Last Thursday at the Paramount Theatre in Austin, monologist Mike Daisey told the audience he had a confession to make. Before coming to Austin, Daisey said, he asked his Facebook friends where he should eat in town. He received an onslaught of barbeque suggestions from Austinites passionately defending their favorites.… read more
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An iconic photographic moment with Spalding Gray
Who was Spalding Gray? Fans have debated this question for years, as Gray was a pioneer in blurring the line between real life and theater in his autobiographical and often very personal monologues. He left audiences wondering how much of the stage persona was the real Gray and how much… read more
Occupy Wall Street 1939 AD
A bearded and robed figure, whip in hand, chases well-healed bankers and brokers in top hats down Wall Street. Their retreat, a frenzied stampede of cash, coins and streaming ticker tape, is followed by ranks of protestors carrying signs and banners reading, “Democracy,” “Racial Equality,” “Social Security,” and “Right to… read more
Fellow discusses work on wartime photography collections
Anne Tucker, curator of the Museum of Fine Arts, Houston, discusses her research on wartime photography collections found at the Ransom Center. Her work covers collections ranging from Roger Fenton’s documentation of the Crimean War to the World War I photographs of Jimmy Hare to Edward Steichen’s images of the… read more
Fellows Find: Implicating History: Susan Meiselas and the Trafficking of Photographs about Nicaragua
Erina Duganne, Assistant Professor of Art History at Texas State University, visited the Ransom Center on a Marlene Nathan Meyerson Photography Fellowship for a month during the summer of 2011 to review photographs by Susan Meiselas in the Magnum Photos collection. This research relates to her forthcoming book that… read more
Screenwriter Paul Schrader’s papers open for research
In the late 1970s, screenwriter Paul Schrader began writing a script titled Born in the U.S.A., and he asked Bruce Springsteen to write a song for the film. The script sat on Springsteen’s table until one day, while working on a song called “Vietnam,” he noticed Schrader’s script, sang the… read more