Going back to the origins of research libraries, there is a long history of scholars building collections to suit personal interests, constructing around themselves an athenaeum of books that supported their individual research goals. [Read more…] about Commitment to collecting
Elizabeth Hardwick
Coleccionismo comprometido
Cuando se busca en tiempo atrás los orígenes de las bibliotecas de investigación, damos con una larga historia de académicos dedicados a recabar colecciones de acuerdo a su interés personal, construyendo en torno suyo ateneos de libros que documentaran sus muy particulares metas de investigación. Y muchas veces, cuando dicho académico proseguía su carrera –en otro trabajo o en otro contexto intelectual- la colección emprendida se marchitaba, sin la mente directriz inicial que siguiera contando su historia. [Read more…] about Coleccionismo comprometido
Ransom Center acquires Jon R. Jewett collection of Elizabeth Hardwick materials
The Ransom Center recently acquired a collection of letters and photographs relating to novelist and essayist Elizabeth Hardwick (1916–2007), co-founder of The New York Review of Books and one of the most brilliant literary critics of the late-twentieth century. The newly acquired material complements Elizabeth Hardwick’s archive, which she donated to the Ransom Center in 1991.
This new material was acquired from Jon R. Jewett, a personal friend of Hardwick—or “Lizzie,” as her closest friends called her. They met in Castine, Maine, in the early 1980s, where Hardwick had a summer residence that she once shared with her former husband, the poet Robert Lowell.
The collection includes more than 20 handwritten letters from Hardwick to Jewett spanning their three decades of friendship. The letters showcase Hardwick’s sharp wit and are filled with details of her daily activities, reflections on current events, and kind words of advice for her friend. In a letter dated January 21, 1991, she writes of the Gulf War, “The situation is really bizarre indeed, no jobs and a war that is not over in a week, as expected. I can’t tear myself away from the TV, but I suppose the worst thing will be that it is all to become repetition, nothing new happening and so the great happening, the war itself, just becomes another little repetitive show.”
On April 10, 1994, in a letter peppered with typos, she offers valuable advice about editing and proofreading but self-reflexively notes, “I can’t proofread my own work. It’s embarrassing how many mistakes there are in something I have read more than a dozen times.” She concludes, “I am aware of all the mistakes in this letter, but it is a rush and even the typing room is such a mess I can hardly see the page.”
The correspondence in the collection is supplemented with a number of photographs and candid snapshots—including one of a frail but smiling Lizzie taken just days before her death in 2007.
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