sound recording

We left off in part one wondering how to evaluate the Ransom Center’s unique non-commercial sound recordings, particularly when we aren’t able to access their audio content prior to preservation. Verifying written descriptions helps, but there are other considerations to keep in mind, such as a recording’s physical format—different types… read more 

High stakes for cultural heritage In just 11 years, the Harry Ransom Center could reach the point of no return!