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About Elana Estrin

Estrin was a features writer at the Ransom Center where she wrote newsletter articles, blog posts, Q&As, press releases, and worked with the media. She has written about the arts and culture for The Jerusalem Post, The Strad magazine, The Forward, and The Daily Texan.

The ballet performance that sparked a riot

March 4, 2013 - Elana Estrin

Nicholas Roerich, Russian, 1874–1947.  Hat and robe from the original production of "Le Sacre du printemps" ("The Rite of Spring"), 1913
Nicholas Roerich, Russian, 1874–1947. Hat and robe from the original production of "Le Sacre du printemps" ("The Rite of Spring"), 1913

It is 1913 at the Théâtre des Champs-Élysées, and the audience is screaming, cat-calling, and fist-fighting. It’s the most famous riot in classical music history at the premiere of the ballet The Rite of Spring, composed by Igor Stravinsky, choreographed by Vaslav Nijinsky, and premiered by the Ballets Russes.

Accustomed to more “palatable” ballets such as Swan Lake, the audience at the premiere of The Rite of Spring was shocked by the dissonant and jarring music, the violent and unnatural choreography, and the depiction of a Russian pagan tribe celebrating the arrival of spring by choosing a sacrificial virgin to dance herself to death. Upon hearing the opening bassoon solo played in an unrecognizably high register, French Romantic composer Camille Saint-Saens is said to have fumed: “if that is a bassoon then I am a baboon!” He then stormed out of the theater.

The Ransom Center holds one of the costumes that no doubt helped to spark the legendary riot. The costumes were designed by archeologist and painter Nicholas Roerich.

The University of Texas Symphony Orchestra joins the world famous Joffrey Ballet for a performance of The Rite of Spring tomorrow and Wednesday, March 6, to celebrate the centennial of the work’s world premiere in Paris in 1913. The Joffrey Ballet’s Rite of Spring explores Stravinsky’s revolutionary score and Nijinsky’s radical choreography with a reconstruction of the 1913 production with original costumes, choreography, and design.

This blog text was adapted from an earlier version of this post from 2009.

Filed Under: Theatre + Performing Arts Tagged With: ballet, Ballets Russes, Harry Ransom Center, Igor Stravinsky, Joffrey Ballet, Music, The Rite of Spring, University of Texas Symphony Orchestra, Vaslav Nijinsky

Hyde Park host provided home away from home for scholars

May 24, 2012 - Elana Estrin

Martha Campbell in front of her home in Hyde Park. Photo by Alicia Dietrich.

Cultural Compass: Can you tell us about some of your most memorable guests?

Martha Campbell: Oh, heavens!

Martha Campbell, 73, is not your typical B&B owner. During the time she hosted Ransom Center scholars at her home between 1995 and 2010, Campbell helped one renter woo her future husband, competed with a guest in a bake-off, hosted a frequent renter’s book launch, and became a close friend and confidante to many of the scholars who stayed with her.

“When I first started doing this, I thought: ‘How would I feel if I were a stranger in a strange place? How would I want to be treated?’ That’s guided me through the years,” Campbell said.

Campbell quickly became a legend among the Ransom Center scholars, in part for her breakfasts. Vanessa Guignery, past guest and former Ransom Center fellow, reports that Campbell served fruit, juice, muffins, and either waffles, pancakes, or french toast every morning.

“Other scholars stayed with other people who were very nice, but there was no breakfast. So each time I arrived at the Ransom Center and said, ‘Mmm I had waffles for breakfast!’ the other scholars would say, ‘Stop it!’ Everybody wanted to stay with Martha,” Guignery says.

Campbell’s hospitality didn’t stop at breakfast. She invited her guests to dinner parties with her friends and to Austin’s famed live-music concerts. (“I got a kick out of introducing them to Texas music.”)

“It wasn’t just coming back, closing the door, and that’s it. She didn’t make you feel as though you were actually paying to be there. It truly felt like home,” Guignery says.

Campbell’s guests have formed a network, and many of them became close friends and colleagues. During one of Guignery’s stays, Campbell invited two Norman Mailer scholars staying elsewhere, Michael and Donna Lennon, over for a wine and cheese party. Guignery told Michael Lennon about her work on British writer Julian Barnes, whose archive Guignery was researching at the Ransom Center. He suggested that she publish a collection of interviews with Barnes, put her in touch with an editor, and three years later Guignery published Conversations with Julian Barnes. The book now sits on Campbell’s table.

Campbell made her own contributions to her guests’ work. She introduced a few scholars studying spiritualist writers like W. B. Yeats and Arthur Conan Doyle to a spiritualist church down the street. During one of his stays with Campbell, Michael Lennon was invited to read at the Ransom Center’s monthly Poetry on the Plaza event. He asked Campbell if she happened to have any beat poetry around, and he ended up reading from her copy of A Coney Island of the Mind by Lawrence Ferlinghetti, which she bought at the City Lights Bookstore in San Francisco in 1960.

Built in 1910, exactly 100 years before Campbell hosted her last guest, the home is a registered historical landmark in Austin’s Hyde Park neighborhood. Campbell started housing renters in 1994, soon after her husband passed away.

“I had never had a job. I always thought I couldn’t do anything since I always had my husband,” Campbell says. “Every time I did something like change a light bulb or carry something heavy or fix a toilet, I kept getting more and more self-confidence to live by myself. So I grew as a person along with the house. It really made me a different person. The house is kind of the third big chapter of my life.”

Before hosting Ransom Center scholars, Campbell housed mathematicians and scientists visiting The University of Texas at Austin. Her very first renter was a Japanese man who spoke little English.

