“This is not going to be your traditional black box theatre performance,” shares Gesel Mason, choreographer, professor, dancer and artistic director of CYPHERS. Mason stands in a corner of the Oscar G. Brockett Theatre, gesturing towards the rows of seats, the DJ booth and the circular projection screen suspended above the stage. The stage is surrounded by seating on all four sides, breaking the barrier between audience and performer. We spoke with Mason, student choreographer Megan Davidson and dancers Madeleine Birmingham and Bryli Lee Jameson to understand why audiences seated “in the round” is significant for CYPHERS and what opportunities it has presented for performers and viewers alike.
Continue Reading Harnessing the Energy of the Cypher: Why CYPHERS is Performed “In the Round”