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October 27, 2015, Filed Under: Art, Exhibitions + Events

Twenty-four Hours with the Herd, a night of image and sound with Graham Reynolds

Frank Reaugh The Herd Moves On, Number 7 from Twenty-four Hours with the Herd, 1932, pastel on Masonite, 24 x 48 1/16 inches

Critically acclaimed Austin composer Graham Reynolds (Golden Arm Trio, Bernie, Before Sunset) breathes new life into Frank Reaugh’s 1933 masterpiece, Twenty-four Hours with the Herd, a musical presentation of Reaugh’s stunning seven-part pastel series depicting the West Texas plains as a backdrop to cattle drives.

October 22, 2015, Filed Under: Art, Exhibitions + Events

Listen: Join Frank Reaugh’s cowboys in O Roundup

One of our patrons’ favorite features about our current exhibition Frank Reaugh: Landscapes of Texas and the American West, is the “guide by cell” audio tour for visitors. This audio tour lets visitors call in and hear informational snippets about the paintings on display. Ransom Center Curator of Art Peter… read more 

October 22, 2015, Filed Under: Authors

Dime con quién andas y te diré quién eres: Influencias literarias en la obra de Gabriel García Márquez

The cover of the carbon typescript of El coronel no tiene quien le escriba [No One Writes to the Colonel], 1957.

Explore the Harry Ransom Center, search digital collections, or plan your visit. Alguna vez  Gabriel García Márquez comentó que creía que la principal razón por la cual los escritores leen las novelas de otros, era para aprender cómo las escribieron.  Para el laureado con este Premio Nobel los libros tenían una… read more 

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Ransom Center Magazine Spring 2026

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