“When he left, he looked really forlorn, so I gave him a hug. Then I thought, ‘Am I supposed to do that?’ When I cleaned his room, I found five or six beautiful origami cranes placed around the room. I found out later that was a compliment. He came back once to say hello, so I figured I must’ve done a pretty good job,” Campbell said.

Though she stopped renting in 2010, Campbell periodically hosts informal gatherings for current Ransom Center scholars and staff.

“Somebody said I fall in love with all my guests. I think it’s true. I have a charming man who has breakfast with me, talks to me like what I have to say is important, he stays for a month, then another one comes and takes his place,” Campbell laughs.

Please click the thumbnails below to view full-size images.

Scholars Ted Bishop and Ira Nadel on Campbell's front porch.
Scholars Ted Bishop and Ira Nadel on Campbell’s front porch.
Scholar Jeremy Lewis on Campbell's front porch.
Scholar Jeremy Lewis on Campbell’s front porch.
Scholars Sally Cline and Jonathan Bloom with Campbell for her 70th birthday.
Scholars Sally Cline and Jonathan Bloom with Campbell for her 70th birthday.
Martha Campbell in front of her home in Hyde Park. Photo by Alicia Dietrich.
Martha Campbell in front of her home in Hyde Park. Photo by Alicia Dietrich.
Campbell keeps a shelf of books written by the scholars who have stayed with her. Photo by Alicia Dietrich.
Campbell keeps a shelf of books written by the scholars who have stayed with her. Photo by Alicia Dietrich.
Scholar Ira Nadel with Campbell at Central Market in Austin.
Scholar Ira Nadel with Campbell at Central Market in Austin.
Scholars Vanessa Guignery and Gerd Bayer at breakfast in Campbell's house.
Scholars Vanessa Guignery and Gerd Bayer at breakfast in Campbell’s house.

Filed Under: Research + Teaching Tagged With: Donna Lennon, Elana Estrin, Fellowships, Hyde Park, Julian Barnes, Martha Campbell, Michael Lennon, Norman Mailer, Research, Vanessa Guignery

Author T. C. Boyle’s archive acquired

March 7, 2012 - Elana Estrin

Promotional poster for a reading of "The Tortilla Curtain" by T. C. Boyle on November 14, 2006.

The Ransom Center has acquired the archive of novelist and short-story writer Tom Coraghessan “T. C.” Boyle, author of such acclaimed works as The Tortilla Curtain (1995) and World’s End (1987). Spanning more than 30 years from the 1970s through the present, the archive covers the breadth of Boyle’s prolific career.

“I am very pleased and honored to have my papers safely ensconced at the Ransom Center so that they may be preserved and made available to scholars,” said Boyle. “With such an archive, there is always the danger of damage or even destruction, especially when the papers are stored in filing cabinets and cardboard boxes in the basement of a very old house. I am vastly relieved to know that they are now safe.”

Boyle is the author of 22 books of fiction, and his short stories have appeared in The Atlantic, Esquire, Harper’s, McSweeney’s, and The New Yorker. He was awarded the PEN/Faulkner Prize for best novel of the year in 1988 for World’s End and the PEN/Malamud Prize in 1999 for T. C. Boyle Stories (1998). Boyle is currently a professor of English at the University of Southern California.

The collection includes manuscripts, correspondence, professional files, and teaching material. Nearly every published title is represented by a binder of manuscript notes, research material, drafts, and proofs. Also included are about 140 short-story files.

If you’re in Austin, don’t miss the chance to see Boyle at BookPeople on March 19.

Please click the thumbnails to view full-size images.

 

Final check for "When the Killing's Done" by T. C. Boyle.
Final check for “When the Killing’s Done” by T. C. Boyle.
Binder with research materials and notes for "World's End" by T. C. Boyle. Photo by Pete Smith.
Binder with research materials and notes for “World’s End” by T. C. Boyle. Photo by Pete Smith.
Pages from annotated typescript "World's End" by T. C. Boyle. Photo by Pete Smith.
Pages from annotated typescript “World’s End” by T. C. Boyle. Photo by Pete Smith.
Pages from annotated typescript "World's End" by T. C. Boyle. Photo by Pete Smith.
Pages from annotated typescript “World’s End” by T. C. Boyle. Photo by Pete Smith.
Pages from annotated typescript "World's End" by T. C. Boyle. Photo by Pete Smith.
Pages from annotated typescript “World’s End” by T. C. Boyle. Photo by Pete Smith.
Pages from annotated typescript "World's End" by T. C. Boyle. Photo by Pete Smith.
Pages from annotated typescript “World’s End” by T. C. Boyle. Photo by Pete Smith.
Document box with files related to short stories by T. C. Boyle. Photo by Pete Smith.
Document box with files related to short stories by T. C. Boyle. Photo by Pete Smith.
File folder with notes for "The Tortilla Curtain" by T. C. Boyle.
File folder with notes for “The Tortilla Curtain” by T. C. Boyle.
File folder with notes for "The Tortilla Curtain" by T. C. Boyle.
File folder with notes for “The Tortilla Curtain” by T. C. Boyle.
Draft of script version of "The Tortilla Curtain" by T. C. Boyle.
Draft of script version of “The Tortilla Curtain” by T. C. Boyle.
Promotional poster for a reading of "The Tortilla Curtain" by T. C. Boyle on November 14, 2006.
Promotional poster for a reading of “The Tortilla Curtain” by T. C. Boyle on November 14, 2006.

Filed Under: Authors, Books + Manuscripts Tagged With: acquisition, Acquisitions, archives, BookPeople, PEN/Faulkner Prize, PEN/Malamud Prize, T. C. Boyle, The Tortilla Curtain, University of Southern California, World's End

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