Category: Calls for Papers (CFPs)

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CFP: Slavic Conference (U of Wisconsin-Madison)

Deadline for proposals: August 31, 2017

Wisconsin Slavic Conference
October 6-7, 2017
University of Wisconsin-Madison

Abstracts for 20-minute papers on any aspect of Slavic literatures, cultures (including film,
music, and the visual arts), linguistics, and history are invited for the annual Wisconsin Slavic
Conference (formerly titled AATSEEL-Wisconsin). Comparative topics and interdisciplinary
approaches are welcome and encouraged. The conference will be held at the University of
Wisconsin-Madison on Friday and Saturday, October 6 and 7, 2017.

The most recent conference program is available at http://gns.wisc.edu/event/848/
This year’s keynote lecture will be delivered by Professor Pavle Levi (Stanford University).

To present a paper at the Wisconsin Slavic Conference, please submit a proposal by August 31,
2017. Continue reading “CFP: Slavic Conference (U of Wisconsin-Madison)”

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CFP: Special Issue of “Studies in Russian, Eurasian and Central European New Media”

Deadline for Submissions: August 5, 2017

Issue 18: Digital Trauma in Eastern and Central Europe

Submissions are invited to a special issue on Digital Trauma in Eastern and Central Europe.

The special issue, edited by Anna Menyhért and Mykola Makhortykh, looks into the ways in which cultural and literary trauma is processed in the framework of digital memory and media studies. By analyzing how the 21st century digital environment influences both personal and collective trauma processing in local, national and trans-national communities within Europe, the issue strives to contribute to a better understanding of the link of current cultural developments to the collective traumas of the past in post-socialist countries.

The special issue derives its rationale from the ‘Trauma Studies in the Digital Age’ workshop, which was organized in Amsterdam at UvA and NIAS, in the framework of Anna Menyhért’s Marie Sklodowska-Curie project. We encourage further submissions, and suggest that those interested have a look at the project’s website, including the workshop, to have a better idea of possible themes (http://www.traprodig.humanities.uva.nl).

Please express your interest by 5 August 2017 and/or submit your contribution by 15 October 2017 by contacting Mykola Makhortykh at m.makhortykh@uva.nl.

For more information, click here.

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CFP: Russians and the Pacific Northwest (U. of Oregon)

Deadline for Submissions: September 1, 2017

University of Oregon campus, April 6-7, 2018

Russia and the Pacific Northwest: Russians from Fort Ross to the Aleutian Islands

To mark its fiftieth anniversary, Russian, East European and Eurasian Studies at the University of Oregon will be holding an interdisciplinary conference on Russia and the Pacific Northwest on Friday, April 6 and Saturday, April 7, 2018.  Presentations on all aspects of the topic, such as the history of Russian trade and colonization, Russian émigré literature of the area, environmental and immigrant history, as well as topics centered in such disciplines as linguistics, anthropology, religious studies and art, are solicited.  The Pacific Northwest is understood as encompassing northern California, Oregon, Washington, Western coastal Canada, Alaska and Hawaii.  The working language of the conference will be English.

Conference organizers invite interested scholars to submit a 300-word abstract, along with a brief CV (1-3 pages) to the email addresses below.  The conference will underwrite airfare, hotels and meals for participants.

Deadline for receipt of paper proposals is 5 p.m. Pacific Standard Time on Friday, September 1, 2017.

Send proposals and brief CVs to:

Katya Hokanson, hokanson@uoregon.edu
Ryan Jones, rtj@uoregon.edu

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CFP: Translation and the Cultural Cold War (TIS)

Deadline for Submissions: January 1, 2018

Translation and Interpreting Studies (TIS)
Volume 15, Issue 3
Special issue: Translation and the Cultural Cold War
Guest Editors: Giles Scott-Smith (University of Leiden), Esmaeil Haddadian-Moghaddam (University of Leuven)

