• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
UT Shield
Ransom Center Magazine
  • Sections
    • View All Articles
    • Art
    • Authors
    • Books + Manuscripts
    • Conservation
    • Digital Collections
    • Exhibitions + Events
    • Film
    • Literature
    • Photography
    • Research + Teaching
    • Theatre + Performing Arts

November 18, 2011, Filed Under: Exhibitions + Events, Photography

Old Inspires the New

Austin-based Lakes Were Rivers, a group of 11 artists working in photography and video, recently collaborated with the Ransom Center to pair works of its artists with images from the Center’s photography collection, resulting in (Re)Collection, an exhibition in conjunction with the East Austin Studio Tour.

Each artist selected an image from the Ransom’s Center photography collections to be scanned and printed as an 8×10 reproduction. In the exhibition, these collection images are paired with a representative work made by members of Lakes Were Rivers, generating a complex and varied dialogue about the traditions and potential of photography as a medium.

Re(Collection) is on view this Saturday and Sunday, November 19 and 20, from 11 a.m. to 6 p.m. at 1319 Rosewood Avenue. Members of Lakes Were Rivers will serve as gallery attendants and will be available to discuss the show with visitors.

Some of the pairings appear below.

Adam Schreiber. Rirkrit Tiravanija, Untitled, 1999. Archival inkjet print. 2011.
Adam Schreiber. Rirkrit Tiravanija, Untitled, 1999. Archival inkjet print. 2011.
Paul Louis Marie Fabre-Domergue. Octopus Vulgaris, 1899. La photographique des animaux aquatques. Harry Ransom Center.
Paul Louis Marie Fabre-Domergue. Octopus Vulgaris, 1899. La photographique des animaux aquatques. Harry Ransom Center.

________________________________________________________________

Ben Ruggiero. Windows as Viewed #71: Migrant Mother, Dorothea Lange 1936. Window etching cyanotype contact print. Harry Ransom Center. November 11, 2011.
Ben Ruggiero. Windows as Viewed #71: Migrant Mother, Dorothea Lange 1936. Window etching cyanotype contact print. Harry Ransom Center. November 11, 2011.
Dorothea Lange. Destitute peapickers in California; a 32 year old mother of seven children. February 1936. Harry Ransom Center.
Dorothea Lange. Destitute peapickers in California; a 32 year old mother of seven children. February 1936. Harry Ransom Center.

_________________________________________________________________

Jessica Mallios. Motif. Archival inkjet print. 2011.
Jessica Mallios. Motif. Archival inkjet print. 2011.
Philip H. Delamotte. Colossal head of Bavaria. Photographic Views of the Progress of the Crystal Palace, Sydenham. London: Crystal Palace Company, 1855. Harry Ransom Center.
Philip H. Delamotte. Colossal head of Bavaria. Photographic Views of the Progress of the Crystal Palace, Sydenham. London: Crystal Palace Company, 1855. Harry Ransom Center.

________________________________________________________________

Mike Osborne. Wendover, Utah. Archival inkjet print. 2011.
Mike Osborne. Wendover, Utah. Archival inkjet print. 2011.
Francis Frith. The Pyramids of Dahshoor?Lower Egypt, Thebes, and the Pyramids?1862 (ca.). Harry Ransom Center.
Francis Frith. The Pyramids of Dahshoor?Lower Egypt, Thebes, and the Pyramids?1862 (ca.). Harry Ransom Center.

About Jennifer Tisdale

Tisdale is responsible for identifying, planning, and implementing strategic public affairs activities and programs that range from media relations to social media at the Ransom Center.

Primary Sidebar

Print Edition

Ransom Center Magazine Fall 2025

Search

Recent Posts

  • Winners Announced for 2025 Schuchard Prize
  • Fellowships Awarded to 46 scholars
  • Benjamin Gross Appointed Associate Director of Research Services at the Harry Ransom Center
  • Celebrating Gabriel García Márquez’s Global Journey: Q&A with the Biblioteca Nacional de Colombia
  • De Macondo al Mundo. Una celebración del recorrido global de Gabriel García Márquez
  • Lorne Michaels Lands at the Ransom Center
  • Literature and Change: Flair Symposium 2024
  • Mark Sainsbury on W. S. Merwin
  • Nancy Cunard in the Studio
  • Visualizing the Environment: Ansel Adams and His Legacy
  • Freedom to Write, Freedom to Read: The Story of PEN
  • Milton in Phoenix

Archive

Footer

© Harry Ransom Center 2025
Site Policies
Web Accessibility
Web Privacy

UT Home | Emergency Information | Site Policies | Web Accessibility | Web Privacy | Adobe Reader

© The University of Texas at Austin 2026