Ransom Center Magazine

Radical Transformation: Magnum Photos into the Digital Age

Teaching Magnum: What we can learn from Magnum Photos

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Nicaragua. Matagalpa. Muchachos await the counterattack by the National Guard. 1978 © Susan Meiselas/Magnum Photos
“Nicaragua. Matagalpa. Muchachos await the counterattack by the National Guard.” 1978 © Susan Meiselas/Magnum Photos

Photojournalist Susan Meiselas broke tradition when she photographed the “people’s revolt” in Nicaragua in color. In 1981, black and white was still the accepted medium in which to depict conflict. Yet, she described the choice as best capturing “the vibrancy and optimism of the resistance.”

Learn more about Meiselas’s photograph and how it influenced Donna DeCesare, award-winning documentary photographer and University of Texas at Austin Associate Professor of Journalism. DeCesare writes about this and other images from the current exhibition Radical Transformation: Magnum Photos into the Digital Age, noting their impact on her photography and teaching.

Radical Transformation: Magnum Photos into the Digital Age, on display at the Ransom Center from September 10 through January 5, explores the evolution of Magnum Photos from print journalism to the digital age, revealing a global cooperative in continual flux, persistently exploring new relationships between photographers, their subjects, and their viewers.

On this Thursday, September 26 at 7 p.m., DeCesare speaks about her new book Unsettled/Desasosiego, which explores the effects of decades of war and gang violence on the lives of youths in Central America and the United States. A book signing follows.

DeCesare was recently honored with a Maria Moors Cabot Prize from the Columbia University Graduate School of Journalism for outstanding reporting on Latin America and the Caribbean.

Related content:

“Photojournalism in War Zones”: An audio interview with Donna DeCesare

Magnum Photos collection donated to the Ransom Center

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George Rodger, Sahara Desert, 1957, verso. With permission of Magnum Photos.
George Rodger, Sahara Desert, 1957, verso. With permission of Magnum Photos.

The Magnum Photos collection, which contains nearly 200,000 press prints of images taken by world-renowned Magnum photographers, has been donated to the Ransom Center. The gift was made by Michael and Susan Dell, Glenn and Amanda Fuhrman, and John and Amy Phelan.

Mr. Dell is Founder, Chairman and CEO of Dell Inc. Messrs. Fuhrman and Phelan are Co-Managing Partners and Co-Founders of MSD Capital, L.P., the private investment firm for Mr. Dell and his family.

In 2009, the Dells, Fuhrmans and Phelans purchased the collection from Magnum Photos. Since late 2009, the collection has resided at the Ransom Center, where it is being preserved and made accessible for research.

The collection, more than 1,300 boxes of photographic materials, has been integrated into the university’s curriculum, accessed by students and scholars, and promoted through a variety of lectures, seminars, and fellowships.

“The establishment of the Magnum Photos collection at the Ransom Center gives the work of these photographers new life,” said Stephen Enniss, director of the Ransom Center. “This photographic collection will be an invaluable resource, for decades to come, for students and scholars and all who wish to understand the cultural and historical moment through which we have recently come.”

The Ransom Center’s current exhibition, Radical Transformation: Magnum Photos into the Digital Age, draws from the vast collection of prints, exploring the evolution of the photo agency from the post-war golden era of the picture magazine to the digital age. Organized by Ransom Center photography curators Jessica S. McDonald and Roy Flukinger, the exhibition includes more than 300 photographs, plus a selection of contact sheets, documents, tear sheets, magazines, books, films, videos, and other multimedia. It is on view through January 5.

Complementing the exhibition is the Ransom Center’s symposium “Magnum Photos into the Digital Age.” The October 25–27 symposium brings together photographers, curators, and historians to discuss the ways in which Magnum Photos has continually reinvented itself from the moment of its founding. Symposium participants include Magnum photographers Christopher Anderson, Bruno Barbey, Michael Christopher Brown, Eli Reed, Jim Goldberg, Josef Koudelka, Susan Meiselas, Mark Power, Moises Saman, Alessandra Sanguinetti, Alec Soth, and Chris Steele-Perkins.

Reading Magnum: A Visual Archive of the Modern World is the first publication to examine the Magnum Photos collection itself. Published by University of Texas Press in September and edited by Steven Hoelscher, academic curator of photography at the Ransom Center, the book explores prominent themes in the collection—war and conflict, portraiture, geography, cultural life, social relations, and globalization—and includes evocative portfolios of images.

Opening today: "Radical Transformation: Magnum Photos into the Digital Age"

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"Russia. Altai Territory. Villagers collecting scrap from a crashed spacecraft, surrounded by thousands of white butterflies. Environmentalists fear for the region's future due to the toxic rocket fuel." 2000. © Jonas Bendiksen/Magnum Photos.
"Russia. Altai Territory. Villagers collecting scrap from a crashed spacecraft, surrounded by thousands of white butterflies. Environmentalists fear for the region's future due to the toxic rocket fuel." 2000. © Jonas Bendiksen/Magnum Photos.

The exhibition Radical Transformation: Magnum Photos into the Digital Age opens today and will be on view through January 5.

Magnum Photos photographers have produced some of the most memorable images of the last century, shaping history and revolutionizing photography’s influence on modern culture. Founded in 1947, it was the first cooperative agency to be established and operated by photographers, thus ensuring unprecedented creative, editorial, and economic independence.

Its founders, including renowned photographers Robert Capa, Henri Cartier-Bresson, David “Chim” Seymour, and George Rodger, united in their pursuit of creative freedom and their commitment to sharing their images with the world. Membership in this collective empowered photographers to document conflict and liberation, revolution and reform, while preserving their own powerfully distinct points of view.

Established during the post-war golden age of the picture magazine, Magnum has flourished despite the impact of radical technological, economic, and cultural transformations on publishing and media. When television began to take over as the dominant form of mass communication in the 1950s, Magnum photographers explored motion picture and book formats. As the editorial market continued to shrink, photographers found new audiences in museums and galleries. Over the last decade, new technologies have dramatically changed the way photographic imagery is captured, distributed, and consumed. In this new environment, Magnum photographers have kept pace, experimenting with a variety of multimedia platforms to publish their work.

Organized by Jessica S. McDonald and Roy L. Flukinger, this exhibition of approximately 300 works investigates the evolution of Magnum Photos from print photojournalism to the digital age, revealing a global cooperative in continual flux, persistently exploring new relationships between photographers, their subjects, and their viewers.

Coinciding with the exhibition is the publication of Reading Magnum: A Visual Archive of the Modern World (UT Press), edited by Steven Hoelscher, Academic Curator of Photography at the Ransom Center.

The Magnum Photos Collection resides at the Harry Ransom Center courtesy of MSD Capital, Michael and Susan Dell, Glenn and Amanda Fuhrman, and John and Amy Phelan.

Beginning September 17, free docent tours will be offered Tuesdays at noon, Thursdays at 6 p.m., and Saturdays and Sundays at 2 p.m.

For groups larger than 10 people, please contact the Ransom Center to make arrangements for a private group tour.

The fall calendar includes many Magnum Photos-related programs, including “Boundless,” the opening celebration for the exhibition on Friday, September 20.

The Ransom Center presents the symposium “Magnum Photos into the Digital Age” on October 25–27. This symposium brings together photographers, curators, and historians to discuss the ways in which Magnum Photos has continually reinvented itself from the moment of its founding. Twelve Magnum photographers, as well as Magnum CEO Giorgio Psacharopulo, are scheduled to appear on panels with a focus on the cooperative’s evolution and future.

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