2021)
- Against the Canon: Art, Feminism(s) and Activisms XVIII to XXI Centuries International Seminar Proceedings (Porto Alegre: Fundação Bienal do Mercosul, 2020)
- Adele Nelson, “On Gender and Surface in Lygia Clark’s Early Abstraction,” Lygia Clark: Painting as an Experimental Field, 1948–1958, edited by Geaninne Gutiérrez-Guimarães. Bilbao: Guggenheim Museum Bilbao, 2020
- George Flaherty and Andrea Giunta eds., “Latin American Networks: Synchronicities, Contacts, and Divergences/Redes latinoamericanas: sincronicidades, contactos y divergencias,” Artelogie 15 (May 2020)
- George Flaherty, “Border Architecture: Territories, Commons, and Breathing-Spaces,” in The Routledge Companion to Critical Approaches to Contemporary Architecture , edited by Swati Chattopadhyay and Jeremy White (New York: Routledge, 2019)
- Andrea Giunta and George Flaherty eds., “Las exhibiciones como campos de comparación/Exhibitions as Fields of Comparison,” Caiana: Revista de Historia del Arte y Cultura Visual del Centro Argentino de Investigadores de Arte 11 (December 2017), 94-269
- Andrea Giunta and George Flaherty, “Latin American Art History: An Historiographic Turn,” Art in Translation 9, no. 1 (2017), 121-142
- George Flaherty, “All Eyes on Mexico: Revolution and Speculation,” in Mexico Modern: Art, Commerce, and Cultural Exchange, 1920-1945, edited by Donald Albrecht and Thomas Mellins (Austin: Harry Ransom Center / Munich: Hirmer Verlag, 2017)
- George Flaherty, Hotel Mexico: Dwelling on the ’68 Movement. Oakland, California: University of California Press, 2016
- Adele Nelson, “The Bauhaus in Brazil: Pedagogy and Practice.” ARTMargins 5, no. 2 (June 2016): 27–49
- George Flaherty, “Responsive Eyes: Urban Logistics and Kinetic Environments for the 1968 Mexico City Olympics,” Journal of the Society of Architectural Historians 73, no. 3 (2014)
- George Flaherty, “Uncanny Tlatelolco, Uncomfortable Juxtapositions,” Defying Stability: Artistic Processes in Mexico, 1952-1967, ed. Rita Eder (Mexico: MUAC, 2014), 400-417
- Adele Nelson, “Sensitive and Nondiscursive Things: Lygia Pape and the Reconception of Printmaking.” Art Journal 71, no. 3 (Fall 2012): 26–45
- Adele Nelson, Jac Leirner in Conversation with/en conversación con Adele Nelson. New York and Caracas: Fundación Cisneros/Colección Patricia Phelps de Cisneros, 2011. Portuguese edition: Jac Leirner conversa com Adele Nelson. São Paulo: Cosac Naify, 2013
