Dates of the Conference: March 29-April 1, 2018
Reading Race in Cold War Cultural Internationalism
An ACLA Seminar (UCLA, March 29-April 1, 2018)
Organized by Cate I. Reilly, Duke University
This seminar looks at the intertwined Soviet and Eastern Bloc legacies on race, cultural solidarity, and geopolitics. It moves beyond the extensive body of prior scholarship on regional ethnic minorities within Central and Eastern Europe and related questions of religious conflict. The seminar instead focuses on how writers, artists, and filmmakers in Central and Eastern Europe and across decolonizing regions during the Cold War, conceived of and negotiated race in the context of newfound, transnational aesthetic commitments.
The seminar asks: How did the epistemic effort to think internationally (by intellectuals from the USSR, GDR, Africa, and the Americas) interface with questions of racial identity? How did such concerns play out when the rough ideological alliances between the Eastern Bloc and emerging nations were challenged by writers and thinkers who were critical of the Soviet Union? In what ways did the early political framework of international solidarity in the USSR, conceived under the heading of the “Friendship of the Peoples,” contain a racialized dimension later played out in the global power struggles of the Cold War? How should frequent claims to racial equality in the Eastern Bloc be treated when occurring in the context of anti-imperialist (and anti-U.S.) propaganda?
The seminar invites literary-critical and interdisciplinary reflections on the conflicted history of race in Central and Eastern Europe during the Cold War, as situated against a backdrop of changing ideological and national alliances. It pays specific attention to a gap within postcolonial theory related to Soviet ideologies and cultural influences. Building on recent conferences that have addressed the legacy of Bandung humanisms, “translating” race in Eurasia, and performances of difference in Central and Eastern Europe, it moves temporally forward from the abundance of research on the role of minorities in the Russian avant-garde of the 1920s and 1930s. Possible paper topics include, but are not limited to: Eurasia’s place in postcolonial theory; literature and national autonomy movements of the Cold War; the conflicted relationship between the Communist and non-Communist intellectuals (Jomo Kenyatta, Kwame Nkrumah, Patrice Lumumba, Léopold Senghor, Cheikh Anta Diop, among others); negritude and internationalism; translation and the circulation of texts/media between Eastern Europe and Africa; the influence of Socialist realist literature on African writers.
Interested applicants should submit a 250-300 word proposal.
Deadline for early registration: September 15, 2017
The Eurasia Center & The Eurasian Business Coalition in cooperation with The Silk Road Nations and their Representatives (Europe & Asia) Present The Silk Road Summit – 2nd Annual Conference: Exploring Business, Trade & Investment Opportunities on the New Silk Road with participation from representatives of U.S. Government Agencies and the U.S. Congress, Multilateral Development Banks, Corporations and Trade Associations, Policy Centers and Foundations Washington, DC .
WEDNESDAY, October 4, 2017 9:00 a.m. – 7 p.m.
AM Panels: The US Capitol Building
East Capitol St NE & First St SE, Washington, DC 20515
PM Panels & Reception: The Ronald Reagan Building & International Trade Center
1300 Pennsylvania Avenue, NW Washington, DC 20004
Deadline for Submissions: September 20, 2017.
AATT GRADUATE STUDENT PRE-CONFERENCE SECOND CIRCULAR
The American Association of Teachers of Turkic Languages (AATT) is pleased to announce the thirteenth annual “Graduate Student Pre-Conference” for graduate students in a range of disciplines enrolled at institutions in North America. This Pre-Conference was established to mark the 20th anniversary of the founding of AATT. The Pre- Conference is co-sponsored by the Institute for Turkish Studies and AATT.
The thirteenth annual Pre-Conference will take place on Saturday, November 18, 2017, at Georgetown University in conjunction with the annual meeting of the Middle East Studies Association, taking place in Washington, D.C., November 18-21, 2017. Pre-Conference participants are strongly encouraged to take advantage of the opportunity to attend the MESA conference.
The Pre-Conference is designed to encourage research making significant use of sources in Turkish and Turkic languages by graduate students in a range of disciplines enrolled at academic institutions in North America. It will promote contact between students at various institutions and allow for feedback from faculty discussants participating in the Pre-Conference. Another goal is to help students progress towards more formal presentations at national conferences such as those of MESA, CESS, and organizations devoted to specific disciplines.
AATT will award a limited number of travel awards to help cover the cost of student participation. Students are also encouraged to seek funding from their home institutions. Continue reading
Event date: September 29 – October 8
Durham University curatorial team is pleased to announce the special program of films, art-projects and discussions, titled What’s Left? A Century in Revolution, which is taking place at Tyneside Cinema, Newcastle upon Tyne, between Friday 29 September and Sunday 8 October 2017.
The program is produced as part of the Cross-Language Dynamics (Open World Research Initiative Project) and is curated by a team of Durham scholars (Dušan Radunović as lead curator) and Tyneside Cinema Newcastle (Una Henry as curator).
Deadline for Applications: September 21, 2017 9:00 a.m. EST
The University of California at Los Angeles writes to invite CREEES affiliates to submit brief abstracts to its ACLA seminar, to be held at UCLA March 29-April 1. Abstracts are due September 21 at 9:00 EST. Please see the website for more information.
Seminar proposal: Varieties of Russian Realism: Medium, Genre, and Form in the Nineteenth-Century Russian Arts
Deadline for Submissions: September 21, at 9 a.m. EST.
