by Enora Lessinger
I visited the Kazuo Ishiguro archive at the Harry Ransom Center in June 2017, a few months before Ishiguro was awarded the Nobel Prize for Literature. This British writer of Japanese descent is famous for the suggestive quality of his writing, and in particular for his self-deceived, unreliable narrators. [Read more…] about Fellows Find: Searching for Kazuo Ishiguro’s unreliable narrators
In August 2016, I joined the Ransom Center as a graduate student assistant from The University of Texas at Austin’s School of Information to digitize the Gabriel García Márquez papers. [Read more…] about Gabriel García Márquez’s life in 100 pictures
Classics-related holdings at the Ransom Center range from second century Ptolemaic Greek papyri fragments to medieval manuscripts, from early printed editions and translations to squeezes [Read more…] about Horace and presocratic manuscripts on display
Alguna vez Gabriel García Márquez comentó que creía que la principal razón por la cual los escritores leen las novelas de otros, era para aprender cómo las escribieron. Para el laureado con este Premio Nobel los libros tenían una importancia tremenda, y con frecuencia escribía o hablaba de los autores que más habían influido en él. [Read more…] about Dime con quién andas y te diré quién eres: Influencias literarias en la obra de Gabriel García Márquez
Gabriel García Márquez once said that he believed the main reason writers read the novels of others is to learn for themselves how the books had been written. Books were tremendously important to this Nobel laureate, and he wrote and spoke frequently about the writers who most influenced his own work. [Read more…] about The company we keep: Gabriel García Márquez’s literary influences
![The cover of the carbon typescript of El coronel no tiene quien le escriba [No One Writes to the Colonel], 1957.](https://sites.utexas.edu/ransomcentermagazine/files/2015/10/General-cover.jpg)
