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Making the Banned Accessible: Digitizing the Hall-Troubridge Archive 

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by VEGA SHAH

The Ransom Center is home to the collection and papers of British author Radclyffe Hall (1880-1943) and her partner, Una Vincenzo, Lady Troubridge (1887-1963), a sculptor and translator. The couple, being openly lesbian partners, are remembered as LGBTQ pioneers, with Hall’s novel, The Well of Loneliness (1928), making lesbianism more visible in English society, despite the banning of the novel in England.

The Hall-Troubridge papers have been digitized and are accessible online in a new digital collection. Explore more than 40,000 images of Hall and Troubridge’s papers, letters, and photos, that provide insight into their personal correspondence, as well as topics such as gender, politics, and spirituality.

[Read more…] about Making the Banned Accessible: Digitizing the Hall-Troubridge Archive 

ABOUT VEGA SHAH

Vega Shah is an undergraduate intern at the Harry Ransom Center and a senior at the University of Texas at Austin pursuing a B.A in Anthropology, a minor in Art History, and certificates in Liberal Arts Honors and Museum Studies. Her research interests include Islamic and contemporary art and equity in museum education and curation.

Q & A: Registrar Ester Harrison

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When you see a favorite work of art on display in a traveling exhibition, do you ever wonder about its journey to that point? Under ideal conditions, it is a lengthy process involving museum staff and vendors from around the world. However, during a global pandemic, the role of a well-seasoned registrar proves to be more critical than ever when it comes to putting one of Frida Kahlo’s most iconic paintings on view.

In this Q & A, Harry Ransom Center Registrar Ester Harrison gives us a behind-the-scenes look at her integral role in the care and stewardship of Kahlo’s 1940 Self-Portrait with Thorn Necklace and Hummingbird.

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Many Years Later: Three Readings of One Hundred Years of Solitude

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With equal parts clarity and gilded nostalgia, I recall the first time I read the opening line of Gabriel García Márquez’s One Hundred Years of Solitude. “Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.” Often cited on lists of literature’s great first lines, the unusual configuration of words came tearing off the page. Who begins a story with, “Many years later”? [Read more…] about Many Years Later: Three Readings of One Hundred Years of Solitude

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