Welcome to the PASP website. Tom Palaima’s editorials and commentary pieces are always available at his blog.
Over the course of the next few months, we will be adding new sections to the site to update you on current initiatives, upcoming projects, and new research programs. From the imaging and publication of the Pylos tablets, to our new annual research program focusing on script use throughout the world, to our proposal to expand PASP into a larger research center for the study of scripts and decipherment, we are moving in new directions and will be keeping you informed on all of them.
Please use the contact form if you have any questions, comments, or suggestions. Thank you for visiting, and we hope you find the new site and format useful!
PASP News and Project Updates
Paintings and Poetry in Linear B – The Nikos Samartzidis Collection
PASP is very pleased to exhibit the works of Nikos Samartzidis collection. Samartzidis is a painter and poet and has exhibited his works in Germany and Crete. These collection pieces are works of art inscribed with Linear B on canvas, clay tablets, and compact disks. In the works, Linear B is used as a script for poetry. Works on canvas, board, clay and CD are on display at PASP.
In his works, he quotes ancient poets like Hesiod and Homer and many modern Greek poets like Elytis and Cavafy. In the painting below, Dylanology II, he even transcribes the lyrics of American musician Bob Dylan into Linear B.
Dylanology II, 2017
Source: Bob Dylan, Blowin’ in the wind
Free Translation by Nikos Samartzidis
po-sa, ko-ro-ni-a, po-re,
na, u-pa-re-ke, e-na, qo-u-no
pi-ri, na-ka-te, me-sa, te-ta-ra-sa
ka-i, po-sa, ko-ro-ni-a, po-ro-u
ka-po-jo, a-to-ro-po-i, na, u-pa-ro-ko-u,
pi-ri, to-u, a-pe-so-u, na, e-i-na, e-re-u-te-ro(2),
te, a-pa-te-se, pi-re, mo-u
te, pa-i-re-na, o, a-ne-mo,
me, to, a-ka-ta-re-po-to, qo-u-e-to, to-u
ro-we-ro-to, a-re, ti-si-me-ra-ma
«…Πόσα χρόνια μπορεί να υπάρχει ένα βουνό,
πριν να χαθεί μέσα στη θάλασσα;
Και πόσα χρόνια μπορούν κάποιοι άνθρωποι,
να υπάρχουν πριν τους αφήσουν νάναι λεύτεροι;
Την απάντηση φίλε μου την παίρνει ο άνεμος,
φυσώντας μέ το ακατάληπτο βουητό του…»
“…How many years can a mountain exist,
before it is washed to the sea?
Yes, and how many years can some people exist,
before they’re allowed to be free?
The answer, my friend, is blowin’ in the wind.
The answer is blowin’ in the wind…”
These paintings are also permanently accessible through Texas ScholarWorks (URL). Transcriptions and translations of the works are included with every entry, too. Also at PASP are clay tablets and etched CDs in Linear B and many papers of Samartzidis, like exhibit handouts, news articles covering his work, and notebook pages.
More of his works can also be accessed at his website.
In the near future, a digital exhibit of his works will be published on Scalar. There, paintings from PASP’s Samartzidis collections will be presented with interactive transcriptions and transliterations from Linear B to Greek and English.
Updated on February 27, 2018 by Garrett R. Bruner. firstname.lastname@example.org
William C. Collection update by Yogita Sharma
From December 2017 to February 2018, I performed the digital processing of the correspondence between Beatrice Gwynn and William C. Brice for online access. This was completed under the supervision of PASP archivist Garrett Bruner. The Gwynn-Brice correspondence is now online and open access at Texas Scholarworks where all digitized PASP collection material can be found.
This correspondence are the first items made online from PASP’s William C. Brice collection. This small series of correspondence consists of twenty-two letters, the bulk of which were written by Gwynn to Brice. All material was processed following PASP’s guidelines for processing digital materials. I scanned letters to NARA guidelines, read each item, and created the metadata for Texas ScholarWorks as per their Dublin Core schema.
