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Articles

October 29, 2014, Filed Under: Photography

Veterans Day conversation with photojournalist (and Marine) David Douglas Duncan

David Douglas Duncan. "From the heights of Con Thien, the U.S. Marines of Mike Company look down upon the DMZ during daily fighter-bomber attacks on the enemy." Vietnam, September/October 1967.

The Ransom Center holds the archive of American photojournalist and author David Douglas Duncan, including his images of World War II and the Korean and Vietnam wars. In honor of Veterans Day, Ransom Center Research Curator of Photography Roy Flukinger asked Duncan about photography, being a Marine, his experiences as… read more 

October 27, 2014, Filed Under: Exhibitions + Events

Dylan Thomas exhibition in New York features materials from the Ransom Center’s collections

Photo of Dylan Thomas by Rollie McKenna, ca. 1953.

“I went on all over the States, ranting poems to enthusiastic audiences that, the week before, had been equally enthusiastic about lectures on Railway Development or the Modern Turkish Essay.” –Dylan Thomas (1914–1953) Dylan Thomas in America—A Centennial Exhibition, which opened yesterday at the 92nd Street Y’s Weill Art Gallery,… read more 

October 23, 2014, Filed Under: Books + Manuscripts, Exhibitions + Events, Film

In the Galleries: A discarded happy ending for “Gone With The Wind”

Bradbury Foote's happy ending to "Gone With The Wind."

Gone With The Wind’s scriptwriter Sidney Howard had the difficult task of converting the 1,000-page novel into a film script that was not too long, without sacrificing key elements of the novel. One of producer David O. Selznick’s concerns was that all problems be caught before filming started, because cutting… read more 

October 21, 2014, Filed Under: Research + Teaching

Application process opens for Ransom Center’s fellowships

Image: Attributed to Tsukioka Yoshitoshi, [Geisha having her photograph taken], not dated, color woodblock; Alfred Junge, scene conception for The Barretts of Wimpole Street, 1956; Fred Fehl, still featuring Sara Yarborough from a production of Cry, 1974; Clement Smith & Co., Hercat’s New and Startling Illusion, 1888; Julia Margaret Cameron, [May Prinsep], 1870, albumen print.

The Harry Ransom Center invites applications for its 2015–2016 research fellowships. More than 50 fellowships will be awarded for projects that require substantial onsite use of the Center’s collections, supporting research in all areas of the humanities, including literature, photography, film, art, the performing arts, music, and cultural history. Information about… read more 

October 16, 2014, Filed Under: Research + Teaching

Contemporary debates on vaccination policies have historical parallels in Ransom Center’s collections

Page 32 from “An Inquiry into the Causes and Effects of the Variolae Vaccine” by Edward Jenner, 1798. In Jenner’s 17th case study, he inoculates for the first time a healthy patient who has no previous exposure to cowpox or smallpox. “I selected a healthy boy, about eight years old, for the purpose of inoculation for the Cow Pox. The matter was taken from the sore on the hand of a dairymaid, who was infected by her master’s cows…”

Recently, The New York Times published an article on vaccination that has highlighted a resurging controversy. In late June 2014, a federal judge upheld a New York City policy barring unimmunized children from public schools, and objectors have decried the policy as an infringement upon their rights. In the United… read more 

October 14, 2014, Filed Under: Books + Manuscripts, Theatre + Performing Arts

Director draws upon Tennessee Williams collection for UT production of “A Streetcar Named Desire”

A production of Tennessee Williams’s iconic play A Streetcar Named Desire opened on campus last week, and director Jess Hutchinson delved into the Tennessee Williams collection at the Ransom Center to guide some of her work on the play. Set in New Orleans, William’s Pulitzer Prize–winning classic centers around fading… read more 

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Ransom Center Magazine Spring 2026

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