Deadline for papers: February 1, 2020
Event Date: March 26-27, 2020
In Ciemność (Darkness, 1866), the Polish poet Cyprian Norwid replied to his readership, which regarded his poetic language as ‘dark’ and ‘unintelligible’ (Uffellmann 1997; Kasperski 2009). The complex rhetoric structure of Darkness shows that the poem was not intended as a poetological explanation, but as a play with the readers’ uncertainties. The readers lose themselves in a labyrinth of enigmatic rhetoric questions and metaphors, ellipses and dashes; the awaited definition of ‘darkness’ and ‘unintelligibility’ is not delivered. Norwid’s Darkness presents reading as an anti-hermeneutic act: reading is not a straight path towards clearness and understanding, but a process in which the readers get lost in the dark spaces of language. A similar idea can be found in Juraj Briškár’s Sprievodca nezrozumiteľnosťou (A Guide to Unintelligibility, 2015). The instrumental case of nezrozumiteľnosť allows two different interpretations and translations of the title. On the one hand, Briškár’s book presents itself as a guide which aims to help readers find a way out from their incomprehension; on the other hand, the book can be interpreted as an invitation to a journey together with unintelligibility: in this case, unintelligibility itself becomes the aim of every hermeneutic process. In both cases, however, the hermeneutic act is presented as a difficult journey through (dark) spaces. Inspired by Norwid’s and Briškár’s poetic strategies, we would like to investigate how the concepts of ‘unintelligibility’ and ‘obscurity’ are (re)presented, performed and negotiated in Slavic literatures. We welcome abstracts dealing especially with following themes:
Continue reading “Conference/CFP: In the Dark Spaces of Language. Negotiation of Unintelligibility in Slavic Literatures (Humbolt University, Berlin)”