• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
UT Shield
Ransom Center Magazine
  • Sections
    • View All Articles
    • Art
    • Authors
    • Books + Manuscripts
    • Conservation
    • Digital Collections
    • Exhibitions + Events
    • Film
    • Literature
    • Photography
    • Research + Teaching
    • Theatre + Performing Arts

May 9, 2016, Filed Under: Photography, Research + Teaching

Incoming fellow Muriel Willi to investigate historic Swiss photography exhibition

Fellow-2016-17-circle

Muriel Willi, originally from Lucerne, Switzerland, is a doctoral Art History student in Avendres, Switzerland.

She received a 2016-2017 research fellowship from the Ransom Center to support her dissertation research on the 1952 World Exhibition of Photography.

 

Tell us about your research:

My doctoral thesis’ objective is to discuss the political, tourism, and aesthetic aspects of the World Exhibition of Photography that took place in 1952 in Lucerne, Switzerland. The historic part of this exhibition was essentially organized by Helmut Gernsheim, one of the most important photo historians of that time. Access to the Helmut Gernsheim collection will be very helpful in reconstructing the planning, constitution, context of this historic section. In addition, I will explore the collaboration between Gernsheim and other photo historians, and Gernsheim’s endeavors to found a photographic museum in Switzerland.

 

Incoming Fellow Muriel Willi.
Incoming Fellow Muriel Willi.

Which collections at the Ransom Center are most relevant to your research?

The photography collection, specifically the Gernsheim collection.

 

Outside of your primary research interest, are there other collections at the Ransom Center that you hope to see?

As a photography enthusiast, I’m interested in all the photography holdings.

 

Beyond researching, what is at the top of your must-see/do list while in Austin?

As an equestrian, I’d like to visit a ranch in Texas to take a ride.

 

 

 

Fellowship image 2016_large
Norman O. Dawn, special effects card for Call of the Yukon, 1926; J. W. F. Herschel, Halley’s Comet, 1836–7; Page from commonplace book owned by Edith May Southey Warter, undated; Frank Reaugh, Windy Day, painting: oil on canvas, 1900; Anna Atkins, Peacock Feathers, cyanotype, 1845.

Primary Sidebar

Print Edition

Ransom Center Magazine Fall 2025

Search

Recent Posts

  • Winners Announced for 2025 Schuchard Prize
  • Fellowships Awarded to 46 scholars
  • Benjamin Gross Appointed Associate Director of Research Services at the Harry Ransom Center
  • Celebrating Gabriel García Márquez’s Global Journey: Q&A with the Biblioteca Nacional de Colombia
  • De Macondo al Mundo. Una celebración del recorrido global de Gabriel García Márquez
  • Lorne Michaels Lands at the Ransom Center
  • Literature and Change: Flair Symposium 2024
  • Mark Sainsbury on W. S. Merwin
  • Nancy Cunard in the Studio
  • Visualizing the Environment: Ansel Adams and His Legacy
  • Freedom to Write, Freedom to Read: The Story of PEN
  • Milton in Phoenix

Archive

Footer

© Harry Ransom Center 2025
Site Policies
Web Accessibility
Web Privacy

UT Home | Emergency Information | Site Policies | Web Accessibility | Web Privacy | Adobe Reader

© The University of Texas at Austin 2025