Translation and the Cultural Cold War

Scholars of the Cultural Cold War continue to explore cultural production and reception, ranging from high culture to everyday experiences, exploring the role and politics of print, propaganda, and culture mainly in the US and Europe (e.g. Hixson 1997; Berghahn 2001; Barnhisel and Turner 2010; Barnhisel 2014). Cultural interactions across the Iron Curtain divide have also been explored (Romijn et. al. 2012; Vowinckel et.al. 2012; Mikkonen and Koivunen 2015). Yet these studies rarely take into account the field of translation and its significance for determining how ideas and intellectual output actually enters another culture. Much of this research to date has concentrated on East-West exchanges and the relevance of (often covert) translation for the dissemination of ideas to bypass censorship (Finn and Couvée 2014). The various roles performed by translators, editors, and publishers during the Cold War were therefore crucial, both for disseminating the cultural and intellectual output of the colonial powers and superpowers, and (from a more positive and as yet less acknowledged perspective) for the development of indigenous publishing in the non-aligned countries, i.e. those which were indirectly implicated in the Cold War (Rubin 2014; Scott-Smith and Lerg 2017).  Continue reading “CFP: Translation and the Cultural Cold War (TIS)”

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CFP: Extended Deadline: Ideology and Linguistic Ideas (Ivane Javakhishvili Tbilisi State U.)

Deadline for Submissions: August 15, 2017

Ideology and Linguistic Ideas
Tbilisi, Georgia
October 6-9, 2017

We are pleased to invite scholars interested in the history of linguistic
ideas developed alongside with different ideologies in different times. The
first conference on this theme was organized in 2015.

2017 year will be the 100th anniversary of the  October Socialist
Revolution, which changed the development of peoples of Former Russian Empire.
The new linguistic politics of Soviet Union and so called ”New Linguistic
Theory” were the consequence of this revolution. Due to this reason some
sessions of the conference will be dedicated to the problems of the history of
Soviet Linguistics and the Soviet Linguistic Politics.

The Conference is organized by the Giorgi Akhvlediani Society for the History
of Linguistics and Ivané Javakhishvili Tbilisi State University.

The conference will be held on 6-9 October, 2017 at Ivane Javakhishvili
Tbilisi State University (Tbilisi, Georgia). Continue reading “CFP: Extended Deadline: Ideology and Linguistic Ideas (Ivane Javakhishvili Tbilisi State U.)”

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CFP: Transition of Eastern European Music Industries After the Fall of Communism (U. of Lodz)

Deadline for Proposals: August 30, 2017

Call for expressions of interest to contribute a chapter to a book on transition of Eastern European music industries after the fall of communism.

“From State Control to Free Market: Transition of Eastern European Music Industries After the Fall of Communism”

Central and Eastern Europe during the last 28 years has been a place of radical political, economic and social transformation, and these changes have affected the cultural industries of these areas. Political and economic transformations coincided with the advent of digitalisation and the Internet, which intensified the changes. It can be argued that during the last three decades the music industries in the countries of Central and Eastern Europe were subject to two shocks: the first related to the fall of state-controlled economies, while the second was caused by the advent of the Internet. This posed a challenge both to record labels and artists, who after adjusting to the rules of the free market economy were faced with the falling sales of records caused by the advent of new communication technologies. This makes the Central and Eastern European music markets an interesting topic which requires further study. Despite the depth of transformation and the size of the region, there are not many publications in English which analyse these processes. Consequently, this volume aims at filling this gap by concentrating on the transition from state-controlled music industries to free-market ones in selected Central and Eastern European countries.

Continue reading “CFP: Transition of Eastern European Music Industries After the Fall of Communism (U. of Lodz)”

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CFP: 12th International Congress of South-East European Studies (Romanian National Committee of AIESEE)

Deadline for Submissions: December 20, 2017

CALL FOR PAPERS: Political, Social and Religious Dynamics in South-East Europe

The 12th Congress of South-East European Studies
Bucharest, 2-7 September 2019

The Romanian National Committee of AIESEE has the pleasure to announce the main topic of the 12th Congress of our Association: “Political, Social and Religious Dynamics in South-East Europe”. Herewith you will find 33 sessions proposed for this occasion. As usual, the working languages will be French and English.

The congress will be held in Bucharest, between 2 and 7 September 2019 and will be opened to all members and collaborators of AIESSE, as well as to young researchers and PhD students. We would be grateful to you for widely spreading this information to all the institutions and the people who might be interested to participate in the congress.

We kindly ask you to send us the titles and abstracts of your contributions at the address congress2019@aiesee.org by 20 December 2017. Please indicate the session of the congress in which you wish to participate.
Continue reading “CFP: 12th International Congress of South-East European Studies (Romanian National Committee of AIESEE)”

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CFP: Asia in the Russian Imagination (U. of Utah)

Deadline for Proposals: October 15, 2017

The University of Utah’s Asia Center is hosting an interdisciplinary conference on Siberia, Central Asia, and the Russian Far East and North Pacific, organized around the theme of “Asia in the Russian Imagination.” The conference will be held at the University of Utah’s campus in Salt Lake City on March 23-24, 2018.

