ARC 342E, History/Theories of Landscape Architecture I (Antiquity to 1700), will be available to upper-division non-majors; the only pre-req for non-majors is the consent of the instructor. The instructor is Landscape Architecture professor Mirka Benes. Interested undergrads should contact Professor Benes directly at mirkabenes@utexas.edu. A course description is available at https://soa.utexas.edu/courses/fall-2015/historytheories-landscape-architecture-i.

Hi Advisors –

Please see the information below (and flyer attached) about a new RHE class being taught this fall.  Applications are still being accepted.

Questions?  Evan Roberts (evanroberts@austin.utexas.edu)

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SCREENWRITING: LIFE STORIES

RHE 328

INSTRUCTOR: EVAN ROBERTS

FALL 2015, WED 6-9

Apply: goo.gl/AXQs8X

This course is an introduction to ethnographic/documentary fieldwork and the screenwriting adaptation process. Students will conduct oral history interviews with an individual and adapt their life story into an 8 page short film script.

First, writing teams will conduct a series of interviews outside of class, learn the basics of how to get “good tape” and transcribe their recordings. Next, teams will use these transcripts as source material for fictional stories and workshop their scripts in class.  Students will engage in short interview projects to learn the craft of interviewing, as well as writing exercises where they use existing oral histories to practice adapting the essence of a real life experience into a three-act structure. Through in-class writing exercises and writing assignments, students will explore the process of adaptation and find their “take” on the essence of a situation in one person’s life.

Students will explore the basic dramatic principles of story, character and structure as well as analyze the structure and mechanics of scripts and short films and present their findings in class. Since much of the work of screenwriting is done before the actual drafting, this class will focus on the process of screenwriting: from the initial premise, to treatments and step-outlines, then writing the first draft.  The craft of screenwriting is learned through the critical examination of other screenplays and films, ie:  we watch movies to learn how to write movies, read screenplays in order to write screenplays.  This workshop, then, will also hone your critical and editorial skills, and the application of those skills to your own writing.

The semester culminates with a pitch presentation, in which you and your writing partner reveal your collaborative creative process and bring us into the world of the film in a clear, concise, engaging visual presentation. The panel will consist of Deans, friends of the college, and local filmmakers. Each film project competes for the potential to get their film funded and produced by the College of Liberal Arts film production team and local filmmakers. Students will retain a writing credit on the finished short film.