The Harry Ransom Center is pleased to share the news that we received a $17,930 grant from the Austin Community Foundation. [Read more…] about Austin Community Foundation grant assists forthcoming Mexico Modern exhibition
A new digitization project provides access to 996 photographs from the E. O. (Eugene Omar) Goldbeck papers and photography collection, the largest photography collection in the Harry Ransom Center’s Texana holdings. [Read more…] about Now online: Newly digitized E. O. Goldbeck collection
In December 2015, the Council on Library and Information Resources granted the Harry Ransom Center a Digitizing Hidden Special Collections and Archives award to scan more than 24,000 pages from the Gabriel García Márquez archive. [Read more…] about The magically real digital archive of Gabriel García Márquez
With the generous support of a grant from the History Programs, American Institute of Physics, the Ransom Center has created a new online finding aid for the papers of English physicist Owen W. Richardson (1879–1959). The papers were originally processed during the 1960s and described on more than 8,000 catalog cards. Enhanced collection housing was also part of the project, improving long-term preservation of the materials.
Recognized for his pioneering work on thermionics, Sir Owen Richardson was awarded the 1928 Nobel Prize in Physics for [Read more…] about Preserving and Enhancing Access to Physicist Owen W. Richardson’s Papers
The National Endowment for the Humanities (NEH) has awarded the Ransom Center a $18,900 grant to preserve and enhance access to the Ransom Center’s non-commercial sound recordings. The grant allows the Ransom Center to complete a preservation survey of more than 13,000 archival sound recordings to establish and document preservation digitization priorities, processes, and standards to enhance access to these research materials.
“To make the most prudent and productive use of resources available, the Ransom Center must understand the condition of its sound recordings, as well as their intellectual and research value, in order to make preservation decisions based on clear principles that will expand current and inform future reformatting, stabilizing, and cataloging efforts,” said Ransom Center Director Steve Enniss. “This support from the NEH is powerful validation of the Center’s efforts.”
A majority of the recordings are unique and were made for private, non-commercial use. The content varies widely but includes literary spoken word, conference proceedings, dictated notes and letters, field recordings, structured interviews, lectures and readings, musical performances, radio broadcasts, rehearsals, telephone conversations, dictated drafts of writings, and even therapy sessions and psychic readings.
Recordings in the collection belong to some of the twentieth- and twenty-first-century’s most notable writers, artists, and performers including Stella Adler, Neal Cassady, Andre Dubus, David Douglas Duncan, Norman Bel Geddes, Spalding Gray, Denis Johnson, Ernest Lehman, Norman Mailer, Bernard Malamud, Gerard Malanga, David Mamet, Nicholas Ray, Ross Russell, David and Jeffrey Selznick, Anne Sexton, Isaac Bashevis Singer, Warren Skaaren, Ted Spagna, Gloria Swanson, and Leon Uris.
Of the more than 13,000 audio recordings cataloged in the Ransom Center’s Sound Recordings Collection database, 2,700 have been digitized and are available for streaming onsite in the Center’s Reading and Viewing Room.
A long-term goal is to place the Sound Recordings Collection database on the Ransom Center’s website, providing patrons access to existing sound recordings.
“In the 50 years since NEH’s founding, the Endowment has supported excellence in the humanities by funding far-reaching research, preservation projects and public programs,” said NEH Chairman William Adams. “The grants continue that tradition, making valuable humanities collections, exhibitions, documentaries, and educational resources available to communities across the country.”
Upon completion, the project will serve as a model for a follow-up project to survey the Ransom Center’s archival moving image materials.
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