Deadline: October 31, 2020
In the imaginations of Western European and US authors, Eastern and Central Europe function as a maledicta terra, a cursed mythical land where dragons dwell. Michael Goddard claims that “Eastern Europe is presented condescendingly as the new Europe as if it had no history before 1989 and above all in terms of abjection and monstrosity.“ Some post-Soviet horror narratives contribute to this narrative – for example, the 1997 Russian film The Vampire (Упырь), which combines the genre of the “wild 90s” crime story with vampire film. Other narratives, from Marc Chagall’s artwork to Igor Ostachowicz’s novel The Night of the Living Jews (2012), lean towards disenchanting the idea of the region as the epitome of chaos and emancipating it from the condescending Western gaze. Still, very little is known about the function of horror fiction in post-Soviet space more broadly – an issue this project aims to remedy.
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