We welcome proposals exploring political, economic, and socio-cultural interactions from a variety of fields and perspectives.  We foresee extended discussions on Russian-Asian connections and networks, as well as policies, processes, and populations in “Russian Asia,” within the imperial, Soviet, or post-Soviet eras.  We hope that this conference honors the interdisciplinary tradition established by the British Universities Siberian Studies Seminar, last held in 2007.

Following the conference, the organizers intend to publish a selection of the essays either as a special issue of a journal or as an edited volume.  Continue reading “CFP: Asia in the Russian Imagination (U. of Utah)”

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CFP: Wisconsin Slavic Conference (U. of Wisconsin-Madison)

Deadline for Proposals: August 31, 2017

Wisconsin Slavic Conference
October 6-7, 2017
University of Wisconsin-Madison 

Abstracts for 20-minute papers on any aspect of Slavic literatures, cultures (including film, music, and the visual arts), linguistics, and history are invited for the annual Wisconsin Slavic Conference (formerly titled AATSEEL-Wisconsin).Comparative topics and interdisciplinary approaches are welcome and encouraged. The conference will be held at the University of Wisconsin-Madison on Friday and Saturday, October 6 and 7, 2017.

This year’s keynote lecture will be delivered by Professor Pavle Levi (Stanford University).

To present a paper at the Wisconsin Slavic Conference, please submit a proposal by August 31, 2017.

A complete proposal consists of:
1. Author’s contact information (name, affiliation, postal address, telephone, and email).
2. Paper title
3. 300-500 word abstract
4. Equipment request (if necessary)

Please send proposals by email to: Ilona Sotnikova, sotnikova@wisc.edu

Please include “Wisconsin Slavic Conference” in the subject line of your email. All submissions will be acknowledged and considered, and all applicants will be informed of the status of their proposals no later than September 15.

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CFP: Utopianism and Dystopianism in Russian, Soviet, Eastern European, and Eurasian Art (SHERA)

Deadline for Proposals: August 14, 2017

Session Title: Utopianism and Dystopianism in Russian, Soviet, Eastern European, and Eurasian Art

Session Co-chairs: Joes Segal, Wende Museum, Los Angeles; Ksenya Gurshtein, Skirball Museum, Los Angeles

Submission Deadline and Instructions: The deadline to submit proposals for talks is August 14, 2017; to submit your proposal, send the following to Joes Segal (jsegal@wendemuseum.org) and Ksenya Gurshtein (ksenya@gmail.com): 1) a 250 word abstract; 2) a shortened CV; 3) a brief note explaining your interest in the session; and 4) a completed session participation proposal form found at the end of this PDF document: http://www.collegeart.org/pdf/call-for-participation.pdf

Note on Additional Session Participation Requirements: All speakers selected for the session must have a current individual CAA membership by August 28, 2017. You can learn more about CAA membership here: http://www.collegeart.org/membership

This panel considers the impact of utopian and dystopian thought on the art of Russia, the Soviet Union, Central and Eastern Europe, and Eurasia from the modern period until the present day. 2017 has brought us reminders of the power that utopia as a concept still has in shaping our understanding of the historic avant-gardes in the region. In the early twentieth century, the arts in the region embraced unprecedented aspirations for social transformation. By the end of the twentieth century, the collapse of socialism in the Eastern Bloc became widely associated with the “passing of mass utopia.” During the decades in between, the Soviet Union and later its “satellite” states were a global epicenter of utopian thought promoted at the state level and at times embraced enthusiastically by producers of visual culture who imagined new visual languages, new purposes for their work, and new modes of working. As official ideology came under pressure, the region also witnessed a rise of dystopian and anti-utopian impulses in the arts. After the end of state communism, both utopian and dystopian ideas have motivated artworks in the post-socialist countries seeking to define new identities. Meanwhile, greater awareness of such movements as nineteenth-century Russian Cosmism and its extensive influence on twentieth-century art urges us to investigate intellectual histories that give a deeper historical account of utopianism in the region in the “longue durée.” Papers on all topics relevant for this theme will be considered for the session; some of these topics include: Continue reading “CFP: Utopianism and Dystopianism in Russian, Soviet, Eastern European, and Eurasian Art (SHERA)”

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