Related material to this correspondence can be found in the Emmett Bennett Jr. Collection, also housed and made accessible online through Texas ScholarWorks. Letters from Beatrice Gwynn to Emmett Bennett on the same subjects, in the same time frame as these letters, highlight Gwynn’s collaboration with the very brightest in Linear B studies. In addition, letters from Chadwick and Bennett in the same period (mid 1960s) make mention of Gwynn’s efforts.
In the letters, Gwynn introduces herself to Brice as a student of Mycenaean scripts. From there, the letters shed light on her Linear A and B research and Brice’s feedback.
The following letters and themes will be most intriguing to scholars:
BGtoWB19681020, BGtoWB19700222, BGtoWB19700320, BGtoWB19700426, BGtoWB19700524: Gwynn lays out her ideas on the relationship between Crete and Greek mainland, Linear A and B, Enkomi script, and Phaistos Disk. Also significant in this regard is her comparative table of scripts.
In her letters, Gwynn emerges as a woman who presents her own strong arguments and views on the decipherment of Linear B. She provides detailed explanations of her disagreements with Brice. Gwynn’s letters to Brice are yet another valuable resource to those interested in the history of Linear B studies, especially the contribution of women to its decipherment.
This project helped me understand and practice digital processing of metadata. The fact that the content was obscure and rich only added to my learning and pleasure.
Check back soon. More from William C. Brice’s collection, including his correspondence on the failed publication of Scripta Minoa III, and with scholars like Michael Ventris, Emmett Bennett, and Sinclair Hood will appear online at TSW throughout 2018.
Updated on February 9, 2018 by Garrett R. Bruner. email@example.com
Visit Report by Regina Dürig and Christian Müller
Regina and Christian were visiting scholars at PASP during the month of October 2017. In their research for a literature-and- music project, they focused on the Alice Kober Papers.
Read their report to their work at PASP here. And check out the reports to other visiting scholars on the side bar!
Updated on December 14, 2017 by Garrett R. Bruner. firstname.lastname@example.org
“Dear Bennett, Dear Miss Kober” by Kevin Lee
During September and October I worked under PASP archivist Garrett Bruner preparing the correspondence between Emmett Bennett, Jr. and Alice Kober for online publication. The Bennett-Kober correspondence is now online for open access at Texas Scholarworks.
This correspondence is part of the E.L. Bennett Jr. Papers. I followed the guidelines set by PASP on processing all digital material. With the scanning already completed, my job was to go through each item, letter by letter, to create metadata for Texas ScholarWorks based on their Dublin Core schema. Garrett provided the schema of this sheet and I added the necessary entries.
The Story Told
The tale that emerges is the evolving collaboration between Kober and Bennett on the decipherment of Linear B. Each enters the arena armed with a different dataset. Kober was assisting Sir John Linton Myres on the publication of the Linear B tablets recovered by Sir Arthur Evans at Knossos. Bennett, who played a comparable role for Carl Blegen, tackled the palace archives excavated at Pylos. The collaboration between Kober and Bennett moves from sharing and correcting their transcriptions of various tablets each has access to, to meeting in person to bring together and standardize classification references to Linear B words. The latter picks up towards the end of 1948, after Myres and Blegen agreed to allow mutual access of their materials, and continues through Kober’s declining health and eventual death in May of 1950.
The Bennett-Kober letters are of a largely technical nature, as one would expect with this kind of work. Shop-talk about classification systems, edits, and proposals for edits orbit around a score of Linear B transcriptions. This is an invaluable collection for those interested in history of scholarship and the mechanics of Linear B’s decipherment. There are two crucial letters for understanding this collection:
1. The first letter in the series, AKtoELB19450114, in which Kober explains her punch-card system.
2. AKtoELB19481122, in which Kober briefly explains both her classification system and statistical methodology.
Reading those first will give the reader a greater sense of the rest of their letters. Another note of warning is that we have more letters penned by Kober than Bennett; we can only guess at what Bennett mentioned in missing letters from Kober’s responses.
