August 26, 2010, Filed Under: Conservation‘Every now and then you have to think outside the box’ Preservation Housings Manager Apryl Voskamp spends a lot of her time at the Ransom Center making boxes. Yet, she says, “every now and then you have to think outside the box.” That’s because the preservation lab is responsible for housing every type of item in the Ransom Center’s collections: from Lewis Carroll’s photo album to Ezra Pound’s chess set. “Every single box in the lab is custom-made,” Voskamp says. “Every housing has to fit the unique object stored inside. We take three measurements for every item: length, width, and thickness. Then we look at what material the item is made of. That way I can figure out what other materials can be housed with it, like tissue, felt, or other kinds of non-abrasive materials to cushion or pad the items.” The preservation lab has compiled a binder full of templates for common housings such as boxes for books, custom-made folders, and more. But some items are so unique that the preservation team has to come up with entirely new and innovative designs. For example, the preservation team is currently devising housing for a wicker form in the collection. The two-piece form is too tall and fragile to be stored in one piece, so the top and bottom halves will be stored separately. The top half currently lies in a box, and the legs greet visitors to the preservation lab. “The top half is most stable lying down. I put some batting inside the housing and wrapped simple, muslin, non-bleached cloth around the batting so it has a little pillow for support,” Voskamp says. “We realized that the bottom half would be most stable standing up. Because of the angle of her legs, it tends to roll to one side if you lay it down. We’ll make some sort of support structure for the bottom half.” One challenge of housing the wicker form is that it’s spray-painted gold. “The gold pigment is probably a mixture of copper and zinc, which can react adversely with the acetic acid in some adhesives commonly used in boxmaking,” Voskamp notes. “In this case, we would prefer to use water-based chemicals.” Voskamp had to think creatively when she was asked to store Arthur Conan Doyle’s golf clubs and golf bag. She devised a box that was anything but elementary. “I put the clubs in the bottom of a box and used foam supports to stabilize them and then hollowed out grooves that he clubs could fit into that would support them. Then there was a shelf above the clubs that the golf bag would sit on. The leather was deteriorating, so we wrapped the shelf with non-abrasive material. Then we gently stuffed the golf bag full of tissue paper to hold its shape,” Voskamp says. Robert De Niro’s collection, which the Ransom Center acquired in 2006, kept the preservation lab busy devising new housings for swords, a machete, baseball bats, suitcases, and a plaster facial cast from Frankenstein (1994), to name a few. For Voskamp, one highlight was De Niro’s tackle box full of makeup from when he was first starting his career as an actor. “It was one of the last things he gave us because he wanted to hold onto it. That was special because it was his, it wasn’t a prop,” Voskamp says. While planning how to house the tackle box, Voskamp faced an unusual challenge: after years storing bottles of adhesive and makeup, the box had started to smell. “I was fortunate because when it came in, someone who worked specifically with film props was visiting the department. It was incredible timing that we had the perfect person to consult,” Voskamp says. “He was really excited. His reaction was, ‘Wow, this is great! What’s in here?’ We talked about what he would do about the smell, and he encouraged me to make a ‘breathable’ box.” The sides aren’t completely sealed, which promotes air circulation. But the housing still protects the tackle box from light and dust, which Voskamp says is always her number one concern. “If you create an isolated and somewhat air-tight environment, you can possibly do harm to the object inside. It could become a problem. It was really important to get air exchange into the enclosure and let those potentially harmful chemicals diffuse, or ‘breathe.’ Eventually whatever reaction is going on inside will slow,” Voskamp says. In the end, the preservation lab’s boxes are essential to the items they’re housing. Without the proper box, Gloria Swanson’s sunglasses, Ernest Hemingway’s manuscripts and coin collection, and Queen Elizabeth I’s wax seal would be lost to the ages. Please click the thumbnails to view full-size images. Robert De Niro used this bat as a prop in the movie “The Untouchables” (1987). The box is lined with Tyvek, a non-abrasive material meant to prevent the fake blood on the bat from sticking to any material surrounding it. Photo by Pete Smith. Robert De Niro used this bat as a prop in the movie “The Untouchables” (1987). The box is lined with Tyvek, a non-abrasive material meant to prevent the fake blood on the bat from sticking to any material surrounding it. Photo by Pete Smith. This chess set was owned by Ezra Pound and was acquired as part of the Marcella Spann Booth collection. The individual chess pieces are wrapped in tissue paper, and the board sits on top of an acid-free mat board grid. The original box for the set is pictured under the board. Photo by Pete Smith. Robert De Niro’s makeup kit from his early acting days in theater was stored in housing that allows it to “breathe” since the contents inside the kit have a strong odor. The housing protects the case from light and dust. Photo by Anthony Maddaloni. Robert De Niro’s makeup kit from his early acting days in theater was stored in housing that allows it to “breathe” since the contents inside the kit have a strong odor. The housing protects the case from light and dust. Photo by Anthony Maddaloni. This wicker dress form from the film costumes collection is spray painted gold, and the top and bottom half are stored separately. The top half lays flat in the box, while the legs are stored upright. Photo by Anthony Maddaloni. This wicker dress form from the film costumes collection is spray painted gold. The legs of the dress form are stored upright. Photo by Anthony Maddaloni. A special box was created to store Arthur Conan Doyle’s golf clubs. The clubs are stored at the bottom of the box. The bag is wrapped in tissue paper and sits on a shelf, above the clubs, made of acid free board. Photo by Anthony Maddaloni. Arthur Conan Doyle’s initials are stamped on his golf bag, which is stuffed with tissue paper to maintain its shape. Arthur Conan Doyle’s golf clubs are protected by styrofoam spacers and labeled with tags. Photo by Anthony Maddaloni.
