by Ellen Cunningham-Kruppa and Eric Colleary
Mel Gussow was the lead cultural critic for the New York Times for more than 40 years. Throughout his career, he recorded interviews with stars and unknowns of the American and British theatre. [Read more…] about Theatre critic Mel Gussow’s legendary interviews available online
We left off in part one wondering how to evaluate the Ransom Center’s unique non-commercial sound recordings, particularly when we aren’t able to access their audio content prior to preservation. Verifying written descriptions helps, but there are other considerations to keep in mind, such as a recording’s physical format—different types of material become increasingly unstable with age, but at different rates, and in different ways. [Read more…] about Deadline: 2028—Countdown to preserve audio materials
The Edward Ruscha Papers and Art Collection at the Harry Ransom Center includes preliminary layout sheets for Hard Light, a collaborative artist’s book published by Ruscha and Lawrence Weiner in 1978. [Read more…] about Ransom Center conservator treats preliminary layouts for Ed Ruscha’s Hard Light
Durante la planeación de exhibiciones en el Harry Ransom Center, los curadores seleccionan los materiales que consideran más relevantes en las colecciones y que, a su vez, mejor se relacionan con los temas de cada muestra. Posteriormente los restauradores evalúan la condición física de todos los objetos seleccionados, con el fin de entender su fragilidad material, evaluar los posibles riesgos y/o requerimientos específicos para exhibirlos de forma segura, tales como la necesidad de construir soportes exactos y a la medida para libros, o establecer niveles de iluminación para fotografías. En el caso de Elliott Erwitt: Home Around the World, se determinó cuáles fotografías podrían beneficiarse de algunos tratamientos de conservación. [Read more…] about Elliott Erwitt: Home Around the World / Un hogar en todo el laboratorio
During exhibition planning at the Harry Ransom Center, conservators assess all objects the curators have chosen for display. Conservators evaluate the condition of [Read more…] about Elliott Erwitt: Home around the lab