The American Comparative Literature Association is looking for participants in the panel “Nature/Culture: Environmental Narratives in the Contemporary World”
This seminar focuses on the intersection of ecology and environmental studies with literature, film, culture, politics, and religion in the contemporary world. We aim to explore the ways in which writers, cultural producers, thinkers, politicians, and non-governmental institutions produce a wide range of discourses on nature and ecology to formulate and shape ideas about national and religious identities, literary production, and social belonging. The 2015 awarding of
Svetlana Alexievich with the Nobel Prize in Literature brought international attention to the confluence of environmental catastrophe with literary narrative. What is more, the rhetoric of “natural disaster,” and its subsequent genres (sustainability narratives, ecotourism, disaster tourism, studies of climate injustice and climate refugees, etc.) often go hand in hand with both foreign and domestic politics, as well as regional identity building. In his recent study of the oil industry in Perm, Russia, for example, Doug Rogers reveals how the regional politics of the Lukoil corporation have played a key role in the revival of local non-Russian cultural identities (The Depths of Russia: Oil, Power, and Culture after Socialism 2015).
Deadline for Submissions: September 30, 2017
Call For Papers
Reclaiming the Swamp (Thing): Popular Culture and the Public Academy
The 14th Annual
Graduate Conference in Comparative Literature
In Association with the “Barbara Harlow, The Sequel” Conference
27th-28th October 2017
The University of Texas at Austin
Richard T. Rodriguez
Associate Professor of Media and Cultural Studies and English
at the University of California, Riverside
on “Latino/U.K.: Postpunk’s Transatlantic Touches”
When the DC comic Swamp Thing debuted in 1971, the border between human and vegetal was crossed. This conference hopes to bridge the gap between the comic and the novel, the art film and the vine, Occupy and Gramsci, the poetry slam and the classical stage, that is to say, between the popular and the academic, so as to allow the academy to occupy a public space. The Graduate Association of Comparative Literature Students presents the 2017 Graduate Student Conference, “Reclaiming the Swamp (Thing): Popular Culture and the Public Academy.” Focusing on the role of Popular Culture in the Humanities today, and remembering the contributions of Dr. Barbara Harlow to education and to the world as a public intellectual, this conference considers how academic scholarship has evolved in its relationship to popular forms of human expression, in whatever medium in a world that has always been filled with cultural objects and discourses. It also imagines what future directions in such work might take.
Often dismissed as an insignificant, transient form, popular culture plays a persistent and powerful role with political and social consequences. In 2016, the Oxford English Dictionary named “post-truth” as the international word of the year, insisting that the affective had supplanted the analytical and that popular culture and media had erupted into the political sphere. Reality-TV, comedy skits, social media posts, and memes became the vehicle for public discourse in a historical moment that demands an understanding of how and why popular culture and media operate so effectively across borders and across spheres. Continue reading
Deadline for Submissions: September 15, 2017
International Academic Conference
“Russian Jewelry Art of the 19th and Early 20th Centuries in a Global Context”
9–11 November 2017
Fabergé Museum in St. Petersburg
Fabergé Museum in St. Petersburg invites you to take part in the International Academic Conference, “Russian Jewelry Art of the 19th and Early 20th Centuries in a Global Context”, to be held 9-11 November 2017 at Fabergé Museum.
With one of the largest collections of Russian jewelry art in the world, Fabergé Museum in St. Petersburg considers it its duty to study the topic from all angles and in a broad historical and cultural context. We hope to include in our conference contributions from art historians and critics, museum and archive professionals, collectors, and jewelers.
In the period from the early 19th to the early 20th centuries, Russian jewelry art tread the path from the Empire style to Art Nouveau, saw the appearance of a constellation of brilliant jewelers both Russian and foreign, got itself noticed at World’s Fairs, contributed to the revival of old jewelry techniques, and began to be collected by both connoisseurs and museums. Continue reading
Deadline for Submissions: January 15, 2017
CALL FOR PAPERS
56th Annual Meeting
Southern Conference on Slavic Studies
March 22-24, 2018
DEADLINE FOR SUBMISSION OF PROPOSALS: January 15, 2018
The Fifty-Sixth Annual Meeting of the Southern Conference on Slavic Studies (SCSS) will be held at the Omni Hotel in downtown Charlotte, March 22-24, 2018. The meeting will be hosted by the University of North Carolina at Charlotte. The SCSS is the largest of the regional Slavic and Eurasian Studies associations and its programs attract national and international scholarly participation. The purpose of SCSS is to promote scholarship, education, and in all other ways to advance scholarly interest in Russian, Soviet, and East European studies in the Southern region of the United States and nationwide. Membership in SCSS is open to all persons interested in furthering these goals.
Papers from all humanities and social science disciplines are welcome, as is a focus on countries other than Russia/USSR. We encourage participation from scholars of all Slavic, East European, and Eurasian regions. Papers can be on any time period and any topic relevant to these regions.
The program committee is accepting panel and paper proposals until January 15, 2018. Whole panel proposals (chair, three papers, discussant) or roundtables (chair, three to five participants) are preferred, but proposals for individual papers will also be accepted. Whole panel proposals should include the titles of each individual paper as well as a title for the panel itself and identifying information (email address and institutional affiliation) for all participants. Roundtable proposals should include a title and identifying information for all participants. Proposals for individual papers should include paper title, identifying information, and a one-paragraph abstract to guide the program committee in the assembly of panels. If any AV equipment will be needed, proposals must indicate so when they are submitted. AV will be of limited availability and assigned on a first-come, first-served basis. Email your proposals to Emily Baran at firstname.lastname@example.org.
For local arrangements or conference information other than the program, please contact Steve Sobol email@example.com. For questions regarding the program, please contact Emily Baran at firstname.lastname@example.org.