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Virginia Woolf

October 19, 2015, Filed Under: Authors

Gabriel García Márquez’s Pentimenti

Gabriel García Márquez working on "One Hundred Years of Solitude." Photograph by Guillermo Angulo Image courtesy of Harry Ransom Center Gabriel García Márquez revisando el texto de "Cien años de soledad". Fotografía por Guillermo Angulo Imagen cortesía del Centro Harry Ransom

Underneath the final brushstrokes of great paintings, below the surface, there are sometimes marks of doubt, hidden lines, and suppressed colors. These nearly invisible brushstrokes are called pentimenti—repentances, compunctions, remorses. I like the word pentimenti because it evokes a sense of drawn-out struggle and internal debate.

July 3, 2014, Filed Under: Books + Manuscripts, Research + Teaching, Theatre + Performing Arts

Fellows Find: Early recordings show how performance artist Spalding Gray developed his signature style

Audio cassette and video cassette tapes from the Spalding Gray archive. The archive contains more than 150 audio tapes and more than 120 VHS tapes. Photo by Anthony Maddaloni.

Ira S. Murfin is a doctoral candidate in the Interdisciplinary PhD program in Theatre & Drama at Northwestern University. He received a dissertation research fellowship from the Ransom Center to work in the Spalding Gray collection, investigating the early development of Gray’s influential autobiographical monologues for his dissertation on the… read more 

April 17, 2014, Filed Under: Books + Manuscripts, Photography

Drawing parallels: Virginia Woolf’s “On Being Ill” and Julia Stephen’s “Notes from Sick Rooms”

Julia Margaret Camerson. "Julia Stephen."

Quentin Bell’s biography of Virginia Woolf begins with a famous sentence:  “Virginia Woolf was a Miss Stephen.” Her father, Sir Leslie Stephen, was an eminent critic and editor of the Dictionary of National Biography; his first wife was W. M. Thackeray’s daughter Minny. The second Mrs. Stephen, Woolf’s mother, was… read more 

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