In all, however, it is easy enough for a non-specialist such as myself to follow along with the unfolding tale of scholarly cooperation and discovery. For instance, in letters before June 1948, Kober wavers on whether or not the Pylos script is in fact Linear B. But following “the rules of evidence” where they lead, she becomes convinced that the Pylos tablets write the same language as those from Knossos.
The Dramatis Personae
In addition, as per usual, the letters act as windows to their writers, and aspects of their characters flash through. Both begin addressing each other with the formal “Dear Mr. Bennett” and “Dear Miss Kober.” In June 1948, however, Kober says she is finally getting tired of using “Mr. Bennett.” We do not have Bennett’s response to her, but thereafter her letters are addressed “Dear Bennett.” Bennett himself maintains the formal “Dear Miss Kober” throughout. In ELBtoAK19480604, Bennett expresses the traditional academic embarrassment with commerce when he shows off a custom-made set of Linear B stamps in order to “sell…or rather, in keeping with academic dignity, and my own inclination, to show you something I got for myself, and which you might like for yourself.”
Academic exasperations we know today were equally present then. In AKtoELB19490212, Kober expresses irritation at how out of date her transcriptions of the Knossos Tablets, which she was proud of two years before, have become, and the problems that has caused. In AKtoELB19490216 she states, in the context of sharing an office with four other teachers, “[a] city college is no place for scholarly research, I’ve found to my cost.”
Furthermore, Kober has a rueful humor to her. In AKtoELB19451230, after a 3-page litany of questions re: her transcriptions of the Pylos tablets, she writes “I could keep this up all night, but I’ll spare you.” In an earlier letter, dated January 14 of the same year, she deadpans “It’s harder to get articles published in Europe during the war than it was to get military secrets…”
The Mystery Letters
This project has been a good review and expansion of skills I picked up at a previous archiving position. It also involved detective skills I’ve enjoyed putting to use. There were for instance two misdated letters at the end of the collection; one from Kober to Bennett dated December 5, 1950, and another from Bennett to Kober, undated save assignation to 1950.
In the case of the former, the date was obviously incorrect, for Kober died in May of that year. The problem sprang from the fact that (1) Kober simply dated the postcard as “Tuesday,” and (2) the post office stamp indicating the date of receipt was incomplete, leaving out the year. The post office worker must have noticed this and assumed he didn’t stamp hard enough, for there is a second stamp over the first with exactly the same problem, leaving a palimpsest. Examining it up close, I found that there is a faint “1” between the “DEC” and the “5.” This indicates Kober’s local post office in Brooklyn received her postcard on December 15th. I checked the calendars for the years of the Kober-Bennett correspondence, and only in one of them – 1948 – did December 15th fall on a Wednesday, the day after which Kober dates her postcard. Furthermore, the text of the card squarely places it in this year, for it was in the winter of 1948 and 1949 that Kober and Bennett travelled back and forth between New York and New Haven to examine each other’s material, and this postcard contains Kober’s instructions to Bennett for using the subway to get from Penn Station to her office at Brooklyn College. I appropriately renamed it AKtoELB19481214, and you can find it in the collection under that title.
Regarding our other mystery letter without a date, internal clues hint at the time of its writing. In this letter (now titled ELBtoAK19490214), Bennett mentions that his three children have come down with illness, and that he plans to come down to New York “Thursday or Saturday of next week, the 24th or 26th.” This gave some context for me to go off from. Kober, in her February 16, 1949 letter, expresses her hope that Bennett’s children recover. Also, in February of 1949 the 24th and 26th of the month fell on a Thursday and a Saturday, respectively. This gives us the terminus ante quem. To further narrow down the date, in her February 12th letter Kober took Bennett to task for a bad numbering method, which he leads off his mystery date letter with a response to. There’s thus a four-day period in which Bennett could have written this letter. He likely wrote it Monday the 14th or Tuesday the 15th, given the usual time between their correspondence.
The Briefest Conclusion
In toto, this project has been an excellent experience. I am proud to have contributed to the open access publication of this correspondence. It provides a crucial glimpse into the scholarly ground-pounding required to advance Linear B to the point it could be deciphered.
Updated on November 22, 2017 by Garrett R. Bruner. email@example.com
Bennett Correspondence now on UT ScholarWorks
A batch of correspondence from PASP’s Emmett Bennett Jr. collection are now online and accessible through the University of Texas ScholarWorks (TSW) digital repository. Like all collection material uploaded to Scholarworks, it is open access, free to the public. You don’t need an account to access collection material through Texas ScholarWorks!
The letters were scanned at a high resolution and converted to PDFs by Classics graduate students. Some PDFs, like typewritten letters, were scanned with OCR to allow users to copy and search within the documents. The correspondence follows a set of Dublin Core based metadata elements, which improves their access, searchability and organization. This metadata ensures the collection materials’ endurance in the digital realm as it can be transferred to any platform or updated to the infrastructural changes within ScholarWorks.
The Bennett Correspondence can be accessed by here:
This correspondence presents a general view of authors Bennett had professional contact with over several decades (1940s-1990s). The bulk of the letters are written between 1950 and 1965. They span a range of Linear B subjects in the years leading up to its decipherment: classification of tablets for publication (Pylos, Mycenae and Knossos), readings of tablets and ideograms, discovery of new tablets, classification and publication of tablets, and controversies surrounding the decipherment. Classicists, linguists, archaeologists, and students make up much of Bennett’s correspondents. Of particular interest are Bennett’s letters with Sir John Myres, John Chadwick, and Carl Blegen.
The bulk of the Myres letters document Bennett’s trip to Crete in 1950 and the publication of Scripta Minoa II. At the Heraklion museum in Crete, Bennett took the place of the late Alice Kober to set a classification system for the Knossos tablets based on Evans’ numeration of them. This work would be critical for the publication of Scripta Minoa Volume II. The results can be seen in Scripta Minoa Volume II in the “Concordance” pages. As Myres handwriting can be difficult in itself to decipher, we offer transcripts of these letters in plain text files. They can be accessed at the item level of each letter between Myres and Bennett. The transcriptions and metadata for Sir John Myres’ letters were completed by Amanda Rodriguez in July 2017.
A very rich source of information on the decipherment comes from John Chadwick’s letters with Bennett. Chadwick letters cover a range of subjects, like readings of tablets and their classification, publication news and reviews, and convention recaps. As Michael Ventris’s collaborator in the decipherment of Linear B, a significant yet tragic letter is Chadwick’s informing Bennett of Ventris’s death two days after Ventris’s fatal car crash. Following Ventris’s death, Chadwick would relate to Bennett his defense of Ventris’s decipherment against critics like A.J. Beattie and Ernst Grumach.
Chadwick’s letters can be accessed here
Letters between Beattie and Bennett also document a coldness between the scholars deciphering Linear B.
Bennett’s letters also bring to light the attention Kober brought to women in the archaeology field. In a letter with A. H. Hahn, Bennett investigates Kober’s biography for an article in Notable American Women, 1607 – 1950. The following response from Hahn provides more information on her efforts to uncover Kober’s life from her family and friends.
We are very excited to make these documents accessible and open access. They supply very unique information on the lives of Linear B scholars, the times they worked in, and their breakthroughs in Linear B decipherment.
Currently, as of October 2017, PASP aims to digitize the remaining Bennett correspondence and provide the same open access availability to them through Texas ScholarWorks. Correspondence between Bennett and Kober is being immediately processed by PASP Assistant Kevin Lee. These will be uploaded by November 2017.
Updated on October 26, 2017 by Garrett R. Bruner. firstname.lastname@example.org